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Communicatie --- Communication --- Esthetiek --- Esthétique --- Pragmatics. --- Pragmatique --- Philosophy. --- Philosophie --- -Pragmatics --- Academic collection --- Pragmalinguistics --- General semantics --- Language and languages --- Logic, Symbolic and mathematical --- Semantics (Philosophy) --- Communication, Primitive --- Mass communication --- Sociology --- Philosophy --- Pragmatics --- Communication - Philosophy.

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Semiotics --- Language and languages --- Sémiotique --- Langage et langues --- Philosophy --- Philosophie --- Philosophy of language - Semiotics --- Sémiotique --- Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Language and languages - Philosophy

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Pragmatics --- Language and languages --- Linguistics --- Philosophy --- Linguistics. --- Pragmatics. --- 801.7 --- -Linguistics --- #SBIB:309H511 --- #SBIB:1H60 --- Pragmalinguistics --- General semantics --- Logic, Symbolic and mathematical --- Semantics (Philosophy) --- Linguistic science --- Science of language --- 801.7 Taalkundige semiotiek --- Taalkundige semiotiek --- Foreign languages --- Languages --- Anthropology --- Communication --- Ethnology --- Information theory --- Meaning (Psychology) --- Philology --- Verbale communicatie: algemene pragmatiek, stilistiek en teksttheorie, discoursanalyse --- Taalfilosofie --- Pragmatique --- Sociolinguistique --- Pragmatique. --- Sociolinguistique. --- Language and languages - Philosophy --- Philosophy.

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Most of the essays collected in this book were presented at the Charles S. Peirce Sesquicentennial Congress (Harvard University, September 1989). The volume is devoted to themes within Peirce's value theory and offers a comprehensive view of less known aspects of his influential philosophy, in particular Peirce's work on ethics and aesthetics.The book is divided in four sections. Section I discusses the status of ethics as a normative science and its relation with logic; some applications are presented, e.g. in the field of bioethics. Section II investigates the specific position of Peircean a

Ethics, Modern --- Aesthetics, Modern --- Congresses. --- Academic collection --- Modern ethics --- Modern aesthetics --- Congresses --- Peirce, Charles S. --- Peirce, Charles Sanders, --- Peirce, C. S. --- Pirs, Charlz S., --- Peirce, Charles Santiago Sanders, --- Pʻo-erh-ssu, --- Pʻo-erh-ssu, Chʻa-li-ssu, --- Purs, Charls, --- Пърс, Чарлс, --- Aesthetics --- Ethics --- Chaersi Sangdesi Piersi, --- 查尔斯·桑德斯·皮尔斯, --- Ethics, Modern - 19th century - Congresses. --- Aesthetics, Modern - 19th century - Congresses.

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Comment la main donne-t-elle forme à la matière dans la pratique artistique ? Comment concevoir leur rapport dans la genèse d'une œuvre d'art ? Le présent ouvrage propose une relecture de la pensée esthétique à partir de questions durablement escamotées par ses historiens. Au revers de l'oculocentrisme dominant s'est développée en effet, dès la naissance de l'esthétique au XVIIIe siècle, comme la face occulte d'un Janus, une haptologie de l'œuvre d'art qui détermine l'expérience esthétique comme essentiellement sensorielle et corporelle, et la pratique artistique comme le cheminement de la main trouvant son chemin au cœur de la matière.Herman Parret retrace l'histoire de cette esthétique haptologique et en analyse les concepts-clés à travers une relecture des textes fondamentaux, de Baumgarten à Lyotard, en passant par Lessing, Diderot, Kant, Herder, Nietzsche, Riegl, Husserl, Merleau-Ponty, Jean d'Udine, Henri Focillon et Gilles Deleuze. Il montre comment l'hypothèse haptologique s'immisce dans le cadre général de réflexion de ces penseurs et finit toujours par s'y justifier, dégageant une continuité méconnue sur plus de deux siècles d'esthétique philosophique.

Aesthetics --- philosophy of art --- History --- Gesture in art --- Touch --- Creation (Literary, artistic, etc.) --- Painting --- Philosophy --- Aesthetics. --- Art criticism --- Creation (Literary, artistic, etc.). --- Gesture in art. --- Phenomenology. --- Touch. --- History. --- Philosophy. --- Aesthetics - History --- Painting - Philosophy