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Non-fiction --- American literature --- Documentaire roman --- Nonfiction novel --- Roman documentaire --- American prose literature --- 20th century --- History and criticism --- Reportage literature [American ] --- Journalism --- United States --- History --- Talese, Gay --- Criticism and interpretation --- Wolfe, Thomas Clayton --- McPhee, John --- Didion, Joan --- Mailer, Norman
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Environmental planning --- Film --- Fiction --- Social geography --- Movies --- Public spance --- Literature --- Cities --- Book --- Experiences --- Varda, Agnès --- Gellhorn, Martha --- Coppola, Sofia --- Rhys, Jean --- Didion, Joan --- Sand, George --- Calle, Sophie --- Woolf, Virginia --- United Kingdom --- France --- Italy --- Japan --- United States of America
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This book analyzes a collection of literary memoirs to demonstrate how this genre is an avenue for participation in public life. Writers are repurposing the memoir, a genre known for its personal and expressive function, to engage in debate and serve political goals. The chapters provide case studies for memoir as social action that effects change by looking at the writing of Joan Didion, John Edgar Wideman, James McBride, M. Elaine Mar, Janisse Ray, Lucy Grealy, and Ann Patchett. Drawing on theories of genre and agency, Danielewicz asserts how these writers are acting pragmatically. Memoirs contribute to democratic society by offering solutions, creating new knowledge, revealing social trends, bringing issues to light, creating empathy and connection, and changing public opinion. .
Philosophy --- Linguistics --- American literature --- Literature --- geletterdheid --- filosofie --- literatuur --- memoires --- McBride, James --- Mar, M. Elaine --- Ray, Janisse --- Grealy, Lucy --- Pratchett, Ann --- Didion, Joan --- Wideman, John Edgar --- anno 1900-1999 --- America
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This book focuses on six brilliant women who are often seen as particularly tough-minded: Simone Weil, Hannah Arendt, Mary McCarthy, Susan Sontag, Diane Arbus, and Joan Didion. Aligned with no single tradition, they escape straightforward categories. Yet their work evinces an affinity of style and philosophical viewpoint that derives from a shared attitude toward suffering. What Mary McCarthy called a "cold eye" was not merely a personal aversion to displays of emotion: it was an unsentimental mode of attention that dictated both ethical positions and aesthetic approaches. Tough Enough traces the careers of these women and their challenges to the pre-eminence of empathy as the ethical posture from which to examine pain. Their writing and art reveal an adamant belief that the hurts of the world must be treated concretely, directly, and realistically, without recourse to either melodrama or callousness. As Deborah Nelson shows, this stance offers an important counter-tradition to the familiar postwar poles of emotional expressivity on the one hand and cool irony on the other. Ultimately, in its insistence on facing reality without consolation or compensation, this austere "school of the unsentimental" offers new ways to approach suffering in both its spectacular forms and all of its ordinariness.
Toughness (Personality trait) --- Aesthetics --- Suffering in literature. --- Suffering in art. --- Psychological aspects. --- Weil, Simone, --- Arendt, Hannah, --- Sontag, Susan, --- MacCarthy, Mary, --- Arbus, Diane, --- Didion, Joan. --- Diane Arbus. --- Hannah Arendt. --- Joan Didion. --- Mary McCarthy. --- Simone Weil. --- Susan Sontag. --- aesthetics. --- emotion. --- style. --- unsentimental.
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American prose literature --- Authors, American --- Autobiography --- Identity (Philosophical concept) in literature --- National characteristics, American, in literature --- History and criticism --- Biography --- History and criticism --- Didion, Joan. --- Hellman, Lillian, --- Shepard, Sam, --- Stein, Gertrude,
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Lijden in de kunst --- Lijden in de literatuur --- Souffrance dans l'art --- Souffrance dans la littérature --- Suffering in art --- Suffering in literature --- Toughness (Personality trait) --- Toughness (Personality trait). --- Aesthetics --- Suffering in literature. --- Suffering in art. --- Psychological aspects. --- Weil, Simone, --- Arendt, Hannah, --- Sontag, Susan, --- MacCarthy, Mary, --- Arbus, Diane, --- Didion, Joan. --- Arendt, Hannah --- Sontag, Susan --- Arbus, Diane --- Didion, Joan --- McCarthy, Mary --- Psychological aspects --- Philosophy --- Art --- Weil, Simone --- Attitudes --- Book --- Emotions
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Fiction --- American literature --- Austen, Jane --- anno 1900-1999 --- Feminism and literature --- Feminisme en literatuur --- Femmes et littérature --- Féminisme et littérature --- Silence dans la littérature --- Silence in literature --- Stilzwijgen in de literatuur --- Vrouwen en literatuur --- Women and literature --- Zwijgen in de literatuur --- American fiction --- Women authors --- History and criticism --- Criticism and interpretation --- Cather, Willa Sibert --- Porter, Katherine Anne --- Didion, Joan --- 20th century --- ROMAN AMERICAIN --- SILENCE DANS LA LITTERATURE --- AUSTEN (JANE), 1775-1817 --- CATHER (WILLA), 1873-1947 --- PORTER (KATHERINE ANNE), 1890-1980 --- DIDION (JOAN) --- FEMINISME ET LITTERATURE --- FEMMES ET LITTERATURE --- FEMMES ECRIVAINS --- HISTOIRE ET CRITIQUE --- CRITIQUE ET INTERPRETATION --- 20E SIECLE
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Among New Journalists of the 1960s-1970s, Michael Herr, Norman Mailer, Hunter S. Thompson, and Joan Didion approached their subjects by placing themselves in the center of their narratives as protagonists and by openly acknowledging their subjective impressions of the events they reported. Unlike journalists who adopted the conventions of detachment and objectivity, these New Journalists employed their subjective, literary styles to construct their narrative personae and to dramatize not only the events like the Vietnam War and the 1972 presidential campaign but their direct participation in t
American prose literature -- 20th century -- History and criticism. --- Didion, Joan -- Criticism and interpretation. --- Herr, Michael -- Criticism and interpretation. --- Journalism -- United States -- History -- 20th century. --- Mailer, Norman -- Criticism and interpretation. --- Reportage literature, American -- History and criticism. --- Thompson, Hunter S. -- Criticism and interpretation. --- Reportage literature, American --- American prose literature --- Journalism --- English --- Languages & Literatures --- American Literature --- American reportage literature --- History and criticism --- History --- Herr, Michael, --- Mailer, Norman --- Thompson, Hunter S. --- Didion, Joan --- Criticism and interpretation. --- Duke, Raoul --- Tompson, Khanter --- תומפסון, האנטר ס. --- Mailer, Nachem Malek --- Meĭler, Norman --- Мейлер, Норман
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Fiction --- Thematology --- American literature --- anno 1900-1999 --- Conspiracies in literature --- Conspirations dans la littérature --- Paranoia in de literatuur --- Paranoia in literature --- Paranoïa dans la littérature --- Samenzweringen in de literatuur --- American fiction --- 20th century --- History and criticism --- Conspiracies --- United States --- History --- Politics and literature --- Political fiction [American ] --- Paranoia --- Postmodernism (Literature) --- Didion, Joan --- Criticism and interpretation --- DeLillo, Don --- Pynchon, Thomas --- Morrison, Toni --- Brown, Dan --- Stone, Robert
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Non-fiction --- American literature --- anno 1900-1999 --- Autobiografie --- Autobiographie --- Autobiography --- American prose literature --- 20th century --- History and criticism --- Agee, James --- James, Henry --- Wilson, Edmund --- Authors [American ] --- Biography --- Didion, Joan --- Du Bois, William Edward Burghardt --- Herr, Michael --- Mailer, Norman --- McCarthy, Mary --- Autobiographies américaines. Histoire. --- Amerikaanse autobiografie. Geschiedenis.