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Fowler, Luke

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Primarily known for his film work, Luke Fowler's Two-Frame Films explores the relationship between the artist and the still-image. Fowler uses a half-frame camera whose obsolescent format forces the printing of two images in one standard 35 mm frame. Considered as a whole, the paired images reveal an event unfolding - a meaningful narrative posed by photographic sets, sometimes close in temporal proximity (the blink of time passing, perhaps), while at other times, the intervals are more expansive, challenging the viewer to connect visible terminal points in a satisfying way. Fowler experimented with different film stocks, subjects and framing, and the images are inextricably linked to his filmmaking as evidenced by the elements of montage, colour and reflectivity that permeate the series. In both still and moving image, Fowler considers how an event might be abstracted by the camera apparatus in a subjective ordering of reality that is emphasised by the dialectic between paired images. The photographs are a means of personally testing the ability of the camera to authentically bear witness to an event, and its fallibility as a medium of representation. - Provided by the publisher.

Photography, Artistic --- Artists' books --- Fowler, Luke,

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Bronstein, Pablo --- Bulloch, Angela --- Byrne, Gerard --- Chaimowicz, Marc Chamille --- Chetwynd, Lali --- Fanni Tutti, Cosey --- David, Enrico --- Doig, peter --- Donachie, Kaye --- Finlay, Ian Hamilton --- Fowler, Luke --- Fullerton, Michael --- Gander, Ryan --- Gillick, Liam --- Gordon, Douglas --- Leckey, Mark --- Linder --- McKenzie, Lucy --- Martin, Daria --- Martin, Simon --- Michael, Alan --- Monk, Jonathan --- Myles, Scott --- Orr, Christopher --- The Otolith group --- Ozbolt, Djordje --- Payne Oliver --- Relph, Nick --- Plender, Olivia --- Quawson, Muzi --- Rothschild, Eva --- Sehgal, Tino --- Stezaker, John --- Warren, rebecca --- Wermers, Nicole --- Evans, Cerith Wyn --- Pieces, Theatre

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art [discipline] --- Byrne, Gerard --- David, Enrico --- Plender, Olivia --- Sehgal, Tino --- Finlay, Ian Hamilton --- Linder --- Theatre Pieces --- Cosey Fanni Tutti --- Bronstein, Pablo --- Chetwynd, Spartacus --- Donachie, Kaye --- Fowler, Luke --- Fullerton, Michael --- Gander, Ryan --- Leckey, Mark --- Martin, Daria --- Martin, Simon --- McKenzie, Lucy --- Michael, Alan --- Myles, Scott --- Orr, Christopher --- Ozbolt, Djordje --- Payne, Oliver --- Quawson, Muzi --- Relph, Nick --- Rothschild, Eva --- Stezaker, John --- Warren, Rebecca --- Wermers, Nicole --- Chaimowicz, Marc Camille --- Gillick, Liam --- Monk, Jonathan --- Doig, Peter --- Bulloch, Angela --- Gordon, Douglas --- Evans, Cerith Wyn --- Otolith Group [London] --- anno 1990-1999 --- anno 2000-2009 --- Great Britain

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Iconography --- Art --- Sculpture --- Painting --- Photography --- Film --- installations [visual works] --- art [discipline] --- painting [image-making] --- photography [process] --- video art --- performance art --- sculpting --- Šedá, Katerina --- Öğüt, Ahmet --- AIDS-3D --- Antar, Ziad --- Arcangel, Cory --- Auerbach, Tauba --- Bąkowski, Wojciech --- Seshee Bopape, Dineo --- Bourouissa, Mohammed --- Brätsch, Kerstin --- Cao Fei --- Caycedo, Carolina --- Chu Yun --- Cytter, Keren --- Danz, Mariechen --- Driscoll, Faye --- Ekblad, Ida --- Epaminonda, Haris --- Esquivias, Patricia --- Essen, Mark --- Ewan, Ruth --- Fowler, Brendan --- Fowler, Luke --- Frazier, LaToya Ruby --- Gaillard, Cyprien --- Gander, Ryan --- Glynn, Liz --- Gréaud, Loris --- Gupta, Shilpa --- Hüner, Emre --- Keegan, Matt --- Khachatrian, Tigran --- Kraus, Kitty --- Lara, Adriana --- Lassry, Elad --- Liu Chuang --- Lonergan, Guthrie --- Madani, Tala --- Molska, Anna --- Mureşan, Ciprian --- Pendleton, Adam --- Rhodes, Stephen G. --- Richards, James --- Roydson, Emily --- Smith, Josh --- Ugay, Alexander --- Vonna-Michell, Tris --- Ziółkowski, Jakub Julian --- Zorbar, Icaro --- anno 2000-2099