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Being human during COVID
Authors: ---
ISBN: 0472902504 0472038788 Year: 2021 Publisher: Ann Arbor, Michigan : University of Michigan Press,

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Abstract

Science has taken center stage during the COVID-19 crisis; scientists named and diagnosed the virus, traced its spread, and worked together to create a vaccine in record time. But while science made the headlines, the arts and humanities were critical in people's daily lives. As the world went into lockdown, literature, music, and media became crucial means of connection, and historians reminded us of the resonance of the past as many of us heard for the first time about the 1918 influenza pandemic. As the twindemics of COVID-19 and racial injustice tore through the United States, a contested presidential race unfolded, which one candidate described as "a battle for the soul of the nation." Being Human during COVID documents the first year of the pandemic in real time, bringing together humanities scholars from the University of Michigan to address what it feels like to be human during the COVID-19 crisis. Over the course of the pandemic, the questions that occupy the humanities--about grieving and publics, the social contract and individual rights, racial formation and xenophobia, ideas of home and conceptions of gender, narrative and representations and power--have become shared life-or-death questions about how human societies work and how culture determines our collective fate. The contributors in this collection draw on scholarly expertise and lived experience to try to make sense of the unfamiliar present in works that range from traditional scholarly essays, to personal essays, to visual art projects. The resulting book is shot through with fear, dread, frustration, and prejudice, and, on a few occasions, with a thrilling sense of hope.

Keywords

COVID-19 Pandemic, 2020 --- -COVID-19 Pandemic, 2020 --- -Human beings --- COVID-19. --- COVID19 --- 2019 Novel Coronavirus Disease --- 2019 Novel Coronavirus Infection --- 2019-nCoV Disease --- 2019-nCoV Infection --- COVID-19 Pandemic --- COVID-19 Pandemics --- COVID-19 Virus Disease --- COVID-19 Virus Infection --- Coronavirus Disease 2019 --- Coronavirus Disease-19 --- SARS Coronavirus 2 Infection --- SARS-CoV-2 Infection --- 2019 nCoV Disease --- 2019 nCoV Infection --- 2019-nCoV Diseases --- 2019-nCoV Infections --- COVID 19 --- COVID 19 Pandemic --- COVID 19 Virus Disease --- COVID 19 Virus Infection --- COVID-19 Virus Diseases --- COVID-19 Virus Infections --- Coronavirus Disease 19 --- Disease 2019, Coronavirus --- Disease, 2019-nCoV --- Disease, COVID-19 Virus --- Infection, 2019-nCoV --- Infection, COVID-19 Virus --- Infection, SARS-CoV-2 --- Pandemic, COVID-19 --- SARS CoV 2 Infection --- SARS-CoV-2 Infections --- Virus Disease, COVID-19 --- Virus Infection, COVID-19 --- Homo sapiens --- Human race --- Humanity (Human beings) --- Humankind --- Humans --- Man --- Mankind --- People --- Hominids --- Persons --- Epidemics --- Social aspects. --- Philosophy. --- United States. --- activism, art, collaborative, coronavirus, covid, Covid-19, diaries, epidemic, historical contexts, humanist, humanities, Humanities Collaboratory, narrative, pandemic, Photography, race, responses to coronavirus --- -Arts medicine. --- Diseases and literature. --- Literature and medicine. --- Medicine and the humanities. --- Human beings --- Humanities and medicine --- Humanities --- Medicine and literature --- Medicine --- Literature and diseases --- Literature --- Arts and medicine --- Medicine and the arts --- Medicine and the humanities

Carried to the wall
Author:
ISBN: 0520920708 0585054231 9780520920705 9780585054230 0520204131 0520213173 Year: 1998 Publisher: Berkeley University of California Press

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On May 9, 1990, a bottle of Jack Daniels, a ring with letter, a Purple Heart and Bronze Star, a baseball, a photo album, an ace of spades, and a pie were some of the objects left at the Vietnam Veterans War Memorial. For Kristin Hass, this eclectic sampling represents an attempt by ordinary Americans to come to terms with a multitude of unnamed losses as well as to take part in the ongoing debate of how this war should be remembered. Hass explores the restless memory of the Vietnam War and an American public still grappling with its commemoration. In doing so it considers the ways Americans have struggled to renegotiate the meanings of national identity, patriotism, community, and the place of the soldier, in the aftermath of a war that ruptured the ways in which all of these things have been traditionally defined. Hass contextualizes her study of this phenomenon within the history of American funerary traditions (in particular non-Anglo traditions in which material offerings are common), the history of war memorials, and the changing symbolic meaning of war. Her evocative analysis of the site itself illustrates and enriches her larger theses regarding the creation of public memory and the problem of remembering war and the resulting causalities--in this case not only 58,000 soldiers, but also conceptions of masculinity, patriotism, and working-class pride and idealism.


Book
Sacrificing soldiers on the National Mall
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ISBN: 0520954750 9780520954755 9780520274105 0520274105 9780520274112 0520274113 Year: 2013 Publisher: Berkeley : University of California Press,

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For the city's first two hundred years, the story told at Washington DC's symbolic center, the National Mall, was about triumphant American leaders. Since 1982, when the Vietnam Veterans Memorial was dedicated, the narrative has shifted to emphasize the memory of American wars. In the last thirty years, five significant war memorials have been built on, or very nearly on, the Mall. The Vietnam Veterans Memorial, the Korean War Veterans Memorial, the Women in Military Service for America Memorial, The National Japanese American Memorial to Patriotism During WWII, and the National World War II Memorial have not only transformed the physical space of the Mall but have also dramatically rewritten ideas about U.S. nationalism expressed there. In Sacrificing Soldiers on the National Mall, Kristin Ann Hass examines this war memorial boom, the debates about war and race and gender and patriotism that shaped the memorials, and the new narratives about the nature of American citizenship that they spawned. Sacrificing Soldiers on the National Mall explores the meanings we have made in exchange for the lives of our soldiers and asks if we have made good on our enormous responsibility to them.


Book
Transnational American Memories
Authors: --- --- --- --- --- et al.
ISBN: 1282345427 9786612345425 3110224216 9783110224214 9783110224207 3110224208 9781282345423 661234542X Year: 2009 Publisher: Berlin Boston

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The volume gathers twenty original essays by experts of American memory studies from the United States and Europe. It extends discussions of U.S. American cultures of memory, commemorative identity construction, and the politics of remembrance into the topical field of transnational and comparative American studies. In the contexts of the theoretical turns since the 1990's, including prominently the pictorial and the spatial turns, and in the wake of multicultural and international conceptions of American history, the contributions to the collection explore the cultural productivity and political implications of both officially endorsed memories and practices of oppositional remembrance. Reading sites of memory situated in or related to the United States as crossroads of transnational and intercultural remembering and commemoration manifests their possibly controversial function as platforms and agents in the processes of cultural exchange and political negotiation across the spatial, temporal, and ideological trajectories that inform American Studies as Atlantic Studies, Hemispheric Studies, Pacific Studies. The interdisciplinary range of issues and materials engaged includes literary texts, personal accounts, and cultural performances from colonial times through the immediate present, the significance of war monuments and ethnic memorials in Europe, Asia, and the U.S., films about 9/11, public sculptures and the fine arts, American world's fairs as transnational sites of memory.

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