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Vonnegut in fact
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ISBN: 1570032378 1570038740 9786613668622 1280691689 161117127X 9781611171273 9781570038747 9781280691683 6613668621 Year: 2012 Publisher: Columbia University of South Carolina Press

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Abstract

Klinkowitz views his subject as a gentle manipulator of popular forms and an extremely personable figure; what might seem radically innovative and even iconoclastic in his fiction becomes comfortably avuncular and familiarly American when followed to its roots in his public spokesmanship.

Sanity plea
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ISBN: 0817383573 0585249954 9780585249957 0817307524 9780817307523 9780817383572 Year: 1994 Publisher: Tuscaloosa, Ala. University of Alabama Press

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In this revised edition of a volume originally published in 1989, Lawrence Broer extends his comprehensive critique of the body of writing by Kurt Vonnegut. Broer offers a broad psychoanalytic study of Vonnegut's works from Player Piano to Hocus Pocus, taking a decisively new approach to the work of one of America's most important, yet often misinterpreted writers. A compelling and original analysis, Sanity Plea, explores how Vonnegut incorporates his personal experiences into an art that is not defeatist, but rather creatively therapeutic and life-

The world according to Kurt Vonnegut : moral paradox and narrative form.
Authors: ---
ISBN: 9529616457 Year: 1994 Publisher: Åbo Åbo akademi university press

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Keywords

Didactic fiction, American --- Ethics in literature --- Narration (Rhetoric) --- Naturalism in literature --- Paradox in literature --- Postmodernism (Literature) --- Science fiction, American --- Morale dans la littérature --- Narration --- Naturalisme dans la littérature --- Paradoxe dans la littérature --- Postmodernisme (Littérature) --- Science-fiction américaine --- History and criticism --- Histoire et critique --- Vonnegut, Kurt --- Criticism and interpretation --- Critique et interprétation --- -Ethics in literature --- -Science fiction, American --- -Experimental fiction, American --- -American experimental fiction --- American fiction --- American science fiction --- Paradoxes in literature --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- American didactic fiction --- -Criticism and interpretation --- Ethics in literature. --- Experimental fiction, American --- Naturalism in literature. --- Paradox in literature. --- History and criticism. --- History --- -History and criticism --- -Paradoxes in literature --- American experimental fiction --- -Fengnigete --- Воннегут, Курт --- וונגוט, קורט --- וונגוט, קורט. רוטבליט, יעקב --- カートヴォネガット --- Morale dans la littérature --- Naturalisme dans la littérature --- Paradoxe dans la littérature --- Postmodernisme (Littérature) --- Science-fiction américaine --- Critique et interprétation --- Criticism and interpretation. --- Fengnigete


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Vonnegut and Hemingway
Author:
ISBN: 1282166336 9786613809407 1611171091 9781611171099 9781611170351 1611170354 Year: 2011 Publisher: Columbia University of South Carolina

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Imagining home : American war fiction from Hemingway to 9/11
Author:
ISBN: 1787440664 1640140018 Year: 2017 Publisher: Rochester, New York : Camden House,

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War has often been seen as the domain of men and thus irrelevant to gender analysis, and American writers have frequently examined war according to traditional gender expectations: that boys become men by going to war and girls become women by building a home. Yet the writers discussed in this book complicate these expectations, since their female characters often take part directly in war and especially since their male characters repeatedly imagine domestic spaces for themselves in the midst of war. Chapters on Hemingway and the First World War, Kurt Vonnegut and the Second World War, and Tim O'Brien and the Vietnam War place these writers in their particular historical and cultural contexts while tracing similarities in their depiction of gender relationships, imagined domestic spaces, and the representability of trauma. The book concludes by examining post-9/11 American literature, probing what happens when the front lines actually come home to Americans. While much has been written about Hemingway, Vonnegut, O'Brien, and even 9/11 literature separately, this study is the first to bring them together in order to examine views about war, gender, and domesticity over a hundred-year period. It argues that 9/11 literature follows a long tradition of American writing about war in which the domestic and public realms are inextricably intertwined and in which imagined domestic spaces can provide a window into representing wartime trauma, an experience often thought to be unrepresentable or incomprehensible to those who were not actually there. Susan Farrell is Professor of English at the College of Charleston.

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