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Edgar Rice Burroughs : the man who created Tarzan
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ISBN: 0345251318 Year: 1975 Publisher: New York : Ballantine Books,

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Tarzan vous salue bien : biographie ne varietur de Lord Greystoke = Apologia pro vita Tarzani simiarum
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ISBN: 2851840886 Year: 1978 Publisher: [Paris] : Champ libre,

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The subject of race in American science fiction
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Year: 2007 Publisher: New York, NY : Routledge, Taylor & Francis Group,

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Mij Tarzan, jij Jane : ruwe bolster, blanke pit
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ISBN: 9027492026 9789027492029 Year: 1978 Publisher: Utrecht [etc] Het Spectrum

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Geïllustreerde geschiedenis van de junglefilms die in de loop der jaren gemaakt zijn om de figuur van Tarzan.

Kings of the jungle : an illustrated reference to "Tarzan" on screen and television
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ISBN: 0899507719 Year: 1994 Publisher: Jefferson (N.C.) : McFarland,

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Tarzan : ou le chevalier crispé
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ISBN: 285199252X Year: 1982 Publisher: Paris : H. Veyrier,


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Tarzan ! : exposition, Paris, Musée du quai Branly, du 16 juin au 27 septembre 2009
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ISBN: 9782757202739 2757202731 9782357440074 Year: 2009 Publisher: Paris : Somogy : Editions d'Art,

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Qui est Tarzan ? Depuis 1912, son fameux cri retentit dans la forêt africaine, repris en choeur sur tous les continents, dans les jungles urbaines ou les cours d'école. "L'homme-singe", créé par Edgar Rice Burroughs, d'abord héros de roman, puis de cinéma et de bande dessinée, s'est définitivement élevé au rang de mythe. Cet ouvrage, magnifiquement illustré, permet de le redécouvrir, éclairé par l'histoire, l'ethnologie, la linguistique, la psychanalyse et la critique de cinéma. Hommages d'illustrateurs contemporains, planches originales de Hal Foster ou encore de Burne Hogarth, photographies et photogrammes des acteurs cultes - Johnny Weissmuller en tête -, c'est tout l'univers de Tarzan, Jane et Cheeta, rassemblé en un volume. Tarzan, fils et défenseur de la nature, prouve qu'il est plus que jamais un héros d'actualité !

The subject of race in American science fiction
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ISBN: 0203944488 1135864586 0415979013 041580289X Year: 2007 Publisher: Taylor & Francis

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While the connections between science fiction and race have largely been neglected by scholars, racial identity is a key element of the subjectivity constructed in American SF. In his Mars series, Edgar Rice Burroughs primarily supported essentialist constructions of racial identity, but also included a few elements of racial egalitarianism. Writing in the 1930s, George S. Schuyler revised Burroughs' normative SF triangle of white author, white audience, and white protagonist and promoted an individualistic, highly variable concept of race instead. While both Burroughs and Schuyler wrote SF focusing on racial identity, the largely separate genres of science fiction and African American literature prevented the similarities between the two authors from being adequately acknowledged and explored. Beginning in the 1960s, Samuel R. Delany more fully joined SF and African American literature. Delany expands on Schuyler's racial constructionist approach to identity, including gender and sexuality in addition to race. Critically intertwining the genres of SF and African American literature allows a critique of the racism in the science fiction and a more accurate and positive portrayal of the scientific connections in the African American literature. Connecting the popular fiction of Burroughs, the controversial career of Schuyler, and the postmodern texts of Delany illuminates a gradual change from a stable, essentialist construction of racial identity at the turn of the century to the variable, social construction of poststructuralist subjectivity today.

White Diaspora
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ISBN: 1283339730 9786613339737 1400824133 0691057354 9781400824137 9781283339735 6613339733 Year: 2011 Publisher: Princeton Princeton University Press

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This is the first book to analyze our suburban literary tradition. Tracing the suburb's emergence as a crucial setting and subject of the twentieth-century American novel, Catherine Jurca identifies a decidedly masculine obsession with the suburban home and a preoccupation with its alternative--the experience of spiritual and emotional dislocation that she terms "homelessness." In the process, she challenges representations of white suburbia as prostrated by its own privileges. In novels as disparate as Tarzan (written by Tarzana, California, real-estate developer Edgar Rice Burroughs), Richard Wright's Native Son, and recent fiction by John Updike and Richard Ford, Jurca finds an emphasis on the suburb under siege, a place where the fortunate tend to see themselves as powerless. From Babbitt to Rabbit, the suburban novel casts property owners living in communities of their choosing as dispossessed people. Material advantages become artifacts of oppression, and affluence is fraudulently identified as impoverishment. The fantasy of victimization reimagines white flight as a white diaspora. Extending innovative trends in the study of nineteenth-century American culture, Jurca's analysis suggests that self-pity has played a constitutive role in white middle-class identity in the twentieth century. It breaks new ground in literary history and cultural studies, while telling the story of one of our most revered and reviled locations: "the little suburban house at number one million and ten Volstead Avenue" that Edith Wharton warned would ruin American life and letters.

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