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When it was released in 1995, 'Dead Man 'puzzled many audiences and critics. Jim Jarmusch's reputation was for directing slick, hip contemporary films. And 'Dead Man' was a black-and-white Western. As time has passed, though, the number of its admirers has grown considerably. Indeed 'Dead Man,' with its dark and unconventional treatment of violence, racism and capitalism, may be Jarmusch's finest work to date. This is Jonathan Rosenbaum's view. For him, 'Dead Man 'is both a quantum leap and a logical next step in Jarmusch's career, and it's a film that speaks powerfully to present-day concerns. Starring Johnny Depp as the uprooted accountant William Blake and Gary Farmer as his enigmatic Native American companion, Nobody, and with startling cameos from Robert Mitchum, John Hurt and Iggy Pop, 'Dead Man' is by turns shocking, comic, and deeply moving. This book explores and celebrates a masterpiece of 1990s American cinema.

Jonathan Rosenbaum --- film --- filmgeschiedenis --- Jarmusch Jim --- Verenigde Staten --- westerns --- 791.471 JARMUSCH --- Dead man (Motion picture). --- Dead man (Motion picture)

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Cinéma --- Imagination --- Mémoire --- Histoire et critique. --- Production et réalisation --- Esthétique. --- Au cinéma. --- Scorsese, Martin, --- Lynch, David --- Jarmusch, Jim --- Van Sant, Gus,

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Art --- Film --- video art --- motion pictures [visual works] --- Jarmusch, Jim --- Haynes, Todd --- Gamboa, Harry --- Ahwesh, Peggy --- Ainouz, Karim --- Andrews, Laurence --- B., Hima --- Bogawa, Roddy --- Bordowitz, Gregg --- Brakhage, Stan --- Breer, Emily --- Cheang, Shu Lea --- Donegan, Cheryl --- Gibbons, Joe --- Halleck, DeeDee --- Harris, Thomas Allen --- Hutton, Peter --- Jacobs, Ken --- Kalin, Tom --- Klahr, Lewis --- LeCompte, Elisabeth --- McDermott, Davis --- McGough, Peter --- Negrón-Muntaner, Frances --- Noren, Andrew --- Ortiz, Ralph --- Rankin, Scott --- Strosser, Margie --- Varela, Willie --- Thornton, Leslie --- McCarthy, Paul --- Kelley, Mike --- The Wooster Group --- anno 1900-1999 --- United States of America

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David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way, To Live with Herds, A Wife among Wives, Takeover, PhotoWallahs, and Tempus de Baristas. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer.In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new.

Ethnology. Cultural anthropology --- Film --- Documentary films --- Motion pictures in ethnology. --- History and criticism. --- Motion pictures in ethnology --- History and criticism --- Cinéma en anthropologie sociale et culturelle --- Documentaires --- Histoire et critique --- PERFORMING ARTS / Film & Video / History & Criticism. --- Akazama. --- Ananas. --- Ballantyne, Tanya. --- Baruya Muka Archival. --- Bhumbra, Jaswant Singh. --- Blue, James. --- Bresson, Robert. --- Brown, Quentin. --- Bunuel, Luis. --- Caldwell, Erskine. --- Cantrill, Corinne. --- Chakrabarty, Dipesh. --- Dali, Salvador. --- Familiar Places. --- Geddes, William. --- German expressionism. --- Greek tragedy. --- Gurrmanamana, Frank. --- Hemingway, Ernest. --- Hollywood. --- Jarmusch, Jim. --- Kabuki theatre. --- Leacock, Richard. --- Lunacharsky, Anatoli. --- absence. --- aesthetics. --- anthropological writing. --- anthropology. --- chronophotography. --- cognitive science. --- collaboration. --- conflict structure. --- connotation. --- consciousness. --- contextualization. --- denotation. --- dialogue. --- documentary film. --- embodiment. --- epistemology. --- ethnocentrism. --- ethnography. --- film editing. --- film structure. --- filmmaking encounter. --- freeze-frame. --- history. --- identification. --- illustrative films. --- indigenous media. --- intersubjectivity. --- kinesics. --- logocentrism. --- Anthropologie --- Ethnologie --- Visuelle Medien --- Moving-pictures in ethnology --- Visual anthropology --- Documentary films - History and criticism