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Human medicine --- Art --- mirrors --- art [discipline] --- medicine [discipline] --- reflection [action] --- specular reflection --- Anastasi, William --- Andersson, Christian --- Csörgö, Attila --- dell'Angelo, Marta --- Eriksson, Annika --- Pistoletto, Michelangelo --- Florschuetz, Thomas --- Fricke, Adib --- Friðfinnsson, Hreinn --- Martinis, Dalibor --- Macchi, Jorge --- DER Sabina --- Giovanna, Di, Livia --- Guagliardi, Carla --- Krakowski, Sergio --- Grand, Le, Paul --- Rigg, Richard --- Schipper, Otavio --- Utermohlen, William --- Acconci, Vito --- Graham, Dan --- Baldessari, John --- Melhus, Bjorn

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Iconography --- Art --- Sculpture --- Drawing --- Painting --- Photography --- Film --- assemblages [sculpture] --- drawing [image-making] --- painting [image-making] --- photography [process] --- Nature --- sculpting --- fauna --- flora [plants] --- multi-channel video installations --- landscapes [representations] --- Kubiak & Rauch --- Baranowsky, Heike --- Basch, Gabriele --- Buchwald, Kurt --- Dlugos, Caroline --- Dolven, A.K. --- El Dib, Amin --- Elle, Klaus --- Eller, Thomas --- Florschuetz, Thomas --- Gribl, Jörg --- Koenig, Wilmar --- Mangos, Simone --- Markowitsch, Rémy --- Meldner, Katharina --- Messmer, Arwed --- Riches, Martin --- Rosenberg, Karin --- Schön, Eva-Maria --- Spohr, Malte --- Sunder-Plassmann, Andrea --- Terfloth, Beate --- Zeidler, Frank Michael --- Baumann, Max --- Kopystiansky, Svetlana --- Grimshaw, Nicholas --- Appelt, Dieter --- Koberling, Bernd --- Meyer, Nanne --- Rickey, George --- anno 1900-1999 --- anno 2000-2099 --- Germany

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This is the first book about the history, influences, and impact of the 'Werkstatt für Photography'(Photography Workshop) founded by the Berlin photographer Michael Schmidt at the Volkshochschule Kreuzberg in 1976. In the midst of the Cold War, the Werkstatt initiated an artistic 'airlift' to the United States, a democratic field of experimentation beyond the pale of traditional vocational and political-institutional standards. Those same years witnessed the establishment of infrastructures in West Germany that paved the way for the emancipation of photography as an art form. These included 'documenta 6' (1977), the first photo galleries and photography journals, and a number of pathbreaking exhibitions. Berlin, Hanover, and Essen played important roles in that process. All in all, the picture of a medium in transition emerges, a medium that developed an autonomous form of artistic authorship in the field of documentary. This book presents the story of German photography in the 1970s and 1980s, its international ties, its protagonists, and its networks.

Photography, Artistic --- Photography --- fotografie --- twintigste eeuw --- fotografiegeschiedenis --- Duitsland --- Berlijn --- Berlin --- Werkstatt für Photographie --- Adams Robert --- Adler Gosbert --- Arbus Diane --- Baltz Lewis --- Blume Uschi --- Bottländer Wendelin --- Brohm Joachim --- Ciner Tuna --- Clark Larry --- Denkeler Friedhelm --- Deutschmann Thomas --- Eggleston William --- Eilmes Wolfgang --- Fink Larry --- Florschuetz Thomas --- Frank Robert --- Friedlander Lee --- Furuya Seiichi --- Gelpke André --- Görlich Ulrich --- Gossage John --- Graham Paul --- Grossmann André --- Gursky Andreas --- Heinze Volker --- Horlitz Andreas --- Kelm Ursula --- Koenig Wilmar --- Leuner Thomas --- Lüthi Urs --- Maron Kurt Wolfgang --- Mayer Christa --- Nothhelfer Gabriele --- Nothhelfer Helmut --- Ocherbauer Eva Maria --- Ochse Hildegard --- Riebesehl Heinrich --- Schmidt Michael --- Scholz Rittermann Philipp --- Schürmann Wilhelm --- Schulze Eldowy Gundula --- Shore Stephen --- Stamm Hermann --- Voutta Klaus-Peter --- Willmann Manfred --- Wittmar Petra --- Wüst Ulrich --- 77.038 --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Werkstatt für Photographie der VHS Kreuzberg --- Volkshochschule Kreuzberg. --- Werkstatt für Photographie der V.H.S. Kreuzberg --- Exhibitions --- photography [process] --- anno 1970-1979 --- anno 1980-1989 --- Germany

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Iconography --- Art --- Photography --- History --- photography [process] --- art history --- self-portraits --- artists' portraits --- portraits --- Lissitzky, El --- Hausmann, Raoul --- Studio Landau --- Umbo --- Yva --- Annan, James Craig --- Astfalck-Vietz, Marta --- Brandl, Steffi --- Breitenbach, Josef --- Breslauer, Marianne --- Brill, Fritz --- Casparius, Hans G. --- Comeriner, Erich --- Diez-Dührkoop, Minya --- Dührkoop, Rudolf --- Erfurth, Hugo --- Eschen, Fritz --- Fiedler, Franz --- Florschuetz, Thomas --- Frese, Beate --- Gorny, Hein --- Gremmler, Karl Theodor --- Citroen, Paul --- Hilsdorf, Jacob --- Hilsdorf, Theodor --- Hirsekorn, Alice --- Hoinkis, ewald --- Jacobi, Lotte --- Kauffmann, Richard --- Kester, Philipp --- Kleber, Birgit --- Freund, Gisèle --- Laabs, Hans --- Leistikow, Grete --- Lendvai-Dircksen, Erna --- Lerski, Helmar --- Man, Felix H. --- Melis, Roger --- Metzner, Helmut --- Moholy, Lucia --- Steichen, Edward --- Nappelbaum, Ida --- Perscheid, Nicola --- Schmidt, Michael --- Seidenstücker, Liselotte --- Stein, Fred --- Strelow, Liselotte --- Thiemann, Elsa --- Tobias, Herbert --- Rodtschenko, Alexander Michajlowitsch --- Walther, Pan --- Moholy-Nagy, László --- Sander, August --- Stone, Cami --- Blumenfeld, Erwin --- Appelt, Dieter --- Kesting, Edmund --- anno 1900-1999

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This dazzling array of photographs by seventy-five of the world’s foremost contemporary photographers focuses on self-portraiture. From intimate images of introspection and those that challenge notions of ethnicity and sexuality, to dramatic, stylized photographs of dream-like scenarios, Auto Focus shows how one of the longest-established artistic genres continues to fascinate artists today. Susan Bright provides a clear guide for readers through this significant and dynamic genre, showing how issues of identity – whether national, sexual, racial, personal or artistic – are key to understanding the work of many of today’s leading photographers. An illustrated introduction to the book points to the history of the photographic self-portrait from the 1840s to the late twentieth century, providing an invaluable context for the recent surge in artists’ images of themselves.

Photography --- portraits --- artistieke fotografie --- portretten --- Al-Ghoussein Tarek --- Al-Shaikh Anas --- Alidousti Shokoufeh --- Asseff Ananké --- Beshty Walead --- Bonnell Sian --- Bradley Slater --- Brotherus Elina --- Casas Broda Ana --- Comte Serge --- Connell Kelli --- Eyre Janieta --- Florschuetz Thomas --- Fontcuberta Joan --- Fosso Samuel --- Fox Anna --- Frazier Latoya Ruby --- Gaüeca --- Goldin Nan --- Goossens Marnix --- Grzeszykowska Aneta --- Haifeng Ni --- Huan Zhang --- Kihara Shigeyuki --- Kulik Oleg --- Latham Charles --- Lee Nikki S. --- Locke Hew --- Manchot Melanie --- Marder Malerie --- Matthew Annu Palakunnathu --- Mikhailov Boris --- Ming Zhu --- Minkkinen Arno Rafael --- Moffatt Tracey --- Morata Rod --- Morimura Yasumasa --- Morrissey Trish --- My little dead dick --- Nagashima Yurie --- Norregard Nielsen Susanne --- Ohara Ken --- Ohlweiler Lisa --- Opie Catherine --- Orimoto Tatsumi --- Otsuka Chino --- Paradeis Florence --- Parcero Tatiana --- Parr Martin --- Paul+A --- Pepe Dita --- Plumb Shannon --- Pochron Julie --- Rockefeller Airyka --- Rose Tracey --- Saarhelo Nanna --- Sawada Tomoko --- Sedira Zineb --- Seub Jo --- Singh Siya --- Stehli Jemima --- Sune Camilla --- Tandberg Vibeke --- Taylor-Wood Sam --- Thompson Christian --- Treacy Danny --- Wearing Gillian --- Wurm Erwin --- Yamaguchi Noriko --- Yoshida Kimiko --- eenentwintigste eeuw --- fotografie --- portretfotografie --- twintigste eeuw --- zelfportret --- 766.2 --- zelfportretten --- portretfotografie - kinderfotografie, naaktfotografie --- Lee Nikki S