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In this beautifully illustrated study, Paul Binski offers a new account of sculpture in England and northwestern Europe between c. 1000 and 1500, examining Romanesque and Gothic art as a form of persuasion. Binski applies rhetorical analysis to a wide variety of stone and wood sculpture from such places as Wells, Westminster, Compostela, Reims, Chartres, and Naumberg. He argues that medieval sculpture not only conveyed information but also created experiences for the subjects who formed its audience. Without rejecting the intellectual ambitions of Gothic art, Binski suggests that surface effects, ornament, color, variety, and discord served a variety of purposes. In a critique of recent affective and materialist accounts of sculpture and allied arts, he proposes that all materials are shaped by human intentionality and artifice, and have a "poetic." Exploring the imagery of growth, change, and decay, as well as the powers of fear and pleasure, Binski allows us to use the language and ideas of the Middle Ages in the close reading of artifacts
Sculpture, Gothic --- Sculpture, Medieval --- Church architecture --- Sculpture gothique. --- Architecture gothique --- Christian art and symbolism --- Church doorways --- Themes, motives. --- Gothic sculpture --- Sculpture, Gothic - England --- Church architecture - England --- Church architecture - Europe
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Gothic art finds its roots in the powerful architecture of the cathedrals of northern France. It is a medieval art movement that evolved throughout Europe over more than 200 years.Leaving curved Roman forms behind, the architects started using flying buttresses and pointed arches to open up cathedrals to daylight. A period of great economic and social change, the Gothic era also saw the development of a new iconography celebrating the Holy Mary - in drastic contrast to the fearful themes of dark Roman times. Full of rich changes in all of the various art forms (architecture, sculpture, painting, etc.), Gothic art paved the way for the Italian Renaissance and International Gothic movement.
Art, Gothic. --- Painting, Gothic. --- Sculpture, Gothic. --- Architecture, Gothic. --- Gothic art --- Art, Medieval --- Christian art and symbolism --- Gothic architecture --- Christian antiquities --- Church architecture --- Gothic sculpture --- Sculpture, Medieval --- Gothic painting --- Paintings, Gothic --- Art, Gothic --- Art --- Art, gothic
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Sculpture --- anno 1200-1499 --- Auxerre --- Relief (Sculpture) --- -Sculpture, French --- -Sculpture, Gothic --- -Cathedrale Saint-Etienne (Auxerre, France) --- -Gothic sculpture --- Sculpture, Medieval --- French sculpture --- Cathedrale Saint-Etienne (Auxerre, France) --- Saint-Etienne (Cathedral : Auxerre, France) --- Cathédrale d'Auxerre --- Cathédrale St-Etienne (Auxerre, France) --- Auxerre, France. --- Art, Renaissance --- Sculpture, French --- Sculpture, Gothic --- Renaissance art --- Gothic sculpture --- Cathédrale Saint-Etienne (Auxerre, France) --- Relief (Sculpture) - - Auxerre - France --- -Sculpture, French - - Auxerre - France --- -Sculpture, Gothic - - Auxerre - France --- -Sculpture --- -Art, Renaissance
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Church doorways --- -Sculpture, French --- -Sculpture, Gothic --- -Christian art and symbolism --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Gothic sculpture --- Sculpture, Medieval --- French sculpture --- Doorways --- Cathedrale de Chartres --- Notre-Dame (Cathedral : Chartres, France) --- Chartres, France. --- Notre-Dame de Chartres (Cathedral) --- Chartres Cathedral --- -Cathedrale de Chartres --- -Gothic sculpture --- Art, Christian --- Christian art and symbolism --- Sculpture, French --- Sculpture, Gothic --- Religious art --- Cathédrale de Chartres. --- Symbolism in art
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Sculpture --- anno 1200-1499 --- Belgium --- Arts graphiques --- Belgique --- België --- Grafische kunst --- Polychromy --- Sculpture, Gothic --- Wood-carving, Gothic --- -Sculpture, Gothic --- -Wood-carving, Gothic --- -Gothic wood-carving --- Gothic sculpture --- Sculpture, Medieval --- Color in sculpture --- Color --- -Polychromy --- Gothic wood-carving --- Polychromy - Belgium --- Sculpture, Gothic - Belgium --- Wood-carving, Gothic - Belgium --- carvings [visual works] --- sculpture techniques --- polychromy --- beeldhouwkunst, Nederlanden --- Gothic [Medieval]
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Stevensweerth, van, Jan --- Bonnefantenmuseum [Maastricht] --- Rodin, Auguste --- Christian saints in art --- Polychromy --- Sculpture, Gothic --- Wood-carving, Gothic --- Gothic wood-carving --- Gothic sculpture --- Sculpture, Medieval --- Color in sculpture --- Sculpture --- Expertising --- Color --- Anne --- Steffeswert, Jan van, --- Stevensweerth, Jan van, --- Van Steffeswert, Jan, --- Ana --- Ann --- Anna --- Anne, --- Art. --- Bonnefantenmuseum. --- Limburgs Museum voor Kunst en Oudheden --- Bonnefantum Museum
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Sculpture --- Religious architecture --- Painting --- anno 1200-1499 --- anno 1500-1599 --- Cadaver in art --- Sepulchral monuments, Gothic --- Sculpture, Gothic --- Sculpture, Renaissance --- Monuments funéraires gothiques --- Sculpture gothique --- Sculpture de la Renaissance --- 7.04 --- Sculpture, Medieval --- Gothic sepulchral monuments --- Renaissance sculpture --- Gothic sculpture --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Monuments funéraires gothiques --- Dead in art.
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History --- Sculpture --- altarpieces --- polyptychs --- retables [altar appendages] --- Art --- congres / 1990 --- anno 500-1499 --- anno 1400-1499 --- anno 1500-1599 --- Altarpieces, Medieval --- Retables médiévaux --- Congresses --- Congrès --- retables [altar appendage] --- Retables médiévaux --- Congrès --- Altarpieces, Gothic --- Sculpture, Gothic --- Triptychs --- Triptichs --- Gothic sculpture --- Sculpture, Medieval --- Medieval altarpieces --- Gothic altarpieces --- Expertising&delete& --- Expertising
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Civilization, Medieval --- Sculpture, European --- Sculpture, Gothic --- Sculpture, Romanesque --- Civilisation médiévale --- Sculpture européenne --- Sculpture gothique --- Sculpture romane --- -Sculpture, Romanesque --- -Sculpture, Medieval --- -European sculpture --- Romanesque sculpture --- Gothic sculpture --- European sculpture --- Sculpture, Medieval --- Civilisation médiévale --- Sculpture européenne --- Sculpture, Romanesque - Europe --- Sculpture, Gothic - Europe
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Im Zentrum von Buch und Ausstellung stehen die weltberühmten Stifterfiguren und die ausdrucksstark gestalteten Darstellungen der Leidensgeschichte Christi am Westlettner. Um diesen Werkkomplex gruppiert sind ca. 300 bedeutende Leihgaben aus zahlreichen europäischen Ländern und den USA: Skulpturen und Architekturfragmente im Original und Gipsabguss, Glasmalerei, illuminierte Handschriften, Werke der Goldschmiede- und Elfenbeinschnitzkunst, Beispiele aus dem Bereich der Ritterkultur etc. Die Naumburger Landesausstellung vermag erstmals, den Grossteil der mit dem Naumburger Meister in Verbindung gebrachten Oeuvres in Naumburg in Form von Originalen und Abformungen zu versammeln. Exhibition: Landesausstellung Sachsen-Anhalt, Naumburg (29.6-2.11.2011).
Sculpture, French --- Architecture, Medieval --- Sculpture, German --- Sculpture française --- Architecture médiévale --- Sculpture allemande --- Naumburger Meister, --- Sculpture, Gothic --- Architecture, Gothic --- Exhibitions --- Sculpture française --- Architecture médiévale --- Gothic sculpture --- Gothic architecture --- Master of Naumburg, --- Meister von Naumburg, --- Naumburg Master, --- Sculpture, Medieval --- Christian antiquities --- Church architecture --- Sculpture, Gothic - Exhibitions --- Architecture, Gothic - Exhibitions --- Naumburger Meister, - active 13th century - Exhibitions --- Naumburger Meister, - active 13th century