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The CRC research project Different Aesthetics aims to change perspectives in aesthetic discussions by directing attention to the 2000-year history of European art and culture before the 18th century. This volume explains the benefit of this approach using contributions that range from the philologies and art history to archeology and and musicology, as well as history, theology, and the digital humanities.
Art --- Aesthetics, European. --- Philosophy.
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The CRC research project Different Aesthetics aims to change perspectives in aesthetic discussions by directing attention to the 2000-year history of European art and culture before the 18th century. This volume explains the benefit of this approach using contributions that range from the philologies and art history to archeology and and musicology, as well as history, theology, and the digital humanities.
Art --- Aesthetics, European. --- Philosophy.
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The CRC research project Different Aesthetics aims to change perspectives in aesthetic discussions by directing attention to the 2000-year history of European art and culture before the 18th century. This volume explains the benefit of this approach using contributions that range from the philologies and art history to archeology and and musicology, as well as history, theology, and the digital humanities.
Art --- Aesthetics, European. --- Philosophy.
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Aesthetics, European --- Aesthetics, Modern --- Aesthetics --- History
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Aesthetics, Comparative. --- Aesthetics, European. --- Aesthetics, Japanese.
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Aesthetics, European --- -European aesthetics --- Aesthetics, Modern --- -Aesthetics, European --- -Aesthetics, Modern --- Aesthetics --- History
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Aesthetics, European. --- Arts, European --- Philosophy. --- Arts, European - Philosophy.
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A l'aube du XVIIIe siecle, le laboratoire de l'historien d'art est acheve. L'emergence des nouveaux outils va transformer radicalement le regard et faciliter une separation claire, au sein de l'A uvre d'art, entre ses composantes : d'un cote, l'image immaterielle qu'elle degage, de l'autre, le support materiel qui la rend tangible. Cette scission a ete travaillee tout au long du siecle. On peut dire sans exagerer qu'elle constitue l'evenement le plus important, quoique le plus ignore, qui fonde notre modernite. Dans ce livre, je tente de dessiner le nouvel objet scientifique qui emerge dans les cabinets, les collections publiques et privees ; j'evoque les grands instruments forges par le siecle des Lumieres et les protocoles de leur usage. L'histoire de l'art, comme l'histoire des sciences, devrait accorder une importance accrue aux dispositifs qui lui permettent de creer des experiences, d'en tirer des hypotheses, enfin de les deposer dans un support adequat selon des modalites originales. P. G. Pascal Griener est professeur d'histoire de l'art a l'Universite de Neuchatel.
Art --- Art, European --- Aesthetics, European --- Art and philosophy --- Philosophy --- History
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