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Edited by Jeffrey Shaw and Peter Weibel --- digitale kunst --- computerkunst --- Nekes Werner --- scenografie --- Radok Emil --- Radok Alfred --- Svoboda Josef --- Marker Chris --- Anger Kenneth --- bioscopen --- VanDerBeek Stan --- Themerson Stefan --- Vasulka Steina --- Vasulka Woody --- Lye Len --- Deren Maya --- Richter Hans --- Le Grice Malcolm --- Brakhage Stan --- Weibel Peter --- Rybczynski Zbigniew --- Jost Jon --- Hersman Leeson Lynn --- Hoberman Perry --- Dove Toni --- Arnold Martin --- Ruhm Constanze --- Barba Rosa --- Stracke Caspar --- McCoy Jennifer --- McCoy Kevin --- Campbell Jim --- Weinbren Grahame --- Cathcart James --- Davenport Glorianna --- Friedlander Larry --- Barry Barbara --- Galyean Tinsley --- Bradley Brian --- Scott Jill --- Ahtila Eija-Liisa --- Julien Isaac --- Crandall Jordan --- Hales Chris --- Norrie Susan --- Hill Gary --- Legrady George --- Comella Rosemary --- Seaman Bill --- Hegedüs Agnes --- Howard Ian --- Klein Norman M. --- Kratky Andreas --- O'Neill Pat --- Labyrinth Project --- Forgács Péter --- Manovich Lev --- Cornwell Peter --- Shaw Jeffrey --- Bruyère Jean Michel --- LFK-lafabriks --- Boissier Jean-Louis --- Ziegler Christian --- Fujihata Masaki --- Jaschko Susanne --- Sauter Joachim --- Lüsebrink Dirk --- Egg Daniel --- Reinhart Martin --- Widrich Virgil --- Medlin Margie --- Maire Julien --- Beloff Zoe --- Oursler Tony --- Naimark Michael --- Barry Judith --- Blast Theory --- Courchesne Luc --- Del Favero Dennis --- de Nijs Marnix --- Sims Karl --- Deussen Oliver --- Lintermann Bernd --- Eshkar Shelley --- Kaiser Paul --- Lafia Marc --- Fire Didi --- Wisniewski Maciej --- Johnson Paul --- Napier Mark --- Speckenbach Jan --- Weiberg Birk --- Fürstner Thomas --- Heide Axel --- Pocock Philip --- Stehle Gregor --- Benayoun Maurice --- Schmid Michael --- Müller-Quade Jörn --- Beth Thomas --- 791.45 --- Film --- Digital cinematography --- Technology and the arts --- media --- multimedia --- Paik Nam June --- precinema --- Snow Michael --- Vertov Dziga --- video --- videokunst --- voorgeschiedenis film --- 7.038/039 --- 791.43 --- 791.5 --- Buñuel Luis --- Cardiff Janet --- computers --- computerspellen --- Cornell Joseph --- cybercultuur --- Dean Max --- Deleuze Gilles --- digitale film --- experimentele film --- Export Valie --- film --- filmgeschiedenis --- filmtheorie --- games --- Graham Dan --- Huyghe Pierre --- installaties --- Kentridge William --- Klein Norman M --- kunst --- kunst en technologie --- kunsttheorie --- Arts and technology --- Cinematography --- Digital filmmaking --- Digital moviemaking --- Digital techniques --- Arts

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Ce volume monumental, tiré d'une exposition du Centre d'art et des médias du ZKM en 2020, décrit la désorientation de la vie dans un monde confronté au changement climatique. Il retrace cette désorientation à la déconnexion entre deux définitions différentes de la terre sur laquelle vivent les hommes en voie de modernisation : la nation souveraine dont ils tirent leurs droits, et une autre, cachée, dont ils tirent leurs richesses : la terre sur laquelle ils vivent, et la terre dont ils vivent. En traçant la carte de la terre qu'ils vont habiter, ils ne trouvent pas un globe, ni le fameux "marbre bleu", mais une série de zones critiques - inégales, hétérogènes, discontinues. Avec de courtes pièces, des essais plus longs et plus de 500 illustrations, les contributeurs explorent le nouveau paysage sur lequel il est possible pour l'homme d'habiter - ce que signifie être "sur Terre", que ce soit la zone critique, le Gaia ou le terrestre. Ils examinent les conflits géopolitiques et les outils repensés pour la nouvelle "géopolitique des formes de vie". L'"exposition de pensée" décrite dans ce livre peut ouvrir un espace fictif pour explorer le nouveau régime climatique ; le reste de l'histoire est inconnu Parmi les contributeurs, on compte Dipesh Chakrabarty, Pierre Charbonnier, Emanuele Coccia, Vinciane Despret, Jérôme Gaillarde, Donna Haraway, Joseph Leo Koerner, Timothy Lenton, Richard Powers, Simon Schaffer, Isabelle Stengers, Bronislaw Szerszynski, Jan A. Zalasiewicz, Siegfried Zielinski. "Artists and writers portray the disorientation of a world facing climate change.This monumental volume, drawn from a 2020 exhibition at the ZKM Center for Art and Media, portrays the disorientation of life in world facing climate change. It traces this disorientation to the disconnection between two different definitions of the land on which modernizing humans live: the sovereign nation from which they derive their rights, and another one, hidden, from which they gain their wealth--the land they live on, and the land they live from. Charting the land they will inhabit, they find not a globe, not the iconic "blue marble," but a series of critical zones--patchy, heterogenous, discontinuous. With short pieces, longer essays, and more than 500 illustrations, the contributors explore the new landscape on which it may be possible for humans to land--what it means to be "on Earth," whether the critical zone, the Gaia, or the terrestrial. They consider geopolitical conflicts and tools redesigned for the new "geopolitics of life forms." The "thought exhibition" described in this book can opens a fictional space to explore the new climate regime; the rest of the story is unknown. Contributors include: Dipesh Chakrabarty, Pierre Charbonnier, Emanuele Coccia, Vinciane Despret, Jerome Gaillarde, Donna Haraway, Joseph Leo Koerner, Timothy Lenton, Richard Powers, Simon Schaffer, Isabelle Stengers, Bronislaw Szerszynski, Jan A. Zalasiewicz, Siegfried Zielinski.

Kritik. --- Kunst. --- Philosophie. --- Politik. --- Umweltkrise. --- Wissenschaft. --- Ökologie. --- #SBIB:316.7C210 --- #SBIB:316.23H1 --- #SBIB:39A3 --- #SBIB:39A5 --- Cultuursociologie: kunst: algemeen --- Kennissociologie --- Antropologie: geschiedenis, theorie, wetenschap (incl. grondleggers van de antropologie als wetenschap) --- Kunst, habitat, materiële cultuur en ontspanning --- Art --- climate change --- maatschappijkritiek --- klimaatverandering --- Ecology in art --- Climatic changes in art --- Climatic changes --- Climatic changes in art. --- Ecology in art. --- Philosophy. --- Écologie marine tropicale des océans Pacifique et Indien. --- Exhibitions. --- Écologie --- Climat --- Dans l'art. --- Changements --- cultuurfilosofie --- eenentwintigste eeuw --- 130.2 --- ecologie --- kunsttheorie --- kunst --- sociologie --- filosofie --- Exhibitions --- Changement climatique --- Cartographie --- Politique de l'environnement

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This monumental, richly illustrated volume from ZKM Karlsruhe approaches modern sculpture from a spatial perspective, interpreting it though contour, emptiness, and levitation rather than the conventional categories of unbroken volume, mass, and gravity. It examines works by dozens of twentieth- and twenty-first-century artists, including Hans Arp, Marcel Duchamp, Henry Moore, Barbara Hepworth, Lygia Clark, Anish Kapoor, Olafur Eliasson, Ana Mendieta, Fujiko Nakaya, Tomás Saraceno, and Alicja Kwade. The large-scale book contains over 800 color images. 'Negative Space' comes out of an epic exhibition at ZKM, and volume editor Peter Weibel (Chairman and CEO of ZKM) takes a curatorial approach to the topic. The last exhibition to deal comprehensively with the question "What is modern sculpture?" was at the Centre Georges Pompidou in 1986. Weibel and ZKM pick up where the Pompidou left off, examining sculptures not as figurative, solid, and self-contained monoliths but in terms of open and hollow spaces; reflection, light, shadow; innovative materials; data; and the moving image. Weibel puts advances in science, architecture, and mathematics in the context of avant-garde sensibilities to show how modern sculpture significantly deviates from the work of the past. Texts in the volume include an introduction and twelve chapters written by Weibel with contributions by cocurators as well as facsimiles and reproductions of artist-authored manifestos.

Sculpture --- mirrors --- sculpture [visual works] --- shade [light-related concept] --- contour --- negative space --- Kinetic [style] --- light art --- reflection [action] --- linear forms --- virtual reality --- planar --- anno 1900-1999 --- anno 2000-2099 --- installations [visual works] --- Sculpture, Modern --- Art, Modern --- Space (Art) --- kunst --- leegte --- ruimtelijkheid --- ruimte --- kunsttheorie --- 73.036/039 --- 7.036/039 --- eenentwintigste eeuw --- twintigste eeuw --- installaties --- beeldhouwkunst --- Negative space (Art) --- Art --- Contemporary art --- Modernism (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Kinetic Art

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Art --- art [discipline] --- anno 1900-1999 --- Germany

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This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people's minds. Traditional imaging and tracking systems have given way to infinitely more powerful "dataveillance" technologies, as an ever-evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its point of departure an architectural drawing by Jeremy Bentham that became the model for an entire social regime, CTRL [SPACE] looks lat the shifting relationships between design and power, representation and subjectivity, imaging and oppression from the eight-teenth to twenty-first centuries. From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. Andy Warhol, Bruce Nauman, Dan Graham, Rem Koolhaas, Michel Klier, Thomas Ruff, Pierre Huyghe, Sophie Calle, Julia Scher, Diller + Scofidio, Peter Weibel, and Yoko Ono are among the artists whose panoptical preoccupations are featured here. This is the first state-of-the-art survey of the full range of panopticism - in digital culture, architecture, video, painting, photography, conceptual art, cinema, installation work, television, robotics, and satellite imaging.

Art --- Mass communications --- Thema's in de kunst ; controle ; observatie ; Big Brother --- Real Time film ; video ; reality TV --- Panoptische kunst --- Elektronische informatietechnologie ; databanken --- Beeldcultuur ; audio-visuele media --- International Media Art Award --- Tentoonstellingscatalogi ; Karlsruhe ; Center for Art and Media ; ZKM --- 7.049 --- 7.01 --- (069) --- Iconografie ; verschillende onderwerpen --- Kunst ; theorie, filosofie, esthetica --- (Musea. Collecties) --- ed. by Thomas Y. Levin, Ursula Frohne, and Peter Weibel --- kunst --- twintigste eeuw --- bewaking --- satelliettechnologie --- politiek --- kunst en politiek --- dataveillance --- waarneming --- Big Brother --- Nauman Bruce --- Graham Dan --- Weibel Peter --- Schneider Ira --- Gillette Frank --- Klier Michael --- Luhmann Niklas --- Ruff Thomas --- Stein Lewis --- straf --- bestraffing --- Farocki Harun --- Virilio Paul --- Bentham Jeremy --- Koolhaas Rem --- Dahlberg Jonas --- Langlands & Bell --- Thiel Frank --- Colomer Henry --- bewakingssystemen --- Todorovic Zoran --- veiligheid --- staatsveiligheid --- Echelon --- Stasi --- Leccia Ange --- Schleime Cornelia --- Korpys/Löffler --- Stih & Schnock --- Klauke Jürgen --- Chip Lord --- Lord Chip --- Mélian Michaela --- panopticum --- Burgin Victor --- Warhol Andy --- narcisme --- Huyghe Pierre --- Scher Julia --- Crandall Jordan --- Alpern Merry --- Haagsma Harco --- Marketou Jenny --- Lundin Ulf --- Mayer H. Jürgen --- Deleuze Gilles --- architectuur --- kunst en architectuur --- 3D --- Deutsch David --- Naldi Pat --- Kirkup Wendy --- Diller+Scofidio --- Roth Daniel --- Mihaltianu Dan --- GRAFT --- NYCLU --- New York Civil Liberties Union --- visomat --- visomat inc. --- Baltz Lewis --- Acconci Vito --- Lennon John --- Ono Yoko --- Calle Sophie --- Kurgan LAura --- Bush Paul --- Art+Com --- Peljhan MArko --- Lowenberg Richard --- cybernetica --- panopticisme --- Baudrillard Jean --- Wagg jamie --- Froese Dieter --- Petit Chris --- Dijkman Bart --- Caviezel Kurt --- Komen A.P. --- Murphy Karen --- G.R.A.M. --- Bonde Niels --- Siden Ann-Sofi --- reality tv --- videobewaking --- reclame --- reclamevormgeving --- film --- narratologie --- Cornwell Peter --- Bureau of Inverse Technology --- Institute for Applied Autonomy --- I.A.A. --- Beaubois Denis --- Guess Jeff --- Mühlenbrock Heiner --- Surveillance Camera Players --- Bacher Luiz --- Haddock Jon --- Ra'ad Walid --- design --- cultuurfilosofie --- gevangenissen --- 7.038 --- 130.2 --- 791.5 --- visomat inc --- Komen A.P --- G.R.A.M --- I.A.A --- Multimedia (Art) --- Electronic surveillance --- Multimedia (Art) - Exhibitions --- Electronic surveillance - Art