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"... presents the first large-scale survey in a United States museum dedicated to the history of the experimental German artists' group Zero (1957-66) and ZERO, an international network of artists that shared the group's aspiration to redefine and transform art in the aftermath of World War II. The exhibition featured work by the three core members of Group Zero--Heinz Mack, Otto Piene, and Günther Uecker--and by more than 40 artists from 10 countries who comprised the larger ZERO network, including Lucio Fontana, Yayoi Kusama, Yves Klein, Piero Manzoni, Jesús Rafael Soto, Jean Tinguely, and herman de vries. These artists found common cause in the desire to use novel materials drawn from everyday life, nature, and technology and to develop innovative techniques and formats such as room-scaled installations, kinetic artworks, and live art actions. Focusing on the points of intersection, exchange, and collaboration that define the ZERO artists' shared history, the exhibition is at once a snapshot of a specific group and a portrait of a generation. ZERO: Countdown to Tomorrow, 1950s-60s celebrates the pioneering nature of ZERO art and the transnational vision advanced by this network of artists during a pivotal decade." -- Publisher's description.

Art styles --- anno 1960-1969 --- anno 1950-1959 --- Zero (Group of artists) --- Art, German --- Art, Modern --- de Vries Herman --- Verheyen Jef --- geometrische abstractie --- 7.038 --- abstractie --- abstracte schilderkunst --- Tinguely Jean --- Spoerri Daniel --- Schoonhoven Jan --- Pohl Uli --- Peeters Henk --- Megert Christian --- Manzoni Piero --- Uecker Günther --- Piene Otto --- Mack Heinz --- Lo Savio Francesco --- Leblanc Walter --- Soto Jesús Rafael --- Mavignier Almir --- Kusama Yayoi --- Klein Yves --- Henderikse Jan --- Goepfert Hermann --- Fontana Lucio --- Castellani Enrico --- Bury Pol --- Aubertin Bernard --- Armando --- Arman --- Zero --- Duitsland --- twintigste eeuw --- kunst --- 0 (Group of artists) --- Group 0 (Group of artists) --- Group Zero (Group of artists) --- Exhibitions --- Zero (Group of artists). --- Avant-garde (Aesthetics) --- Zero (kunststroming)

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Fire, light, movement, space, demonstrations and performances. The Stedelijk proudly presents an historic survey of the innovative avant-garde group ZERO. With work by herman de vries, Armando, Henk Peeters, Jan Schoonhoven, Jan Henderikse, Piero Manzoni, Lucio Fontana, Yves Klein, Jean Tinguely, Yayoi Kusama and others. "Published to accompany this years exhibition at Martin-Gropius-Bau, Berlin, here is the most comprehensive publication on the ZERO movement, which thrived from 1958 to 1966. It explores the work of the founders Heinz Mack, Otto Piene and Günther Uecker, alongside international artists who were close to ZERO such as Yves Klein and Lucio Fontana, and such lesser-known artists as Hermann Goepfert, Oskar Holweck and Hans Salentin."--

Art, Modern - 20th century - Exhibitions --- Zero (Group of artists) - Exhibitions --- Avant-garde --- Zero (Group of artists) --- Art, Modern

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In this thorough and original retrospective, scholars of history, culture, art history, media, and literary studies explore the relative cultural significance of Vincent van Gogh and his work across time and around the world. The journey begins in present-day Amsterdam with an examination of the Dutch master’s legacy in a country now troubled by issues of identity, migration, and globalization. It continues with accounts of Hollywood’s embrace of van Gogh, which is in contrast to a colder reception from European cinema; the struggle between French and German philosophers to find the true meaning of the painter’s famous depiction of worn shoes; the unique affection for van Gogh found in Japan; and the unstable inclusion of the artist’s letters in the French literary canon. The book ends with an analysis of van Gogh in his own time, when he was acutely aware of his own foreignness as an immigrant in England, Belgium, and France, and when conflicts first arose over the location, both figurative and literal, of his artistic legacy.

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Tinguely, Jean --- destruction --- machines [general equipment] --- sculpture in the round --- Auto-destructive art --- motion --- 7.071 TINGUELY --- 73.071 TINGUELY --- destructie --- kinetische kunst --- kunst --- twintigste eeuw --- Zwitserland --- beeldhouwkunst --- Tinguely Jean --- Frankrijk --- Exhibitions --- performance art --- Sculpture --- assemblages [sculpture] --- installations [visual works] --- public spaces --- outdoor sculpture --- destruction [process] --- kunst in de openbare ruimte

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Art, French --- Art, French --- Vautier, Ben, --- Vautier, Ben