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Theory of literary translation --- Norwegian language --- Austen, Jane --- Austen, Jane, --- Ao-ssu-ting, --- Ao-ssu-ting, Chien, --- Aosiding, --- Aosiding, Jian, --- Āsṭin̲, Jēn̲, --- Austenová, Jane, --- Osten, Dzheĭn, --- Ostin, Dzhein, --- Остен, Джейн, --- Остен, Джейм, --- אוסטן, ג׳יין --- אוסטן, ג׳יין, --- أوستن، جين، --- Translations into Norwegian --- History and criticism. --- Appreciation --- Lady, --- Author of Sense and Sensibility,

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Novelists, English --- Austen, Jane, --- Ao-ssu-ting, --- Ao-ssu-ting, Chien, --- Aosiding, --- Aosiding, Jian, --- Āsṭin̲, Jēn̲, --- Austenová, Jane, --- Osten, Dzheĭn, --- Ostin, Dzhein, --- Lady, --- Author of Sense and Sensibility, --- Остен, Джейн, --- Остен, Джейм, --- אוסטן, ג׳יין --- אוסטן, ג׳יין, --- أوستن، جين،

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Early in the twentieth century, public interest in Jane Austen (1775-1817) was considerable. Although the popularity of her work had remained modest in her lifetime, she was sufficiently well known by the centenary of her death to have provoked toxic reviews from Henry James and Mark Twain along with the reserved support of E. M. Forster. Previous biographies had been riddled with inaccuracies: she was called 'narrow', was said to have disliked children and animals, and to have led a quiet, almost monastic life. Many of these mistakes could be traced back to the unashamedly idealised biography written by her nephew, but while contrary accounts emerged later in the form of her letters, the old misapprehensions endured. In this neglected addition to Austen literature, first published in 1920, Mary Augusta Austen-Leigh (1838-1922) corrects many of these errors, advocating a closer critical reading of her great aunt's novels.

Novelists, English --- Austen, Jane, --- Ao-ssu-ting, --- Ao-ssu-ting, Chien, --- Aosiding, --- Aosiding, Jian, --- Āsṭin̲, Jēn̲, --- Austenová, Jane, --- Osten, Dzheĭn, --- Ostin, Dzhein, --- Lady, --- Author of Sense and Sensibility, --- Остен, Джейн, --- Остен, Джейм, --- אוסטן, ג׳יין --- אוסטן, ג׳יין, --- أوستن، جين،

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What is it about Jane Austen's writing that brings such pleasure? Jenkyns's sparkling study delights in Austen's craft, wit, and pathos, and explores the subtlety, depth, and innovation that forever mark her out as a supreme storyteller. A Fine Brush on Ivory will enhance the admiration and pleasure of all those who enjoy Austen's work. - ;What is it about Jane Austen's writing that brings such pleasure? There are good, even great novelists who are not good storytellers, and there are highly gifted storytellers who write thoroughly bad books. Jane Austen was both a very good storyteller

English --- Languages & Literatures --- English Literature --- Women and literature. --- Women and literature --- Literature --- History --- Austen, Jane, --- Ao-ssu-ting, --- Ao-ssu-ting, Chien, --- Aosiding, --- Aosiding, Jian, --- Āsṭin̲, Jēn̲, --- Austenová, Jane, --- Osten, Dzheĭn, --- Ostin, Dzhein, --- Lady, --- Author of Sense and Sensibility, --- Остен, Джейн, --- Остен, Джейм, --- אוסטן, ג׳יין --- אוסטן, ג׳יין, --- أوستن، جين،

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Austen, Jane, --- Ao-ssu-ting, --- Ao-ssu-ting, Chien, --- Aosiding, --- Aosiding, Jian, --- Āsṭin̲, Jēn̲, --- Austenová, Jane, --- Osten, Dzheĭn, --- Ostin, Dzhein, --- Lady, --- Author of Sense and Sensibility, --- Остен, Джейн, --- Остен, Джейм, --- אוסטן, ג׳יין --- אוסטן, ג׳יין, --- أوستن، جين،