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muziektheorie --- basso continuo --- Music --- uitvoeringspraktijk --- Embellishment (Music) --- Performance practice (Music) --- Ornementation (Musique) --- Pratique de l'exécution (Musique) --- Study and teaching --- History --- Sources --- Etude et enseignement --- Histoire --- Pratique de l'exécution (Musique)

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Hiller's Treatise on Vocal Performance and Ornamentation was published in Germany in 1780 and is an important manual on vocal technique and performance in the eighteenth century. Hiller was a masterful educator and was active not only as a teacher but as a critic, composer, conductor and music director. Thus, his observations served not only to raise the standards of singing in Germany, based on the Italian model, but to present complicated material, particularly ornamentation, in a manner that his peers, the middle class, could emulate. This present edition, translated with an introduction and extensive commentary by musicologist Suzanne J. Beicken, makes Hiller's treatise available for the first time in English. With its emphasis on practical aspects of ornamentation, declamation and style it will be valuable to instrumentalists as well as singers and is a significant contribution to the understanding of performance practice in the eighteenth-century.

Singing --- Methods --- Embellishment (Music) --- Early works to 1800 --- 78.41.1 --- Diminution (Music) --- Ornamentation (Music) --- Ornaments (Music) --- Music --- Performance practice (Music) --- Vocal methods --- Voice methods --- Performance --- Zangpedagogie --- 18e eeuw

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Performance practice (Music) --- Music theory --- Embellishment (Music) --- Pratique de l'exécution (Musique) --- Théorie musicale --- Ornementation (Musique) --- History --- Early works to 1800 --- Sources --- Histoire --- Ouvrages avant 1800 --- Palestrina, Giovanni Pierluigi da, 1525-1594 --- Kritiek en interpretatie

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517 --- Uitvoeringspraktijk --- Improvisation (Music) --- Improvisation (Musique) --- Embellishment (Music). --- Improvisation (Music). --- Embellishment (Music) --- Extemporization (Music) --- Music --- Diminution (Music) --- Ornamentation (Music) --- Ornaments (Music) --- Performance practice (Music) --- Performance --- Mozart, Wolfgang Amadeus, --- Mozart, Wolfgang Amadeus --- Mozart, Johannes Chrysostomus Wolfgangus Theophilus --- Criticism and interpretation. --- Ornementation (Musique) --- Mot︠s︡art, Volʹfgang Amadeĭ, --- Mōtsaruto, --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib, --- Mozart, Johann Chrysostom Wolfgang Amadeus, --- Mozart, W. A. --- Mozart, Wolfgango Amadeo, --- Mot︠s︡art, V. A. --- Mocartas, V. A., --- Motsart, Volphnkank Amedaios, --- Mot︠s︡art, Volfang Amadeus, --- Mozzart, Apollo, --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus, --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus, --- Mozhate, --- Моцарт, Вольфганг Амадей, --- מוצרט, --- מוצרט, וולפגנג אמדאוס, --- 莫札特, --- Mozart, Wolfgang Amadeusz, --- Mozart, W.A. --- Mot︠s︡art, Volʹfgang Amadeĭ --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib --- Mozart, Johann Chrysostom Wolfgang Amadeus --- Mozart, Wolfgango Amadeo --- Mocartas, V. A. --- Motsart, Volphnkank Amedaios --- Mot︠s︡art, Volfang Amadeus --- Mozzart, Apollo --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus --- Mozhate --- Моцарт, Вольфганг Амадей --- Mozart, Wolfgang Amadeusz