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Graphics industry --- German literature --- anno 1900-1999 --- Germany --- Authors and publishers --- -Authorship --- Book industries and trade --- -German literature --- -Book trade --- Cultural industries --- Manufacturing industries --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Author and publisher --- Publishers and authors --- Publishing contracts --- Authorship --- Contracts --- Book proposals --- Copyright --- Literary agents --- History and criticism --- Law and legislation --- -History and criticism --- -Authoring (Authorship) --- Book trade
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Authoring (Authorship) --- Authors and publishers --- Authorship --- Ecrivains et éditeurs --- Oeuvres -- Attribution --- Paternité artistique --- Paternité littéraire --- Qualité d'auteur --- Schrijvers en uitgevers --- Schrijverskwaliteit en auteurschap --- Writing (Authorship) --- Literature --- Author and publisher --- Publishers and authors --- Publishing contracts --- Contracts --- Book proposals --- Copyright --- Literary agents --- Law and legislation --- Authorship. --- Authors and publishers.
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"A collection of nineteen essays that trace texts from their creation and printing through to their publication, dissemination, and collection. Examines continuities and changes in the book trade and is illustrated in black and white. The eleventh volume of the Print Networks series"--Provided by publisher.
655.11 --- History of printing. Discovery of book-printing techniques --- Book history --- Graphics industry --- Authors and publishers --- Book collecting --- Book collectors --- Book industries and trade --- Books and reading --- Libraries --- Printing --- Book owners --- Books --- Book selection --- Collectors and collecting --- Private libraries --- Bibliophily --- Antiquarian booksellers --- Bibliomania --- Author and publisher --- Publishers and authors --- Publishing contracts --- Authorship --- Contracts --- Book proposals --- Copyright --- Literary agents --- History --- Law and legislation
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Du désir d’écrire à la parution du premier roman, ce livre révèle et décrypte tous les us et coutumes de la chose littéraire. Témoignages d’écrivains et d’éditeurs à l’appui, ces vingt-sept chapitres sont autant de cailloux blancs pour éviter les pièges et trouver son chemin à travers le monde des lettres. Jean-Baptiste Gendarme accompagne avec humour et impertinence l’aspirant écrivain dans le singulier marathon qui mène à la publication d’un livre.
Authorship --- Authors and publishers --- Publishers and publishing --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Author and publisher --- Publishers and authors --- Publishing contracts --- Contracts --- Book proposals --- Copyright --- Literary agents --- Authors' markets --- Marketing of manuscripts (Authorship) --- Writers' markets --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Marketing --- Publishing --- Law and legislation
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In the twenty-first century, leading publishers are under intense pressure from their conglomerate owners and shareholders to generate growth and profits. This book shows how these pressures have transformed the contemporary novel. Paul Crosthwaite argues that recent British and American authors have internalized the market logics of the financial sector and book trade, resulting in the production of works of 'market metafiction' in which authors reflect obsessively on their writing's positioning in the literary marketplace. The Market Logics of Contemporary Fiction reveals the entanglement of fictional narrative and market dynamics to be the central phenomenon of contemporary literary culture. It engages with work by key authors including Iain Sinclair, Don DeLillo, Kathy Acker, Bret Easton Ellis, Chris Kraus, Percival Everett, David Foster Wallace, Colson Whitehead, Anne Billson, Hari Kunzru, Barbara Browning, Teju Cole, Ben Lerner, Tao Lin, Nell Zink, Joshua Cohen, Sheila Heti, and Garth Risk Hallberg.
Fiction --- Literature publishing --- Authors and publishers --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Author and publisher --- Publishers and authors --- Publishing contracts --- Authorship --- Contracts --- Book proposals --- Copyright --- Literary agents --- Literary publishing --- Publishers and publishing --- Publishing --- History --- Economic aspects. --- Philosophy --- Law and legislation
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Academic writing --- Authors and publishers --- College teachers as authors --- Scholarly publishing --- 001.816 --- 655.411 --- Academic publishing --- Publishers and publishing --- Authors --- Author and publisher --- Publishers and authors --- Publishing contracts --- Authorship --- Contracts --- Book proposals --- Copyright --- Literary agents --- Learned writing --- Scholarly writing --- 655.411 Wetenschappelijke uitgeverij --- Wetenschappelijke uitgeverij --- 001.816 Voorbereiding van wetenschappelijke publicaties. Kopijvoorbereiding. Correcti --- Voorbereiding van wetenschappelijke publicaties. Kopijvoorbereiding. Correcti --- Law and legislation --- Science
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Kathryn Temple argues that eighteenth-century Grub Street scandals involving print piracy, forgery, and copyright violation played a crucial role in the formation of British identity. Britain's expanding print culture demanded new ways of thinking about business and art. In this environment, print scandals functioned as sites where national identity could be contested even as it was being formed.Temple draws upon cases involving Samuel Richardson, Samuel Johnson, Catharine Macaulay, and Mary Prince. The public uproar around these controversies crossed class, gender, and regional boundaries, reaching the Celtic periphery and the colonies. Both print and spectacle, both high and low, these scandals raised important points of law, but also drew on images of criminality and sexuality made familiar in the theater, satirical prints, broadsides, even in wax museums. Like print culture itself, the "scandal" of print disputes constituted the nation-and resistance to its formation. Print transgression destabilized both the print industry and efforts to form national identity. Temple concludes that these scandals represent print's escape from Britain's strenuous efforts to enlist it in the service of nation.
Scandals --- Authorship --- Literary forgeries and mystifications --- Copyright infringement --- Piracy (Copyright) --- Libel and slander --- Authors and publishers --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Copyright --- Infringement of copyright --- Intellectual property infringement --- Anti-copyright movement --- Author and publisher --- Publishers and authors --- Publishing contracts --- Contracts --- Book proposals --- Literary agents --- Calumny --- Defamation --- Slander --- Torts --- History --- Unauthorized reproduction of copyrighted material --- History. --- Criminal provisions --- Law and legislation --- Great Britain
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Fair use (Copyright) --- Copyright --- Authors and publishers --- Authors --- Fair dealing (Copyright) --- Copyright infringement --- Library copyright policies --- Author and publisher --- Publishers and authors --- Publishing contracts --- Authorship --- Contracts --- Book proposals --- Literary agents --- Writers --- Litterateurs --- Bio-bibliography --- Literature --- Legal status, laws, etc. --- Fair use --- Law and legislation
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Literature publishing --- Self-publishing --- Authors and publishers --- Publishers and publishing --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Author and publisher --- Publishers and authors --- Publishing contracts --- Authorship --- Contracts --- Book proposals --- Copyright --- Literary agents --- Literary publishing --- Literature --- History. --- Publishing --- Law and legislation
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Authors and publishers --- Authorship --- 001.81 --- 82.081 --- 001.81 Techniek van de intellectuele arbeid --- Techniek van de intellectuele arbeid --- 82.081 Creatief schrijven --- Creatief schrijven --- Author and publisher --- Publishers and authors --- Publishing contracts --- Contracts --- Book proposals --- Copyright --- Literary agents --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Law and legislation --- Authors and publishers. --- Authorship.