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Fictions of Youth is a comprehensive examination of adolescence as an aesthetic, sociological, and ideological category in Pier Paolo Pasolini's prose, poetry, and cinema.
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This study offers a clear, concise introduction to the Fascist-era practice, know as confino , of exiling antifascist dissidents to parts of Italy far from the dissidents' homes, often on islands or in tiny inland villages. The book is organised in two sections. Part one provides a case study of the political colony on the island of Lipari and a historical overview of internal exile. Part two focuses on representations of confinement in literature and film. It examines the varieties of self-expression (e.g. memoirs, letters and literature) used by prisoners to describe their experiences, investigates how filmmakers interpret these events, places and people, and explores how film portrays the repression of homosexuality. A timely examination of the birthplace of European federalism, the book also contributes to our understanding of the legacy of confinement from both national and European perspectives. " Internal exile in Fascist Italy offers a clear and concise introduction to confino, a form of imprisonment used during the Fascist ventennio that saw antifascist dissidents exiled to remote islands or tiny inland villages. The book examines confino from a historical, political, social and cultural perspective, through both a broad overview and close analyses of particular cases and situations. The book is organised in two sections. Part one provides a case study of the political colony on the island of Lipari and a historical overview of internal exile. Part two focuses representations of confinement in literature and film. It examines the varieties of self-expression -memoirs, letters, and literature - used by prisoners to describe their experiences and investigates how filmmakers interpret these events, places, and people; particularly exploring how film portrays the repression of homosexuality. The act of confinement was a tool that allowed Mussolini to bypass the judiciary, and to targeted political dissidents, ethnic and religious minorities, and members of the gay community among others. This book seeks to contextualise a political practice that continues to find applications in twenty-first-century detention policies; and to enhance the understanding of how contemporary social discourse promotes political agendas rooted in issues - such as populism, anti-terrorism, nationalism and ethnocentrism - that are historically related to Fascism's suppression of dissidents Internal exile in Fascist Italy offers a coherent and accessible portrait of confino in its various manifestations. The authors argue that internal exile is not purely political: it possesses a cultural history that speaks to the present. Although directed towards students and specialists of Italian history, literature, film and culture, the study is accessible to those with a general interest in Fascism." --Back cover.
Fascism --- Political prisoners --- Detention of persons --- Exile (Punishment) --- Fascism in motion pictures. --- History --- 1900-1999 --- Italien --- Italy. --- European federalism. --- confino. --- exile experience. --- exile. --- fascism. --- fascist Italy. --- imprisonment. --- internal exile. --- political colonies. --- ventennio.
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Prenez et mangez, ceci est votre corps. Si, dans Salo ou les 120 Jours de Sodome, Pasolini transpose le roman de Sade dans l'Italie de Mussolini, les quatre fascistes dépeints dans le film ne sont pas des doctrinaires mais des hédonistes cyniques dotés d'esprit et aux idées libertines. Ils vivent entourés d'œuvres d'art avant-gardistes et citent volontiers Baudelaire, Nietzsche et Huysmans. Pasolini suggère ainsi un lien entre le fascisme et le joyeux amoralisme d'une certaine avant-garde artistique. Il fait également sentir que le fascisme ne doit pas être entendu au niveau de la doctrine, mais compris comme une manipulation libidinale des corps dégradés et fétichisés. Le fascisme devient alors une allégorie de la société de consommation qui exhorte continûment les sujets à épuiser tout le potentiel de plaisir que recèle leur corps. Le sadisme d'une telle société est qu'elle soumet ses sujets à un Autre anonyme qui les terrorise dans l'ordre obscène du plaisir et jouit de l'impasse à laquelle conduit cet ordre.
Pasolini, pier paolo (1922-1975). salò o le 120 giornate di sodoma --- Sade, donatien alphonse françois de (1740-1814). les 120 journées de sodome --- Motion pictures --- Fascism in motion pictures --- Sadism in motion pictures --- Sade, --- Pasolini, Pier Paolo, --- Sade, Donatien Alphonse François de (1740-1814). --- Salò o le centoventi giornate di Sodoma (Motion picture) --- Salò o le centoventi giornate di Sodoma
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Why has a fascination with fascism re-emerged after the Cold War? What is its cultural function now, in an era of commemoration? Focusing particularly on the British context, this study offers the first analysis of contemporary popular and literary fiction, film, TV and art exhibitions about Nazis and Nazism. Petra Rau brings this material into dialogue with earlier responses to fascism and demonstrates how, paradoxically, Nazism has been both mediated and mythologised to the extent that it now often replaces a critical engagement with actual, violent history.
National socialism in literature. --- National socialism in motion pictures. --- Nazis in motion pictures. --- National socialism in art. --- Fascism in motion pictures. --- Germans in motion pictures. --- Motion pictures -- Germany -- History. --- World War, 1939-1945 -- Motion pictures and the war. --- Fascism in literature --- National socialism in literature --- National socialism in motion pictures --- Nazis in motion pictures --- National socialism in art --- Languages & Literatures --- Music, Dance, Drama & Film --- Film --- Literature - General --- World War, 1939-1945 --- Motion pictures --- Motion pictures and the war. --- History. --- World War, 1939-1945, in motion pictures --- Fascism in literature.
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