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Droit de la concurrence --- Antitrust --- CONCENTRATIONS --- Accords de distribution --- ENTREPRISES PUBLIQUES --- PROPRIETE INTELLECTUELLE --- Cartels --- Entreprises communes --- Union européenne --- ententes --- oligopoles --- abus de position dominante

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Highly accessible and student-friendly, while remaining comprehensive and sophisticated. All students of competition law should have a copy.' Professor Peter Whelan, University of Leeds `This is simply the best book on the topic; it is a text that I most strongly recommend to my students.' Dr Bruce Wardhaugh, University of Manchester Jones & Sufrin's EU Competition Law: Text, Cases, and Materials is the complete guide to European competition law in a single authoritative volume. Carefully selected extracts from key cases, academic articles, and statutory materials are accompanied by detailed analysis and critique from three of the leading experts in the field. Thorough footnoting and referencing helps readers to effectively navigate the available literature, making this an ideal text for undergraduate and postgraduate students, as well as competition law scholars engaged in specialised study. Alison Jones is Professor of Law at King's College London. Brenda Sufrin is Emeritus Professor of Law at the University of Bristol Niamh Dunne is Associate Professor of Law at London School of Economics.

Antitrust law --- -Restraint of trade --- -351.82*6 <4> --- 351.82*6 <4> Mededingingsrecht. Kartelrecht--Europa --- Mededingingsrecht. Kartelrecht--Europa --- Combinations in restraint of trade --- Competition --- Competition law --- Restraint of trade --- Restrictive trade practices --- Trade, Restraint of --- Trade practices, Unfair --- Unfair trade practices --- Commercial crimes --- Trade regulation --- Monopolies --- Trusts, Industrial --- Anti-trust law --- Commercial law --- Law and legislation --- Law --- -Antitrust law

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The New Zealand Wars were defining events in the nation's history. Filming the Colonial Past, an engaging new book from Annabel Cooper, tells a story of filmmakers fascination with these conflicts over the past 90 years. From silent screen to smartphone, and from Pakeha adventurers to young Maori songwriters, filmmakers have made and remade the stories of this most troubling past. When Rudall Hayward went to Rotorua, Whakatane and Te Awamutu to make his two versions of Rewis Last Stand (1925, 1940) and The Te Kooti Trail (1927), he quickly found that the tangata whenua he relied on for making his films would help to shape the stories. By the time of the renewed interest in the New Zealand Wars in the 1970s and early 80s, thinking about race, nation and empire was undergoing a sea-change. The makers of television drama (including The Governor) and independent film (Geoff Murphys Utu) set out actively to engage with Maori advisers and performers. In the late 1980s and 90s, screen industry deregulation brought a new set of challenges. Filming the Colonial Past shows how documentaries notably the New Zealand Wars series of 1998 and feature films Vincent Wards River Queen and Rain of the Children negotiated these hurdles. Meanwhile, Maori working on Pakeha-led productions honed their skills. Today, the growth of Maori creative control, enabled by the diminishing cost of digital media and the expansion of platforms, signals a new era. From these sources come documentaries from Maori perspectives and new ways of exploring the past, from music videos to online histories. Each of these productions is a snapshot of a complex cultural moment. In examining this history, Annabel Cooper illuminates a fascinating path of cultural change through successive generations of filmmakers.

Women's rights --- Women --- Women, Maori --- Public opinion. --- Ethnic identity. --- New Zealand --- In motion pictures. --- History --- Colonization. --- Race relations --- History, Military --- Women, Māori

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This paper examines how estimates of the price elasticity of demand for beer vary with the choice of alcohol price series used. Our most important finding is that the commonly used ACCRA price data are unlikely to reliably indicate alcohol demand elasticities. Instead, the estimates obtained using ACCRA prices vary drastically and unpredictably. As an alternative, researchers often use beer taxes to proxy for alcohol prices. However, since beer taxes are actually likely to poorly indicate prices, it is not surprising that the estimated beer tax elasticities are close to zero. We believe that our most useful estimates are obtained using annual Uniform Product Code (UPC) or “barcode” scanner data on grocery store alcohol prices. These estimates suggest a relatively low price elasticity of demand for beer, probably around -0.3, with evidence that the elasticities are considerably overstated in models that control for beer but not wine or spirits prices.

Zonder onderwerpscode: economie