Choose an application
art history --- visual studies --- comparative studies in art --- Arts, Argentine --- Arts, Latin American --- Art, Argentine --- Art, Latin American --- Art, Argentine. --- Art, Latin American. --- Arts, Argentine. --- Arts, Latin American. --- History --- Latin American arts --- Argentine arts --- Art, Spanish American --- Latin American art --- Argentine art
Choose an application
Art --- Art, Latin American --- Historiography --- Art, Spanish American --- Latin American art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- art --- historiography --- esthetic --- studies --- trends --- Historiography. --- Art, Primitive --- Art, Argentine --- Argentine art
Choose an application
A chronological overview of important art, sculpture, and architectural monuments of colonial Latin America within the economic and religious contexts of the era.
Art, Colonial --- Art, Latin American. --- Art, Spanish American --- Latin American art --- Colonial art --- Art latino-americain. --- Art colonial --- Art, Colonial. --- Art colonial. --- Latijns-Amerika. --- Latin America. --- Asociación Latinoamericana de Libre Comercio countries --- Neotropical region --- Neotropics --- New World tropics --- Spanish America --- Art, Latin American --- Architecture --- Painting --- anno 1500-1799 --- anno 1800-1899 --- Latin America --- Art, Colonial - Latin America
Choose an application
Este volumen colectivo examina el retorno del espíritu vanguardista en la producción literaria y artística latinoamericana desde fines de los años 60 del siglo XX hasta inicios del siglo XXI. Hoy en día constatamos el desarrollo de propuestas narrativas de gran visibilidad que invocan el ánimo exploratorio, la postura crítica y la creatividad incesante de las vanguardias históricas. El libro estudia a figuras consagradas y emergentes: Hilda Mundy, el colectivo "Los grupos", Mario Levrero, Copi, Osvaldo Lamborghini, Diamela Eltit, Bellatin, Lorenzo García Vega, César Gutiérrez, Aira y Bolaño.
Art, Latin American --- Avant-garde (Aesthetics) --- Literature, Experimental --- Spanish American literature --- Arte, América Latina --- Avant-garde (Estética) --- Literatura experimental --- Literatura hispanoamericana --- Latin American literature --- Spanish literature --- Avant-garde literature --- Experimental literature --- Modernism (Literature) --- Literary style --- Art, Spanish American --- Latin American art --- Themes, motives. --- History and criticism. --- Temas, motivos. --- Historia y crítica.
Choose an application
Este volumen colectivo examina la influencia de EE UU en España en el ámbito literario, artístico, de medios audiovisuales y de comunicación. También incorpora la visión de varios creadores sobre su experiencia personal en el país americano.
Spanish literature --- Art, Spanish --- Motion pictures, Spanish --- Spanish motion pictures --- Foreign films --- Art, Modern --- Spanish art --- Dau al set (Group of artists) --- Grupo Pórtico (Group of artists) --- Moviment Artístic del Mediterrani (Group of artists) --- American influences. --- Spain --- United States --- Civilization --- American influences --- Spanish literature - American influences --- Art, Spanish - American influences --- Motion pictures, Spanish - American influences --- Spain - Civilization - American influences
Choose an application
Art, Latin American --- Art manifestos --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art manifestoes --- Artistic manifestoes (Artists' writings) --- Artistic manifestos (Artists' writings) --- Manifestoes, Art --- Manifestos, Art --- Artists' writings --- Art, Spanish American --- Latin American art --- Political aspects --- Künstlerisches Manifest. --- Politische Kunst. --- Künstler. --- Lateinamerika.
Choose an application
Art [Latin American ] --- Art [Spanish American ] --- Art hispano-américain --- Art latino-américain --- Kunst [Latijns-Amerikaanse ] --- Kunst [Spaans-Amerikaanse ] --- Latijns-Amerikaanse kunst --- Latin American art --- Spaans-Amerikaanse kunst --- Spanish American art --- Art, Latin American --- Artists --- Artistes --- Exhibitions --- Exhibitions. --- Expositions --- schilderkunst --- moderne kunst --- 1820 - 1980 --- 19de eeuw --- 20ste eeuw --- Zuid-Amerika --- Art latino-américain --- Art, Spanish American --- Art [Modern ] --- 19th century --- Latin America --- 20th century --- Schilderkunst ; Latijns-Amerika ; 20ste eeuw --- Beeldende kunst ; Latijns-Amerika --- 7.037(8) --- Kunstgeschiedenis ; 1900 - 1950 ; Zuid-Amerika --- Spaanse kolonisatie ; conquistadores ; ontdekkingsreizigers --- Sociaal Realisme --- Schilderkunst ; Mexico ; 20ste eeuw --- Aizenberg, Roberto --- Alvarez Bravo, Manuel --- do Amaral, Tarsila --- Arrieta, José Augustín --- Botero, Fernando --- Carrington, Leonora --- Egerton, Daniel Thomas --- Ferrez, Marc --- Fontana, Lucio --- Kahlo, Frida --- Mérida, Carlos --- Murillo, Gerardo (Dr Atl) --- Rivera, Diego --- 1820 - 1980. --- 19de eeuw. --- 20ste eeuw. --- Zuid-Amerika.
Choose an application
Art, Latin American --- Art --- Hispanic American art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Spanish American --- Latin American art --- Art, Hispanic American --- Ethnic art --- Vistas Latinas (Group of artists) --- Economic aspects --- Social aspects --- installations [visual works] --- art [fine art] --- fear --- iconography --- personalia --- longing --- still lifes --- het wonderlijke --- Latin America --- Art, Primitive --- art [discipline] --- dood
Choose an application
"Hominids have always been obsessed with representing their own bodies. The first "selfies" were prehistoric negative hand images and human stick figures, followed by stone and ceramic representations of the human figure. Thousands of years later, moving via historic art and literature to contemporary social media, the contemporary term "selfie" was self-generated. The Body, Subject & Subjected illuminates some "selfies." This collection of critical essays about the fixation on the human self addresses a multi-faceted geographic set of cultures - the Iberian Peninsula to pre-Columbian America and Hispanic America - analyzing such representations from medical, literal and metaphorical perspectives over centuries. Chapter contributions address the representation of the body itself as subject, in both visual and textual manners, and illuminate attempts at control of the environment, of perception, of behavior and of actions, by artists and authors. Other chapters address the body as subjected to circumstance, representing the body as affected by factors such as illness, injury, treatment and death. These myriad effects on the body are interpreted through the brushes of painters and the pens of authors for social and/or personal control purposes. The essays reveal critics' insights when "selfies" are examined through a focused "lens" over a breadth of cultures"--
Human figure in art. --- Human body in literature. --- Art, Spanish. --- Art, Latin American. --- Spanish literature --- Latin American literature --- History and criticism. --- Art, Spanish American --- Latin American art --- Art, Modern --- Spanish art --- Dau al set (Group of artists) --- Grupo Pórtico (Group of artists) --- Moviment Artístic del Mediterrani (Group of artists) --- Body, Human, in literature --- Human figure in literature --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting
Choose an application
The geographic diversity of Latin America is reflected in the variety of Katoen Natie's art collection. It includes kinetic art by Jesús Rafael Soto, 'sinister art' by Líbero Badíi, 'new realism' art by Antonio Berni and neo-figurative art by Marcia Schvartz. In addition, the collection gathers work by Leonora Carrington, Wifredo Lam and Roberto Matta, three artists who were prominent figures on the surrealistic scene in Latin America. The second emphasis of the collection is on constructive art from Uruguay. In this context the Katoen Natie collection is one of the largest and most complete in de the world. It not only includes works by the founder of constructive universalism, Joaquín Torres García and by pupils of the Taller Torres García, but also by comtemporary artists who worked in constant dialogue with this tradition.
Politics --- Art --- Huts, Fernand --- anno 1800-1999 --- anno 2000-2099 --- Latin America --- Flanders --- geschiedenis --- politiek --- verzameling Katoen Natie --- kolonialisme --- avant-garde --- abstracte kunst --- constructivisme --- hedendaagse kunst --- Torres-García, Joaquín --- Huts, Carine --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- Zuidelijke Nederlanden --- Latijns-Amerika --- art [fine art] --- Katoen Natie [Antwerp] --- Art [Latin American ] --- 20th century --- 21st century --- Art, Latin American --- kunst --- schilderkunst --- beeldhouwkunst --- twintigste eeuw --- eenentwintigste eeuw --- 7.036 --- Art, Spanish American --- Latin American art --- Exhibitions --- abstracte, niet-figuratieve kunst --- geschiedenis. --- politiek. --- verzameling Katoen Natie. --- kolonialisme. --- avant-garde. --- abstracte kunst. --- constructivisme. --- hedendaagse kunst. --- Torres-García, Joaquín. --- Huts, Fernand. --- Huts, Carine. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw. --- Zuidelijke Nederlanden. --- Latijns-Amerika. --- art [discipline]