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Digital preservation. --- Digital images. --- Historic sites. --- Heritage places, Historic --- Heritage sites, Historic --- Historic heritage places --- Historic heritage sites --- Historic places --- Historical sites --- Places, Historic --- Sites, Historic --- Archaeology --- History --- Historic buildings --- Monuments --- World Heritage areas --- Digitized images --- Images, Digital --- Pictures --- Computer files --- Digital curation --- Digital media --- Electronic preservation --- Preservation of digital information --- Preservation of materials --- Conservation and restoration --- Preservation

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Digital preservation. --- Digital images. --- Historic sites. --- Heritage places, Historic --- Heritage sites, Historic --- Historic heritage places --- Historic heritage sites --- Historic places --- Historical sites --- Places, Historic --- Sites, Historic --- Archaeology --- History --- Historic buildings --- Monuments --- World Heritage areas --- Digitized images --- Images, Digital --- Pictures --- Computer files --- Digital curation --- Digital media --- Electronic preservation --- Preservation of digital information --- Preservation of materials --- Conservation and restoration --- Preservation --- Llocs històrics --- Imatges digitals --- Preservació digital

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Infographie --- Sources d'information électroniques --- Numérisation --- Digital images. --- Digital preservation. --- Photography --- Electronic information resources. --- Digital techniques. --- Digital images --- Digital preservation --- Electronic information resources --- Digital photography --- Digital electronics --- Digital information resources --- Digital resources (Information resources) --- Electronic information sources --- Electronic resources (Information resources) --- Information resources --- Computer files --- Digital curation --- Digital media --- Electronic preservation --- Preservation of digital information --- Preservation of materials --- Digitized images --- Images, Digital --- Pictures --- Digital techniques --- Conservation and restoration --- Preservation --- Infographie. --- Sources d'information électroniques. --- Numérisation. --- Sources d'information électroniques. --- Numérisation.

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This book brings a rich and nuanced analysis of selfie culture. It shows how selfies gain their meanings, illustrates different selfie practices, explores how selfies make us feel and why they have the power to make us feel anything, and unpacks how selfie practices and selfie related norms have changed or might change in the future. As humans, we have a long history of being drawn to images, of communicating visually, and being enchanted with (our own) faces. Every day we share hundreds of millions of photos on Facebook, Instagram and Snapchat. Selfies are continually and passionately talked about. People take vast amounts of selfies, and generate more attention than most other social media content. But selfies are persistently attacked as being unworthy of all of this attention: they lack artistic merit; indicate a pathological fascination with one's self; or attribute to dangerously stupid behaviour. This book explores the social, cultural and technological context surrounding selfies and their subsequent meaning.

Digital fotografering --- selvportrett --- fotofrafi --- nettsamfunn --- sosiale medier --- Online social networks. --- Social media --- Digital images --- Research. --- Social aspects. --- Digitized images --- Images, Digital --- Pictures --- User-generated media --- Communication --- User-generated content --- Electronic social networks --- Social networking Web sites --- Virtual communities --- Social networks --- Sociotechnical systems --- Web sites --- Selfies (Photography) --- Self-portraits --- Social Science --- Popular culture. --- Media Studies. --- Portraits --- Portrait photography --- Selfies (Photography) - Social aspects --- Online social networks --- Self --- Technology and civilization. --- Psychological aspects.

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Computer-Generated Images (CGIs) are widely used and accepted in the world of entertainment but the use of the very same visualization techniques in academic research in the Arts and Humanities remains controversial. The techniques and conceptual perspectives on heritage visualization are a subject of an ongoing interdisciplinary debate. By demonstrating scholarly excellence and best technical practice in this area, this volume is concerned with the challenge of providing intellectual transparency and accountability in visualization-based historical research. Addressing a range of cognitive and technological challenges, the authors make a strong case for a wider recognition of three-dimensional visualization as a constructive, intellectual process and valid methodology for historical research and its communication. Intellectual transparency of visualization-based research, the pervading theme of this volume, is addressed from different perspectives reflecting the theory and practice of respective disciplines. The contributors - archaeologists, cultural historians, computer scientists and ICT practitioners - emphasize the importance of reliable tools, in particular documenting the process of interpretation of historical material and hypotheses that arise in the course of research. The discussion of this issue refers to all aspects of the intellectual content of visualization and is centred around the concept of 'paradata'. Paradata document interpretative processes so that a degree of reliability of visualization outcomes can be understood. The disadvantages of not providing this kind of intellectual transparency in the communication of historical content may result in visual products that only convey a small percentage of the knowledge that they embody, thus making research findings not susceptible to peer review and rendering them closed to further discussion. It is argued, therefore, that paradata should be recorded alongside more tangible outcomes of research, preferably as an integral part of virtual models, and sustained beyond the life-span of the technology that underpins visualization.

Cultural property --- Interpretation of cultural and natural resources. --- Visualization --- Digital media. --- Digital images. --- Virtual reality. --- Digitization. --- Data processing. --- Cultural property -- Digitization. --- Visualization -- Data processing. --- Interpretation of cultural and natural resources --- Digital media --- Digital images --- Virtual reality --- History & Archaeology --- Archaeology --- Digitization --- Data processing --- Environments, Virtual --- Virtual environments --- Virtual worlds --- Electronic media --- New media (Digital media) --- Visualisation --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Digitized images --- Images, Digital --- Computer simulation --- Reality --- Mass media --- Digital communications --- Online journalism --- Imagery (Psychology) --- Imagination --- Visual perception --- Communication --- Property --- World Heritage areas --- Pictures --- Natural resources --- Interpretive programs