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This is the first volume of a patriotic poet whose heart is on fire. The poems touch on a variety of issues, some personal and private, other public - past and current. They range from family, love and longing; friendship and marriage, to culture, politics, corruption and death. They are cadenced and vibrant with different emotions: nostalgia, regret and outrage; loss, pain and pathos tinged with a touch of wistfulness and irony. In style and themes, they reveal a keen observer, a budding poet struggling to find her stride; to mine the shallows and the deeps of human experience, to give a uniq
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In this poetry collection, Mbuh Mbuh Tennu offers a virulent indictment of the multifarious faces of pain which have lent a dystopian colouring to our world. These poems are all at once, songs of lament, regret, defiance and protest. The idea of naming which is a central motif underscores the dangers of being foreign named; which implies being claimed and owned – and more importantly the imperative of self-naming – to claim a name and to own that name; to self-define and to defy attempts to contravene this. This is a collection for our time; our timelessness. It is an urgent, reflective and incisive call to stay awake and be actors of our history.
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Crying in Hiccoughs is a graphic presentation of the more realistic phase of Africa's politico-economic and historico-moral evolution in general, and Cameroon's, in particular. From the colonial to the post-independence era, the poet sees nothing worthy of praise-singing and handclapping. So, he resorts to crying in hiccoughs and invites the blind, deaf and dumb brainwashed praise-singers to join him in singing his little songs so as to expose and challenge the demagogy.
Cameroonian poetry (English) --- Cameroon poetry (English) --- English poetry --- Cameroonian literature (English) --- African poetry. --- Black poetry (African) --- African literature
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In K?cracy, Trees in the Storm and Other Poems, Bill Ndi vociferously bemoans the fate of a world in which the good and the evil are intimate bedfellows; a world wherein miscreants proceed with nauseating impunity to trample on innocence. The poet, a widely traveled scholar in Africa, Europe, and the Americas, currently resides in Australia where he is hailed as an Ambassador of the Peace. Informed by his experience as a child of the world - being at home away from home and thinking of home, Bill Ndi serves the reader with a delicious platter of poetic maze which to him is synonymous to the po
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First Harvests are expressions of impressions on a variety of local and universal phenomena and states of being. It is the first ever poetry collection by a few sons and daughters of Nkongho-Mbo, a subgroup of the Mbo ethnic group of Cameroon, on which very little has been published. The poems however transcend the geographical, cultural and emotional landscapes that have inspired them.
Cameroonian poetry (English) --- Cameroon poetry (English) --- English poetry --- Cameroonian literature (English) --- Poetry. --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Philosophy
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Poems.
Poetry. --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Philosophy --- Cameroonian poetry (English) --- Cameroon poetry (English) --- English poetry --- Cameroonian literature (English) --- Kwachou, Monique.
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Bill NDIÌs Toil and Delivery can be as playful and loaded as the clues in a cryptic crossword puzzle, which is to say that they are marked by a strange, energetic hybridity. They occupy a dynamic space between nursery rhyme and visionary Romantic verse, between the colloquial and the archaic, between postmodernity and anachronism. They are local and global, political and personal, Western and non-Western. With experiences traversing both Africa and the West, Bill F. NDI is one of those poets who gives meaning to the word globalisation. He embraces poetry as a material act in a troubled world,
Poetry. --- Cameroonian poetry (English) --- Cameroon poetry (English) --- English poetry --- Cameroonian literature (English) --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Philosophy --- Ndi, Bill F.
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This collection dissects post-independence Cameroon as a representative postcolonial junction. The history that assists in the writing of the poems is a necessary background to understand the dislocated vision of an erstwhile independent territory. After a patriotic pastime of sweeping every bit of rubbish under the carpet of national unity for over fifty years, the collection summons us to introspect on the consequences of feeding and living on a national lie. It is only after such reflection that, hopefully, remedial gestures can offer ënew dreams on the dawn of new sleepí.
Cameroonian poetry (English) --- Cameroon poetry (English) --- English poetry --- Cameroonian literature (English) --- Laments --- African poetry (English) --- African literature (English) --- Complancha --- Lamentations --- Elegiac poetry --- Mourning customs --- African authors
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Bate Besong was Cameroon?s most vocal and controversial poet, playwright and scholar, who died in March 2007. The poems in this collection are a tribute to the man and his work, and provide a snapshot of the mood that prevailed after his death. Bate Besong ushered in a new kind of nationalist ?fighting? literature in Cameroon, unapologetic in its defense of Cameroon?s Anglophone minority and scathing in its denunciation of postcolonial African dictators and their foreign collaborators. These poems defy Bate Besong?s death by affirming that his impact as a writer lives on. 34 poems are included
Political poetry. --- Cameroonian poetry (English) --- Cameroon poetry (English) --- English poetry --- Cameroonian literature (English) --- Poetry, Political --- Poetry --- Politics and literature --- Politics in literature --- Besong, Bate. --- Nigeria --- In literature.
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Sing Love 101 a collection of 101 love poems in which this wordsmith worth his words brings together the good, the bad and the ugly of human love experiences. The poems are glossed with the simplicity of a sweet gentle breeze that caresses the reader's heart like that blowing across his childhood rice fields in the summer. The poet highlights ìLoveî as ìthe Dreamî none should let die.
Cameroonian poetry (English) --- Love poetry. --- African poetry. --- Poetry. --- Black poetry (African) --- African literature --- Poetry --- Cameroon poetry (English) --- English poetry --- Cameroonian literature (English) --- Poems --- Verses (Poetry) --- Literature --- Philosophy --- African poetry (English) --- African literature (English) --- African authors