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Margaret Alexiou's The Ritual Lament in Greek Tradition, first published in 1974, has long since been established as a classic in several fields. This is the only generic and diachronic study of learned and popular lament and its socio-cultural contexts throughout Greek tradition in which a great diversity of sources are integrated to offer a comprehensive and penetrating synthesis. Its interdisciplinary orientation and broad scope have rendered The Ritual Lament in Greek Tradition an indispensable reference work for classicists, byzantinists, neohellenists, folklorists, and anthropologists. N
Funeral rites and ceremonies -- Greece. --- Laments -- Greece -- History and criticism. --- Funeral rites and ceremonies --- Laments --- Anthropology --- Social Sciences --- Manners & Customs --- Complancha --- Lamentations --- Elegiac poetry --- Mourning customs --- Funerals --- Mortuary ceremonies --- Obsequies --- Manners and customs --- Rites and ceremonies --- Burial --- Cremation --- Cryomation --- Dead --- History and criticism
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What makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotions do they evoke? How may they be voiced, shaped and coloured in literature and liturgy, art and music?
Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume explores the shifting shapes and functions of laughter and tears. With a focus on the tragic, the comic and the tragicomic dimensions of laughter and tears in art, literature and performance, as well as on their emotional, socio-cultural and religious significance, it breaks new ground in the study of ancient and Byzantine affectivity.
Emotions in music. --- Emotions in art. --- Emotions in literature. --- Greek literature --- History and criticism. --- Music
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Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume explores the shifting shapes and functions of laughter and tears, with consideration given to visual, performative and musical arts, as well as to written records. It looks back and forward from focal points at the transitions from late antiquity to Byzantium and from Byzantium to the Renaissance and showcases the variety, audacity and quality of the finest Byzantine works.
Emotions in music. --- Emotions in art. --- Emotions in literature. --- Greek literature --- History and criticism.
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