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American literature --- American literature --- American literature --- Chinese Americans in literature --- Chinese American women in literature --- Chinese American women --- Women and literature --- Chinese American authors --- History and criticism --- Chinese influences --- Women authors --- History and criticism --- Intellectual life --- China --- In literature.

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The Chinese ideogram chi is far richer in connotation than the equivalent English verb “to eat.” Chi can also be read as “the mouth that begs for food and words.” A concept manifest in the twentieth-century Chinese political reality of revolution and massacre, chi suggests a narrative of desire that moves from lack to satiation and back again. In China such fundamental acts as eating or refusing to eat can carry enormous symbolic weight. This book examines the twentieth-century Chinese political experience as it is represented in literature through hunger, cooking, eating, and cannibalizing. At the core of Gang Yue’s argument lies the premise that the discourse surrounding the most universal of basic human acts—eating—is a culturally specific one.Yue’s discussion begins with a brief look at ancient Chinese alimentary writing and then moves on to its main concern: the exploration and textual analysis of themes of eating in modern Chinese literature from the May Fourth period through the post-Tiananmen era. The broad historical scope of this volume illustrates how widely applicable eating-related metaphors can be. For instance, Yue shows how cannibalism symbolizes old China under European colonization in the writing of Lu Xun. In Mo Yan’s 1992 novel Liquorland, however, cannibalism becomes the symbol of overindulgent consumerism. Yue considers other writers as well, such as Shen Congwen, Wang Ruowang, Lu Wenfu, Zhang Zianliang, Ah Cheng, Zheng Yi, and Liu Zhenyun. A special section devoted to women writers includes a chapter on Xiao Hong, Wang Anyi, and Li Ang, and another on the Chinese-American women writers Jade Snow Wong, Maxine Hong Kingston, and Amy Tan. Throughout, the author compares and contrasts the work of these writers with similarly themed Western literature, weaving a personal and political semiotics of eating.The Mouth That Begs will interest sinologists, literary critics, anthropologists, cultural studies scholars, and everyone curious about the semiotics of food.

Chinese literature --- Politics in literature. --- Hunger --- Littérature chinoise --- Politique dans la littérature --- Faim --- History and criticism. --- Histoire et critique --- S21/0600 --- S16/0195 --- S16/0170 --- China: Medicine, public health and food--Chinese food and cookery, (incl. tea) --- China: Literature and theatrical art--Thematic studies --- China: Literature and theatrical art--General works on modern literature --- American literature --- Chinese Americans in literature. --- Chinese Americans --- Hunger in literature. --- Chinese American authors --- Intellectual life. --- Littérature chinoise --- Politique dans la littérature --- Chinese Americans in literature --- Hunger in literature --- Politics in literature --- Political science in literature --- Chinese --- Ethnology --- English literature --- Agrarians (Group of writers) --- Chinese American authors&delete& --- History and criticism --- Intellectual life

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Yunte Huang takes a most original "ethnographic" approach to more and less well-known American texts as he traces what he calls the transpacific displacement of cultural meanings through twentieth-century America's imaging of Asia. Informed by the politics of linguistic appropriation and disappropriation, Transpacific Displacement opens with a radically new reading of Imagism through the work of Ezra Pound and Amy Lowell. Huang relates Imagism to earlier linguistic ethnographies of Asia and to racist representations of Asians in American pop culture, such as the book and movie character Charlie Chan, then shows that Asian American writers subject both literary Orientalism and racial stereotyping to double ventriloquism and countermockery. Going on to offer a provocative critique of some textually and culturally homogenizing tendencies exemplified in Maxine Hong Kingston's work and its reception, Huang ends with a study of American translations of contemporary Chinese poetry, which he views as new ethnographies that maintain linguistic and cultural boundaries.

Intertextuality. --- Ethnology in literature. --- Immigrants in literature. --- Chinese Americans in literature. --- Chinese Americans in mass media. --- Chinese Americans --- American literature --- Chinese literature --- Criticism --- Semiotics --- Influence (Literary, artistic, etc.) --- Mass media --- Chinese --- Ethnology --- English literature --- Agrarians (Group of writers) --- Intellectual life. --- Chinese influences. --- Appreciation --- History and criticism. --- Chinese American authors --- Chinese Americans in literature --- Chinese Americans in mass media --- Ethnology in literature --- Immigrants in literature --- Intertextuality --- Chinese American authors&delete& --- History and criticism --- Chinese influences --- Intellectual life --- amy lowell. --- appropriation. --- asia. --- chinese poetry. --- critique. --- cultural history. --- cultural studies. --- disappropriation. --- displacement. --- ethnographer. --- ethnographic. --- ethnography. --- ezra pound. --- imagism. --- imagist poets. --- linguistic ethnography. --- linguistic theory. --- linguistics. --- race issues. --- race. --- racial stereotypes. --- racism. --- social history. --- social studies. --- stereotypes. --- transpacific.