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"This sprawling novel was consolidated into one volume from three novels in original Korean. It follows a large cast of characters through business, manufacturing, and university life in China as the country shifts from a manufacturing to consumer economy. Most of the characters are Koreans trying to make their way in China, providing a unique viewpoint on the superpower"--
Koreans --- China --- Social conditions --- Economic conditions
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Atmospheric and fast-paced, this novel of manners set in a provincial South Korean city leads readers through the silent corridors of a school for hearing-impaired children and the city’s foggy back streets and murky centers of power to a stirring courtroom climax. Gong Jiyoung’s Togani (The Crucible), published in Korean in 2009, is based on a historic case of child sexual abuse at a state-run institution. The novel went on to sell nearly a million copies and, along with a 2011 film adaptation directed by Hwang Dong-hyuk, prompted the South Korean National Assembly to pass the “Togani Laws” to provide greater legal protections for children and vulnerable adults under state care and harsher penalties for those convicted of their abuse. At a time when Korean popular culture drives cultural production worldwide, Togani reminds us of the power of fiction to effect meaningful societal change.A story of courage in the face of corruption, Togani offers nuanced portraits of a failed young businessman seeking a new life as a teacher and his counterpart, a young woman committed to a career in human rights; a police officer of humble origins who rose through the ranks as he turns a blind eye to the abuse of students by the school’s administrators; and a hearing-impaired teenage girl, a victim of that abuse, who cares deeply for the other children at the school. The book testifies to the legacy of neo-Confucian class conflict, gender disparity, and the vulnerability of those near the bottom of the social ladder. It is a heart-wrenching and provocative work that helped bring about change to a system it dared to challenge.
Korean fiction. --- Korean literature. --- deaf. --- hard of hearing. --- sexual assault.
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The dark side of South Korea's "economic miracle" emerges in The Dwarf, Cho Se-hui's enormously popular and critically acclaimed work. First published in 1978, it speaks to the painful social costs of reckless industrialization, even as it tellingly portrays the spiritual malaise of the newly rich and powerful and a working class subject to forces beyond its control. Cho's lean, clipped, deceptively simple style, the rapidly shifting points of view, terse dialogue, and subtle irony evoke the particularities of life in 1970s South Korea in the presence of global economic forces.The desperate realities of life for the dwarf, the proverbial little guy upon whose back Korea's economic transformation largely took place, are emotively rendered in twelve linked stories examining the lives of a laboring family, a family of the newly emerging middle class, and that of a wealthy industrialist. The stories have overlapping characters and situations: the murder of a swindler, a family's eviction from a squatter settlement, the assassination of an important executive, the dwarf 's fantasy of a planet where life is easier, his later suicide and the subsequent fate of his dispersed friends and family members.
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Sunset: A Ch'ae Manshik Reader is the first English-language anthology of works in a variety of genres—novella, short fiction, conte, anecdotal essay, travel writing, children's essay, one-act play, three-act play, and roundtable discussion—by an individual Korean writer. Ch'ae Manshik is one of the most accomplished writers of modern Korea yet is underrepresented in English translation because of the challenges posed by his distinctive voice and colloquial style. This anthology moves beyond the usual "representative-works" reception of Korean authors, both in Korea and abroad. It draws on Manshik's ten-volume Complete Works to offer a more well-rounded selection of writing by one of modern Korea's most innovative and memorable voices. This edition also provides a comprehensive introduction outlining the limitations of existing approaches to Manshik. It contextualizes the anthology's contents both in terms of the author's career and the rich Korean tradition of intertextuality and intermediality that he reflects from the country's earliest times to the new millennium.
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