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Hervé Guibert, photographe
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ISBN: 9782070132553 2070132552 Year: 2011 Publisher: Paris Gallimard

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Hervé Guibert : articles 1980-1995
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ISBN: 9782072966088 2072966086 Year: 2021 Publisher: [Paris] Gallimard

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L'univers d'intimité d'Hervé Guibert
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ISBN: 9782343056852 Year: 2015 Publisher: Paris : L'Harmattan,

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Version remaniée d'une thèse, cette étude s'attache à l'ensemble de l'oeuvre d'H. Guibert afin de mettre en lumière les ressorts de son écriture et d'expliquer la fascination qu'il continue d'exercer sur ses lecteurs. L'auteure analyse ses principaux thèmes dont la mort et la maladie et décrit leur traitement littéraire par le prisme de l'autobiographie, mâtinée de mensonges. ©Electre 2015

Michel Tournier and the metaphor of fiction
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ISBN: 1781386714 1846313279 9781846313271 9780853238614 0853238618 9781781386712 9780853238430 085323843X 9780853238539 0853238537 9780853238713 0853238715 9781781387672 1781387672 1846313562 9781846313561 Year: 1999 Publisher: Liverpool Liverpool University Press

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Michel Tournier is a writer who explores complex philosophical questions in the guise of concrete, imagistic narratives. This comprehensive study privileges the notion of literary reference, by which the world of text is understood or experienced in metaphorical relation to the world outside of it. Metaphor, in the context of Tournier's fiction, shows how the fantastic merges with the real to provide new perspectives on many diverse aspects of the modern world: the Crusoe myth, Nazism, the value to society of art and religion, and the nature of education. This book elucidates an aesthetic of Tournier's fiction that encompasses the writer's stated ambition to 'go beyond literature'.

Cytomégalovirus : journal d'hospitalisation
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ISBN: 2020147270 9782020147279 Year: 1992 Publisher: Paris Éditions du Seuil

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Angelic Echoes
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ISBN: 9781442670853 1442670851 0802047947 9780802047946 9781487598754 1487598750 9781487598259 Year: 2000 Publisher: Toronto

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In 1990 Hervé Guibert gained wide recognition and notoriety with the publication of "A l'ami qui ne m'a pas sauvé la vie (To the Friend Who Did Not Save My Life)". This novel, one of the most famous AIDS fictions in French or any language, recounts the battle of the first-person narrator not only with AIDS but also with the medical establishment on both sides of the Atlantic. Photography critic for Le Monde from 1977-1985, Guibert was also the co-author (with Patrice Chéreau) of a film script, L'Homme Blessé, which won a César in 1984, and author of more than twenty-five books, eight of which have been translated into English.In this vibrant and unusual study, Ralph Sarkonak examines many intriguing aspects of Guibert's life and production: the connection between his books and his photography, his complex relationship with Roland Barthes and with his friend and mentor Michel Foucault (relationships that were at once literary, intellectual, and personal in each case); the ties between his writing and that of his contemporaries, including Renaud Camus, France's most prolific gay writer; and his development of an AIDS aesthetic. Using close textual analysis, Sarkonak tracks the convolutions of Guibert's particular form of life-writing, in which fact and fiction are woven into a corpus that evolves from and revolves around his preoccupations, obsessions, and relationships, including his problematic relationship with his own body, both before and after his HIV-positive diagnosis.Guibert's work is a brilliant example of the emphasis on disclosure that marks recent queer writing-in contrast to the denial and cryptic allusion that characterized much of the work by gay writers of previous generations. Yet, as Sarkonak concludes, Guibert treats the notions of falsehood and truth with a postmodern hand: as overlapping constructs rather than mutually exclusive ones - or, to use Foucault's expression, as "games with truth."


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Une rencontre entre Eugène Savitzkaya et Hervé Guibert
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Year: 1982 Publisher: Paris

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Hervé Guibert, l'envers du visible
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ISBN: 9782354281809 Year: 2022 Publisher: Grâne : Créaphis éditions,

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Écrivain, critique, photographe, cinéaste, lecteur, Hervé Guibert (1955-1991) n'a eu de cesse de questionner les images : celles des autres comme les siennes. Correspondant et chroniqueur au Monde, lecteur à l'Institut des jeunes aveugles, il mène en parallèle une enquête au coeur de son travail d'écriture fictionnelle, tant il est convaincu qu'on ne peut plus "écrire comme autrefois, du temps d'avant l'image photographique, télévisuelle, cinématographique" (L'image fantôme). Il joue avec les ficelles cachées du réel (aveuglement, incognito, faussaires, fictions, fantômes, etc.), sans jamais réduire le visuel au vu, pour donner tout son sens à la notion de visible. Etre fantasmagorie et documentaire, comment définir son écriture hybride ? Si les études consacrées à l'auteur de "A l'ami qui ne m'a pas sauvé la vie" sont nombreuses, on connait moins son oeuvre photographique. C'est ce chemin qu'emprunte le présent ouvrage en réunissant les contributions de spécialistes de l'oeuvre d'Hervé Guibert.

A l'ami qui ne m'a pas sauvé la vie. : roman.
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ISBN: 2070718905 Year: 1990 Publisher: Paris Gallimard

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Angelic Echoes: Hervé Guibert and Company
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ISBN: 0802047947 1442670851 Year: 2000 Publisher: University of Toronto Press

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In 1990 Hervé Guibert gained wide recognition and notoriety with the publication of "A l'ami qui ne m'a pas sauvé la vie (To the Friend Who Did Not Save My Life)". This novel, one of the most famous AIDS fictions in French or any language, recounts the battle of the first-person narrator not only with AIDS but also with the medical establishment on both sides of the Atlantic. Photography critic for Le Monde from 1977-1985, Guibert was also the co-author (with Patrice Chéreau) of a film script, L'Homme Blessé, which won a César in 1984, and author of more than twenty-five books, eight of which have been translated into English.In this vibrant and unusual study, Ralph Sarkonak examines many intriguing aspects of Guibert's life and production: the connection between his books and his photography, his complex relationship with Roland Barthes and with his friend and mentor Michel Foucault (relationships that were at once literary, intellectual, and personal in each case); the ties between his writing and that of his contemporaries, including Renaud Camus, France's most prolific gay writer; and his development of an AIDS aesthetic. Using close textual analysis, Sarkonak tracks the convolutions of Guibert's particular form of life-writing, in which fact and fiction are woven into a corpus that evolves from and revolves around his preoccupations, obsessions, and relationships, including his problematic relationship with his own body, both before and after his HIV-positive diagnosis.Guibert's work is a brilliant example of the emphasis on disclosure that marks recent queer writing-in contrast to the denial and cryptic allusion that characterized much of the work by gay writers of previous generations. Yet, as Sarkonak concludes, Guibert treats the notions of falsehood and truth with a postmodern hand: as overlapping constructs rather than mutually exclusive ones - or, to use Foucault's expression, as "games with truth."

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