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This text on the celebrated Dada artist Hannah Höch explores her use of collage as the artistic medium of choice for both satire and poetic beauty. World reknown for her work during the Weimar period, she was a pioneer in many aspects, both artistic and cultural, and a pivotal force in the development of collage. A determined believer in artistic freedom, Höch questioned conventional concepts of partnership, beauty and the making of art, her work presenting acute critiques of racial and social stereotypes, particulary those of her native Germany at a time of tremendous social change.
collages --- dadaïsme --- vrouwelijke kunstenaars --- fotomontages --- avant-garde --- Höch, Hannah --- Dadaïsme --- Collage --- Femme artiste --- Weimar --- Höch, Hannah, --- collage --- Höch, Hannah, 1889-1978 --- Höch, Hannah.
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Alexandria was one of the main hubs of the Hellenistic world and a cultural and religious "kaleidoscope." Merchants and migrants, scientists and scholars, philosophers, and religious innovators from all over the world and from all social backgrounds came to this ancient metropolis and exchanged their goods, views, and dreams. Accordingly, Alexandria became a place where Hellenistic, Egyptian, Jewish, and early Christian identities all emerged, coexisted, influenced, and rivaled each other. Inorder to meet the diversity of Alexandria's urban life and to do justice to the variety of literary and non-literary documents that bear witness to this, the volume examines the processes of identity formation from a range of different academic perspectives. Thus, the present volume gathers together twenty-six contributions from the realm of archaeology, ancient history, classical philology, religious studies, philosophy, the Old Testament, narratology, Jewish studies, papyrology, and the New Testament. --
27 <32 ALEXANDRIA> --- 27 <32 ALEXANDRIA> Histoire de l'Eglise--Oud-Egypte--ALEXANDRIA --- 27 <32 ALEXANDRIA> Kerkgeschiedenis--Oud-Egypte--ALEXANDRIA --- Histoire de l'Eglise--Oud-Egypte--ALEXANDRIA --- Kerkgeschiedenis--Oud-Egypte--ALEXANDRIA --- Alexandria (Egypt) --- Iskandarīyah (Egypt) --- Alexandrie (Egypt) --- Aleksandriyah (Egypt) --- Alessandria (Egypt) --- Alexandreia (Egypt) --- Aleksandria (Egypt) --- Alexantreia (Egypt) --- Alesandriʼa (Egypt) --- الإسكندرية (Egypt) --- الإسكندرية (مصر) --- اسكندرية (Egypt) --- Antiquities. --- Civilization. --- Religion. --- Egypt --- Antiquities --- Civilization --- Religion --- History --- Greek influences
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Painting --- Freud, Lucian --- Freud, Lucian. --- Freud, Lucie. --- Freud, Lucie
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Stezaker, John, --- kunst --- collages --- Groot-Brittannië --- twintigste eeuw --- eenentwintigste eeuw --- Stezaker John --- 7.071 STEZAKER --- Exhibitions --- Sṭezaḳer, G'on, --- סטזאקר, ג'ון
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Art --- collages [visual works] --- sculpture [visual works] --- bronzes [visual works] --- photogravure [process] --- drawing [image-making] --- art appreciation --- screen prints --- stainless steel --- aluminum [metal] --- Paolozzi, Eduardo
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Sean Scully (b.1945) is an Irish-born, American-based painter and printmaker, best known for his monumental oil paintings which draw on the traditions of Abstract Expressionism. This beautiful catalogue showcases a new body of work inspired by the National Gallery's own collection and in particular by British artist J. M. W. Turner's The Evening Star (c. 1830). For Scully, this elegiac picture constitutes one of Turner's most profound paintings, leading to new departures in his own work; using the motif of stripes or checkerboards, the artist evokes landscapes and architecture, horizons, fields, and coastlines, in which his contemplative forms become reminders of personal experiences and distinctive moments. Vast, bold panel paintings with richly textured surfaces are illustrated together with delicate works on paper: aquatints, luminous pastels, and watercolors. The accompanying text includes newly commissioned essays and an interview with the artist, while a photo essay highlights the thick impasto, strong brushstrokes, and vivid colors that distinguish Scully's painting. Exhibition: National Gallery, London, UK (13.04-11.08.2019). --
Painting, Abstract --- Painting, Modern --- Abstract expressionism --- Scully, Sean,
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Celebrated Dada artist Hannah Höch (1889-1978) used collage as her artistic medium of choice for both satire and poetic beauty. World-renowned for her work during the Weimar period, she was a pioneer in many aspects, both artistic and cultural, and a pivotal force in the development of collage. A determined believer in artistic freedom, Höch questioned conventional concepts of partnerships, beauty and the making of art, her work often presenting acute critiques of racial and social stereotypes, particularly those of her native Germany at a time of tremendous social change.
collages [visual works] --- Dada --- Höch, Hannah
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