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Kashmir Śaivism --- Tantrism --- Abhinavagupta, - Rajanaka. - Paramarthasara.
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The first part of the 'Versified Commentary on the Mālinītantra' (Mālinīślokvārttika) by the tenth-century theologian Abhinavagupta, which is translated here for the first time, presents a philosophy of Śaiva revelation, conceived of as a descent of the highest non-dual form of knowledge, through the different levels of speech, into the knowledge embodied in the canon of Tantras or Agamas on which the Śaiva religion is based. The aim of the text is to demonstrate the logic behind the claim of the monistic Tantric schools on which Abhinavagupta bases his philosophy. The present volume deals in its introduction with the scriptural background of the Śaiva religion because that is a prerequisite for understanding many of the arguments in the text. The translation is accompanied by a re-edition of the Sanskrit text with the help of two manuscripts not consulted before, and a running commentary. A fragment of the Śrīkaṇṭī, which is probably the source for some of Abhinavaguptas theories of the Śaiva canon, is transcribed in an appendix.
Hinduism --- Religious life --- Doctrines. --- Hinduism. --- Abhinavagupta,
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Kashmir Śaivism --- Doctrines. --- Abhinavagupta, --- Tantras. --- Kashmir Śaivism - Doctrines. --- Abhinavagupta, - Rajanaka. - Paratrimsikavivrti.
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Kashmir Śaivism --- Doctrines. --- Abhinavagupta, --- Abhinava Gupta, --- Gupta, Abhinava,
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In the early 11th century, the Kashmiri philosopher Abhinavagupta proposed panentheism-seeing the divine as both immanent in the world and at the same time as transcendent—as a way to reclaim the material world as something real, something solid. His theology understood the world itself, with its manifold inhabitants—from gods to humans to insects down to the merest rock-as part of the unfolding of a single conscious reality, Siva. This conscious singularity-the word "god" here does not quite do it justice—with its capacity to choose and will, pervades all through, top to bottom; as Abhinavagupta writes, "even down to a worm — when they do their own deeds, that which is to be done first stirs in the heart." His panentheism proposed an answer to a familiar conundrum, one we still grapple with today: Consciousness is so unlike matter. How does consciousness actually connect to the materiality of our world? To put this in more familar twenty-first-century terms, how does mind connect to body?These questions drive Loriliai Biernacki's The Matter of Wonder: Abhinavagupta's Panentheism and New Materialism. Biernacki draws on Abhinavagupta's thought—and particularly his yet-untranslated, philosophical magnum opus, the Isvara Pratyabhijña Vivrti Vimarsini—to think through contemporary issues such as the looming prospect of machine AI, ideas about information, and our ecological crises. She argues that Abhinavagupta's panentheism can help us understand our current world and can contribute to a New Materialist re-envisioning of the relationship that humans have with matter.
Materialism --- Kashmir Śaivism --- Panentheism --- Abhinavagupta, - Rājānaka
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Critical study of Nātyaśāstra of Bharata Muni and Daśarūpaka of Dhañanjaya with commentaries, works on Sanskrit dramaturgy.
Drama --- Sanskrit drama --- Technique. --- History and criticism. --- Bharata Muni. --- Abhinavagupta, --- Dhanañjaya. --- Dhanika.
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"What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a theoretically vibrant and historically informed set of replies in the oeuvre of the eleventh-century Kashmirian author Abhinavagupta. The present book offers the first critical edition, translation, and study of a crucial and lesser known passage of his commentary on the Nāṭyaśāstra, the seminal work of Sanskrit dramaturgy. The nature of dramatic acting and the mimetic power of dance, emotions, and beauty all play a role in Abhinavagupta's thorough investigation of performance aesthetics, now presented to the modern reader"--
Sanskrit drama --- Theater --- Aesthetics, Indic. --- History and criticism. --- Bharata Muni. --- Abhinavagupta,
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In Theatre and Its Other, Elisa Ganser revisits a telling debate on the intertwined natures of dance and dramatic acting; preserved in Abhinavagupta’s eleventh-century commentary on the Nāṭyaśāstra, it reflects complex historical shifts in aesthetic theory and performance practice. ; Readership: All those interested in the history of Indian dance and theatre and in Abhinavagupta’s aesthetics, including scholars and students of Indology, performance, dance, and theatre studies, as well as performers.
Aesthetics, Indic. --- Sanskrit drama --- Theater --- History and criticism. --- Bharata Muni. --- Abhinavagupta,
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Abhinavagupta is undoubtedly the most famous Kashmirian medieval intellectual: his decisive contributions to Indian aesthetics, Śaiva theology and metaphysics, and to the philosophy of the subtle and original Pratyabhijña system are well known. Yet so far his works have often been studied without fully taking into account the specific historical, social, artistic, religious and philosophical context in which they are embedded. The purpose of this book is to show that this intellectual background is not less exceptional than Abhinavagupta himself.
Philosophy, Indic --- Intellectual life --- Abhinavagupta, --- Jammu and Kashmir (India) --- India --- History --- Philosophy, Indic. --- Intellectual life. --- History. --- Abhinavagupta, - Rājānaka --- Jammu and Kashmir (India) - Intellectual life --- Jammu and Kashmir (India) - History --- India - Jammu and Kashmir
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In Theatre and Its Other, Elisa Ganser revisits a telling debate on the intertwined natures of dance and dramatic acting; preserved in Abhinavagupta’s eleventh-century commentary on the Nāṭyaśāstra, it reflects complex historical shifts in aesthetic theory and performance practice. ; Readership: All those interested in the history of Indian dance and theatre and in Abhinavagupta’s aesthetics, including scholars and students of Indology, performance, dance, and theatre studies, as well as performers.
Dance & other performing arts --- Bharata Muni. --- Abhinavagupta, --- India. --- The arts --- Aesthetics, Indic. --- Sanskrit drama --- Theater --- History and criticism.