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Greek philology. --- 276 =71 HIERONYMUS, SOPHRONIUS EUSEBIUS --- Greek philology --- Classical philology --- Greek language --- Greek literature --- Latijnse patrologie--HIERONYMUS, SOPHRONIUS EUSEBIUS --- Jerome Saint --- -Knowledge --- -Greek philology --- Jerome, --- Gerolamo, --- Gérome, --- Gerónimo, --- Girolamo, --- Heronimos, --- Hieronim, --- Hieronymus, Eusebius, --- Hieronymus, --- Hieronymus, Sophronius Eusebius, --- Hieronymus, Stridonensis, --- Ieronim, Stridonskiĭ, --- Iheronimus, --- Jerónimo, --- Jerōnimos, --- Knowledge --- Bible. --- Versions --- Vulgate. --- Jeronimi,

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#GOSA:II.P.HI.M --- #GROL:SEMI-276-05 Hier --- 235.3 HIERONYMUS --- 871 HIERONYMUS --- 871 HIERONYMUS Latijnse literatuur--HIERONYMUS --- Latijnse literatuur--HIERONYMUS --- Hagiografie--HIERONYMUS --- Jerome, --- Gerolamo, --- Gérome, --- Gerónimo, --- Girolamo, --- Heronimos, --- Hieronim, --- Hieronymus, Eusebius, --- Hieronymus, --- Hieronymus, Sophronius Eusebius, --- Hieronymus, Stridonensis, --- Ieronim, Stridonskiĭ, --- Iheronimus, --- Jerónimo, --- Jerōnimos, --- Jeronimi, --- Jerome, - Saint, - -419 or 420 --- Hieronymus presb.

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Ten years after completing his work 'The Last Communion of Saint Jerome, 'Bolognese painter Domenichino was accused by his rival Giovanni Lanfranco of stealing the idea for the painting from an altarpiece crafted by Lanfranco's teacher, Agostino Carracci. The resulting scandal reverberated through the centuries, drawing responses by artists and critics from Poussin and Malvasia to Fuseli and Delacroix. Why was Domenichino attacked in this way when other related paintings& including Raphael's 'Marriage of the Virgin 'and Perugino's painting of the same subject& aroused no such negative response? In this fast-paced book, Elizabeth Cropper investigates the Domenichino affair and addresses the perennial debate regarding the precise nature of originality and of imitation. She offers close readings of the paintings involved in the story, detailed analysis of attitudes toward imitation, emulation, and plagiarism, and a fascinating discussion of what Domenichino's plight signifies in art history.

Painting --- Aesthetics of art --- Domenichino --- Jerome --- Carracci, Agostino --- Rome --- Imitatie in de kunst --- Imitation dans l'art --- Imitation in art --- Imitation in art. --- Painting, Renaissance --- Domenichino, --- Carracci, Agostino, --- Jerome, --- Authorship. --- Art --- Pictures --- Appropriation (Art) --- Mimesis in art --- Reproduction --- Copying --- Carrache, Augustin, --- Caracci, Agostino, --- Gerolamo, --- Gérome, --- Gerónimo, --- Girolamo, --- Heronimos, --- Hieronim, --- Hieronymus, Eusebius, --- Hieronymus, --- Hieronymus, Sophronius Eusebius, --- Hieronymus, Stridonensis, --- Ieronim, Stridonskiĭ, --- Iheronimus, --- Jerónimo, --- Jerōnimos, --- Domenico, Zampieri --- Authorship --- Painting [Renaissance ] --- Italy --- Jeronimi,

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Jerome's Epitaph on Saint Paula (Epitaphium Sanctae Paulae) is one of the most famous writings by one of the most prolific authors in all of Latin antiquity. Composed in 404, it is an elaborate eulogy commemorating the life of Paula (347-404), a wealthy Christian widow from Rome who renounced her senatorial status and embraced a lifestyle of ascetic self-discipline and voluntary poverty. She used her vast inherited fortune to fund various charitable causes and to co-found with Jerome, in 386, a monastic complex in Bethlehem which was equipped with a hostelry for Christian pilgrims. The Epitaphium is one of the core primary texts on female spirituality (both real and idealized) in Late Antiquity, and it also is one of Jerome's crowning literary achievements, yet until now it has not received the depth of scholarly analysis that only a proper commentary can afford. This book presents the first full-scale commentary on this monumental work in any language. Cain accesses a very extensive array of ancient sources to fully contextualize the Epitaphium and he comprehensively addresses stylistic, literary, historical, topographical, theological, text-critical and other issues of interpretive interest, including relevant matters of Hebrew, Greek, and Latin philology. Considerable effort also is expended on extricating the elusive Paula of history from the sticky web of Jerome's idealized hagiographic construct of her. Accompanying the commentary is an introduction which situates the Epitaphium in the broader context of its author's life and work and exposes its various propagandistic dimensions. The critical Latin text and the facing-page translation will make the Epitaphium more accessible than ever before and will provide a reliable textual apparatus for future scholarship on this key Hieronymian writing.

Jerome, --- Paula, --- Criticism and interpretation --- Hieronymus, Sophronius Eusebius, --- Criticism and interpretation. --- 276 =71 HIERONYMUS, SOPHRONIUS EUSEBIUS --- Latijnse patrologie--HIERONYMUS, SOPHRONIUS EUSEBIUS --- Paola, --- Paule, --- Gerolamo, --- Gérome, --- Gerónimo, --- Girolamo, --- Heronimos, --- Hieronim, --- Hieronymus, Eusebius, --- Hieronymus, --- Hieronymus, Stridonensis, --- Ieronim, Stridonskiĭ, --- Iheronimus, --- Jerónimo, --- Jerōnimos, --- Jeronimi, --- Paula vidua Romana --- Jerome, - Saint, - -419 or 420. - Epitaphium Sanctae Paulae --- Jerome, - Saint, - -419 or 420 - Criticism and interpretation --- Paula, - Saint, - 347-404 --- Jerome, - Saint, - -419 or 420

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Jerome, Saint, d. 419 or 20 --- Renaissance. --- Renaissance --- Influence. --- Jerome, --- Jerome --- Jerome Saint --- Influence --- Revival of letters --- History --- Gerolamo, --- Gérome, --- Gerónimo, --- Girolamo, --- Heronimos, --- Hieronim, --- Hieronymus, Eusebius, --- Hieronymus, --- Hieronymus, Sophronius Eusebius, --- Hieronymus, Stridonensis, --- Ieronim, Stridonskiĭ, --- Iheronimus, --- Jerónimo, --- Jerōnimos, --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- Jeronimi, --- Jerome, - Saint, - -419 or 420 - Influence --- Civilisation de la renaissance --- Jerome, - Saint, - -419 or 420