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Since the 1960s, the act of walking has provided a way for artists and musicians to escape the formality of the concert hall or institutional venue, engaging with shifting public spaces, natural environments, and the social and political sphere. Walking redefines notions of composer, performer, public, and music itself, while opening new modes of perception and action. Going Out addresses these developments by exploring the relationship between walking, listening, and soundmaking in the arts—from the first soundwalks and itinerant performances in the 1960s to today's manifold ambulatory projects. The book consists of an extensive essay by Elena Biserna followed by an anthology of historical and contemporary contributions in the form of documentation, essays, interviews, manifestos, scores, narratives, and reflections. Through the variety of these contributions, the book makes an argument that at the intersection of walking, listening, and soundmaking there is both a long legacy of interdisciplinary experimentations and a broad field that resounds with urgent issues in critical spatial thinking and practice.

Activisme --- Performance, art --- Son --- kunst --- 7.038/039 --- muziek --- performances --- performance art --- geluid --- geluidskunst --- wandelen --- wandelingen --- twintigste eeuw --- eenentwintigste eeuw --- fluxus --- dans --- luisteren --- openbare ruimte --- soundwalks --- cartografie --- Philosophy and psychology of culture --- Aesthetics of art --- sound [acoustics] --- art criticism --- walking --- sound art --- City sounds --- Ambient sounds --- Sound in art --- Villes --- Sons ambiants --- Son dans l'art --- Bruits --- Walking --- Walking in art --- Marche --- Marche dans l'art --- Psychological aspects --- Philosophy --- Aspect psychologique --- Philosophie --- Psychological aspects. --- Philosophy. --- Soundwalking --- Sound art