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Au Sommaire de ce numéro: des portraits contrastés, politiques, saisissants et émouvants de femmes, des Médée portées sur la scène contemporaine, à l'opéra (Warlikowski, Audi, Waltz) et sur les planches (Emma Dante), à la prostituée de La Havane Santa Cecilia et la comédienne Carlotta-Carlotto, personnages respectifs des pièces de Abilio Estévez et de Gilles Laubert. Des chroniques sur le théâtre universitaire, sur le festival des Caves et sur Constantin Bogomolov notamment constituent le carnet des spectacles et des professionnels.

Charpentier, Marc-Antoine, --- Cherubini, Luigi, --- Dusapin, Pascal.

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Brieven --- Cherubini, Luigi (1760-1842) --- Achilles --- Ambroise Thomas --- Alceste

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This book focuses on the various aspects of music patronage in Italy from the fifteenth to the eighteenth century. During the Renaissance and throughout the Baroque and Classical periods, musical production was linked to patronage. There are essentially two types of patronage. The first relates to political institutions, to public life, and aims to promote musical events that highlight the wealth and power of the patron in the eyes of rival courts and subjects – hence the birth of the court chapels. The second type belongs to the private sphere, in which the patron, of noble birth and as such in possession of high moral and intellectual virtues, has a discriminating artistic sensibility — hence the promotion of chamber music activities, the collecting of rare and valuable musical instruments, and the compilation and collection of musical manuscripts, possibly in deluxe or personalized copies. This musical production system lasted until the middle of the nineteenth century, when the advent of capitalism and the rise of the bourgeois class caused the decline of patronage. This book focuses on the various aspects of music patronage in Italy from the fifteenth to the eighteenth century.

Musique --- Mécénat --- Cherubini, Luigi --- Music patronage --- History. --- Social life and customs --- Muziekmecenaat --- Italië

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Egyptian language --- Writing, Hieroglyphic --- Grammar --- Champollion, Jean-François, --- Cherubini, Salvatore, --- Criticism and interpretation --- Knowledge --- Printing --- Egyptian language - Writing, Hieroglyphic --- Egyptian language - Grammar --- Champollion, Jean-François, - 1790-1832 - Grammaire égyptienne - Illustrations --- Cherubini, Salvatore, - 1797-1869 - Criticism and interpretation --- Champollion, Jean-François, - 1790-1832 - Knowledge - Printing --- Champollion, Jean-François (1790-1832 ) --- Cherubini, Salvador (1797-1869) --- Champollion, Jean-François (1790-1832). Grammaire égyptienne --- Et l'imprimerie --- Illustrations --- Champollion, Jean-François, - 1790-1832 - Grammaire égyptienne --- Cherubini, Salvatore, - 1797-1869 --- Champollion, Jean-François, - 1790-1832

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Méhul, Etienne-Nicolas --- Rouget de l'Isle, Claude Joseph --- Beethoven, von, Ludwig --- Boieldieu, Adrien --- Béranger, de, Pierre Jean --- Chopin, Frédéric --- Berlioz, Hector --- Haydn, Jozef --- Sand, George --- Cherubini, Luigi --- Pleyel, Ignaz --- Ries, Ferdinand --- Steibelt, Daniel --- Clementi, Muzio