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Boieldieu, Adrien --- Berlioz, Hector --- Cherubini, Luigi --- Spontini, Gasparo --- Rossini, Gioacchino
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This volume investigates Luigi Cherubini with the aim of providing a picture of the various faces that a composer and his output could present to European society at the turn of the nineteenth century; a society in which the composer, no longer tied to a patron or a court, tried to integrate himself as a participant in the labor market by finding new, coexisting forms of subsistence, thereby becoming a pre-eminent figure in the industrial and commercial world of the time. Additionally, the volume aims to deepen understanding of the composer?s output in light of the political and social upheavals that took place during his long life, from the French Revolution to the threshold of the Springtime of the People.
Composers --- Cherubini, Luigi, --- Cherubini, Luigi --- Chérurini --- Cherubini, Maria Luigi Carlo Zenobio Salvatore --- Criticism and interpretation. --- Cherubini, Maria Luigi, --- Kerubini, L., --- Cherubini, Luigui, --- Cherubini, L. --- Kerubini, Luidzhi, --- Cherubini, Ludovico, --- Cherubini, Luigi, i.e., Maria Luigi Carlo Zenobio Salvatore, --- Cherubini, Maria Luigi Carlo Zenobio Salvatore, --- Cherubini --- Cherubini, Maria Luigi --- Kerubini, L. --- Cherubini, Luigui --- Kerubini, Luidzhi --- Cherubini, Ludovico --- Cherubini, Luigi, i.e., Maria Luigi Carlo Zenobio Salvatore
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This book focuses on the various aspects of music patronage in Italy from the fifteenth to the eighteenth century. During the Renaissance and throughout the Baroque and Classical periods, musical production was linked to patronage. There are essentially two types of patronage. The first relates to political institutions, to public life, and aims to promote musical events that highlight the wealth and power of the patron in the eyes of rival courts and subjects - hence the birth of the court chapels. The second type belongs to the private sphere, in which the patron, of noble birth and as such in possession of high moral and intellectual virtues, has a discriminating artistic sensibility - hence the promotion of chamber music activities, the collecting of rare and valuable musical instruments, and the compilation and collection of musical manuscripts, possibly in deluxe or personalized copies. This musical production system lasted until the middle of the nineteenth century, when the advent of capitalism and the rise of the bourgeois class caused the decline of patronage. This book focuses on the various aspects of music patronage in Italy from the fifteenth to the eighteenth century.
Musique --- Mécénat --- Cherubini, Luigi --- Music patronage --- History. --- Social life and customs --- Muziekmecenaat --- Italië
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Janssens, Jean François Joseph --- Boieldieu, Adrien --- Cherubini, Luigi --- Sueur, le, Jean-François
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Music --- Radicalism --- Musique --- Radicalisme --- Congresses. --- Political aspects --- History --- Congresses --- Social aspects --- Songs and music --- Congrès --- Aspect politique --- Histoire --- Aspect social --- Chants et musique --- Cherubini, Luigi --- liturgische muziek --- Politiek --- Sociale aspecten --- 21e eeuw --- 20e eeuw
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Méhul, Etienne-Nicolas --- Rouget de l'Isle, Claude Joseph --- Beethoven, von, Ludwig --- Boieldieu, Adrien --- Béranger, de, Pierre Jean --- Chopin, Frédéric --- Berlioz, Hector --- Haydn, Jozef --- Sand, George --- Cherubini, Luigi --- Pleyel, Ignaz --- Ries, Ferdinand --- Steibelt, Daniel --- Clementi, Muzio
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Opera --- Composers --- Opéra --- Compositeurs --- Cherubini, Luigi, --- France --- History --- Music and revolution --- Histoire --- Musique et révolution --- Criticism and interpretation --- Opéra --- Musique et révolution --- Gluck-Piccinni controversy --- Querelle des Bouffons --- Pʻŭrangsŭ --- Frankrig --- Francja --- Frant︠s︡ii︠a︡ --- Prantsusmaa --- Francia (Republic) --- Tsarfat --- Tsorfat --- Franḳraykh --- Frankreich --- Fa-kuo --- Faguo --- Франция --- French Republic --- République française --- Peurancih --- Frankryk --- Franse Republiek --- Francland --- Frencisc Cynewīse --- فرنسا --- Faransā --- Franza --- Republica Franzesa --- Gallia (Republic) --- Hyãsia --- Phransiya --- Fransa --- Fransa Respublikası --- Franse --- Францыя --- Frantsyi︠a︡ --- Французская Рэспубліка --- Frantsuzskai︠a︡ Rėspublika --- Parancis --- Pransya --- Franis --- Francuska --- Republika Francuska --- Bro-C'hall --- Френска република --- Frenska republika --- França --- República Francesa --- Pransiya --- Republikang Pranses --- Γαλλία --- Gallia --- Γαλλική Δημοκρατία --- Gallikē Dēmokratia --- فرانسه --- Farānsah --- צרפת --- רפובליקה הצרפתית --- Republiḳah ha-Tsarfatit --- פראנקרייך --- 法国 --- 法蘭西共和國 --- Falanxi Gongheguo --- フランス --- Furansu --- フランス共和国 --- Furansu Kyōwakoku --- Francija --- Ranska --- Frankrike --- France (Provisional government, 1944-1946) --- Music and the revolution. --- 78.77.2 --- Music and revolution. --- Fa-lan-hsi --- Falanxi --- Frankrijk --- Frant︠s︡ --- Frant︠s︡ Uls --- Франц --- Франц Улс --- 法蘭西 --- 프랑스 --- Opera - France - 18th century --- Cherubini, Luigi, - 1760-1842 - Criticism and interpretation --- Cherubini, Luigi, - 1760-1842
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String quintets --- Scores --- History and criticism --- Instrumentaal --- Kwintetten --- Strijkers --- Strijkkwintet --- Klassieke muziek --- Romantiek --- Duitsland --- Groot-Brittannië --- Engeland --- Italië --- Denemarken --- Beethoven, Ludwig van (1770-1827) --- Spohr, Louis (1784-1859) --- Onslow, Georges --- Cherubini, Luigi (1760-1842) --- Gade, Niels W. (1817-1890) --- Rubinstejn, Anton --- Goldmark, Karl (1830-1915) --- Rheinberger, Joseph --- Bruckner, Anton (1824-1896) --- Brahms, Johannes (1833-1897) --- Freiherr von --- Herzogenberg, Heinrich --- Dvorák, Antonin (1841-1904) --- Nielsen --- Glazunov, Aleksandr Konstantinovich (1865-1936) --- 19e eeuw --- Tsjechië --- Rusland --- Oostenrijk --- Schubert, Franz (1797-1828) --- Borodin, Aleksandr Porfir′yevich (1833-1887)
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