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Jesus Christ.

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The Hippocratic treatise On Ancient Medicine , a key text in the history of early Greek thought, mounts a highly coherent attack on the attempt to base medical practice on principles drawn from natural philosophy. This volume presents an up-to-date Greek text of On Ancient Medicine , a new English translation, and a detailed commentary that focuses on questions of medical and scientific method; the introduction sets out a new approach to the problem of the work's relationship to its intellectual context and addresses the contentious issues of its date, authorship, and reception. The book will be of interest to scholars of ancient medicine and ancient philosophy, as well as anyone concerned with the history of science and scientific method in antiquity.

Geneeskunde [Griekse ] --- Geneeskunde [Griekse en Romeinse ] --- Geneeskunde [Romeinse ] --- Greek and Roman medicine --- Griekse en Romeinse geneeskunde --- Medicine [Greek ] --- Medicine [Greek and Roman ] --- Medicine [Roman ] --- Médecine grecque --- Médecine grecque et romaine --- Médecine romaine --- Medicine, Greek and Roman --- Medicine --- Greek medicine --- Medicine, Roman --- Medicine, Unani --- Roman medicine --- Tibb (Medicine) --- Unani medicine --- Unani-Tibb (Medicine) --- Medicine, Ancient --- Hippocrates. --- Hippocrates --- Early works to 1800 --- Health Workforce --- Medicine, Greek and Roman.

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Sewage disposal --- Water-supply engineering --- Sewage disposal. --- Water-supply engineering.

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"Stravinsky's influence on Debussy in 1910-13, rarely discussed, is demonstrated here in the many modernistic features of such works as the Preludes Book II, Khamma, and Jeux. This book reassesses the relationship between Debussy and Stravinsky, two of the most important composers of the early twentieth century. When the Russian composer traveled to France in 1910 to attend the premiere of his first ballet, The Firebird, he was invited to dine at the French composer's house, and a photo of the two commemorates the beginning of their friendship. Stravinsky was already acquainted with many of Debussy's earlier works, and Debussy was introduced to the Russian composer's first three ballets between 1910 and 1913. Stravinsky's early works contain Debussy-like passages, as in the opening measures of his opera The Nightingale, which echoes the opening measures of Debussy's "Nuages." As author Mark McFarland here shows, however, the adoption on Debussy's part of characteristics from Stravinsky's style is, perhaps surprisingly, no less substantial. Debussy borrowed motifs from both The Firebird and Petrushka as well as the Russian tradition of Leitharmony in his little-known ballet Khamma, and Stravinsky's ballets, including The Rite of Spring, seems to have sparked an exploration into octatonic harmony in Debussy's second book of piano preludes. McFarland's close analysis of parallel passages and usages in works of the two composers also reveals that Debussy eventually distanced himself from Stravinsky, perhaps fearing to seem like an acolyte rather than an innovator. His borrowings from Stravinsky (and Russian style) gradually disappear, as McFarland demonstrates by close attention to passages in some of the late works, which move in the direction of a neoclassicism that Stravinsky himself would soon adopt and expand further"--

Music --- History and criticism. --- Debussy, Claude, --- Stravinsky, Igor, --- Stravinsky, Igor, --- Criticism and interpretation. --- Criticism and interpretation. --- Influence.

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Management --- Business & Economics --- Management Styles & Communication