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Weaving Women’s Spheres in Vietnam offers an in-depth study of the status of women in Vietnamese society through an examination of their roles in the context of family, religious and local community life from anthropological, historical and sociological perspectives. Unlike previous works on gender issues relating to Vietnam which focus on women as passive subjects and are restricted to specific spheres such as family, this book, through a series of case studies and life stories, not only examines the suppressive gender structure of the Vietnamese family, but also demonstrates Vietnamese women's agency in appropriating that structure and creating alternative spheres for women which they have interwoven in between the dominant realms of public and private spheres in the areas of family, religious practice, community organizations, and politics, including their participation in the (re)construction of national identity. Accordingly, this volume is expected to become an important new benchmark relating to gender issues in Asian societies, especially in the context of so-called ‘transitional’ societies, such as China and Vietnam. Contributors include: Kirsten W. Endres, Ito Mariko, Ito Miho, Kato Atsufumi , Hy V. Luong, Miyazawa Chihiro, Thien-Huong T. Ninh, Tran Thi Minh Thi.
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The story of Venus of Khala-Kanti unfolds in the ancient forests of an imaginary West African village. The story is at once a straightforward narrative of human courage and an allegory for the amputation of a continent and its peoples. The tale is, above all, the story of hope, recovery and rediscovery. The vitality and reclamation of the characters is accomplished through an indomitable and lyrical animation of the natural world in concert with human kindness, empathy and zest for life.
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From her early childhood in the Dominican Republic, Rhina Espaillat learned the pleasures of traditional lyric poetry with wordplay, repetition, and patterns of sounds that allow for interplay between sound and sense.
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"Norah Hoult's 'Poor women!' Reintroduces a significant yet critically neglected twentieth-century Irish author to a new generation of readers. Poor women! Display's Hoult's subtlety and humour as an author and a keen witness to human frailty. Hoult unflaggingly signals the restrictions imposed on her characters by society and its institutions, thereby providing a glimpse into the social, literary and political milieu from which the collection hail"--Back cover.