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ruimtelijke ordening --- Environmental planning --- comprehensive plans [reports] --- anno 1940-1949 --- anno 1960-1969 --- anno 1950-1959 --- Netherlands --- 355 WOII --- Nederland --- 711.16 --- 711.4 --- 711.6 --- 711 --- 351.778.6 --- 72.036 --- 912 --- Wereldoorlog 1939-45 --- Wederopbouw --- Heropbouw --- Stedenbouw --- Stadsplanning --- Ruimtelijke ordening --- Beleid (ruimtelijke ordening) --- Ruimtelijk beleid --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Atlassen --- City planning --- Reconstruction (1939-1951) --- History

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Wils, Jan --- Architecture --- De Stijl (Art movement) --- De Stijl (Mouvement artistique) --- History --- Histoire --- Wils, Jan, --- 72.07 --- Architectuur ; Nederland ; 20ste eeuw ; Jan Wils --- Jan Wils 1891-1972 (°Alkmaar, Nederland) --- Architectuur ; De Stijl --- Architectuur ; Nederland ; Haagse School --- Sportstadia ; voetbalstadia ; Amsterdam ; Olympisch stadion --- 72.036 <492> --- Architecten. Stedenbouwkundigen A - Z --- Moderne bouwkunst. Architectuur van de 20e eeuw--Nederland --- 72.036 <492> Moderne bouwkunst. Architectuur van de 20e eeuw--Nederland

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The Danish artist Asger Jorn is primarily known as a painter who was active in the Høst, Cobra and the Situationist International groups. The numerous leaflets, exhibition catalogues, interviews, articles and books he wrote throughout his entire career attest to his vast literary output and his urge to provoke debate at all social levels. Fraternité Avant Tout (above all – unity) is an anthology of Asger Jorn’s writings on art and architecture translated into English for the first time. Asger Jorn’s statement, ‘In the beginning there was the image’, represents both the starting point for discussions with his contemporaries and also the key element in his overall philosophy. After more than half a century, his groundbreaking theory on image creation coupled with his Marxist political convictions are strikingly fresh and apposite. His arguments on the image and imagery, not only as a medium for artistic imagination and aesthetic articulation but also as a critical instrument for progress in human life, strike immediate resonances today when image based popular cultures and technologies exert an undeniable influence on our own society. Jorn’s writings also shed new light on the origin and development of the Situationist movement’s theory of architecture and urbanism. This is especially pertinent in the context of recent scholarly work on the Situationist International in which Jorn is often characterized ‘only’ as the artistic impresario. The critical introduction to Jorn’s philosophy on the relationship between art and architecture sets a context for a contemporary audience so that it can fully appreciate how his thoughts and writing evolved.

Aesthetics, Modern --- Art and architecture --- Jorn, Asger --- Philosophy. --- kunstfilosofie --- Antique, the --- architectural history --- philosophy of art --- literatuur --- Romeinse oudheid --- architectural historians --- Architecture --- Art --- Asger, Jorn --- anno 1930-1939 --- anno 1940-1949 --- anno 1950-1959 --- Cobra (Association) --- Expressionism --- Surrealism --- 7.037.5 --- 7.036.7 --- 7.037 --- 75.037 --- 72.01 --- Superrealism --- Surrealism in art --- Arts, Modern --- Kunststijlen: surrealisme --- Expressionistische richtingen in de kunst. Expressionisme --- Overgang tussen expressionisme en abstracte kunst. Avant-gardekunst --- Overgang van figuratieve naar abstracte schilderkunst --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- 75.037 Overgang van figuratieve naar abstracte schilderkunst --- 7.037 Overgang tussen expressionisme en abstracte kunst. Avant-gardekunst --- 7.036.7 Expressionistische richtingen in de kunst. Expressionisme --- 7.037.5 Kunststijlen: surrealisme --- Architecture and art --- Aesthetics --- History --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect

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avant-garde --- Art styles --- anno 1940-1949 --- anno 1950-1959 --- Europe --- kunst --- twintigste eeuw --- beeldhouwkunst --- tekenkunst --- schilderkunst --- situationisme --- communisme --- marxisme --- kunst en politiek --- 75.036 --- 7.038 --- Amsterdam --- België --- Denemarken --- Cobra --- cobra --- CoBra

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7 <492> --- 749 <492> --- 749 <492> Meubelkunst--Nederland --- Meubelkunst--Nederland --- 7 <492> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland --- Exhibitions --- Art deco --- Decoration and ornament --- Furniture --- Interior decoration --- Decoration, Interior --- Home decoration --- House decoration --- Interior design --- Art --- Buildings --- Home economics --- House furnishings --- Upholstery --- Wood furniture --- Wooden furniture --- Decorative arts --- Cabinetwork --- Art, Decorative --- Decorative art --- Decorative design --- Design, Decorative --- Nature in ornament --- Ornament --- Painting, Decorative --- Arts and crafts movement --- Aesthetic movement (Art) --- Art, Modern --- Environmental engineering --- Applied arts. Arts and crafts --- anno 1900-1999 --- Netherlands --- Art deco (Architecture) --- Decoration and ornament, Primitive