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Art, Chinese --- Artists --- Expatriate artists --- Expatriate artists --- Expatriate artists
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Exiles --- Expatriate artists --- Expatriate authors --- Political refugees
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Ce volume éclaire les processus de l'exil dans toute leur complexité et analyse leur impact au cours du long XXe siècle sur les productions musicales et littéraires en mettant l'accent sur leur circulation, en tenant compte des sociétés de départ et d'accueil et en éclairant les communautés exilées. A travers cette histoire des cultures d'exil, c'est aussi le poids du facteur politique dans les échanges culturels qui est analysé. Les relations entre exil et création, la transformation des pratiques culturelles et la fabrique des imaginaires sont au coeur de la réflexion. L'approche globale des exils artistiques, qui traverse les continents et les formes, interroge le rôle des exilés - et des mouvements de solidarité internationale qu'ils suscitent - dans le processus de mondialisation contemporaine. [Payot.ch]
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Yearbook Volume 19 continues an investigation which began with Arts in Exile in Britain 1933-45 (Volume 6, 2004). Twelve chapters, ten in English and two in German, address and analyse the significant contribution of émigrés across the applied arts, embracing mainstream practices such as photography, architecture, advertising, graphics, printing, textiles and illustration, alongside less well known fields of animation, typography and puppetry. New research adds to narratives surrounding familiar émigré names such as Oskar Kokoschka and Wolf Suschitzky, while revealing previously hidden contributions from lesser known practitioners. Overall, the volume provides a valuable addition to the understanding of the applied arts in Britain from the 1930s onwards, particularly highlighting difficulties faced by refugees attempting to continue fractured careers in a new homeland. Contributors are: Rachel Dickson, Burcu Dogramaci, Deirdre Fernand, Fran Lloyd, David Low, John March, Sarah MacDougall, Anna Nyburg, Pauline Paucker, Ines Schlenker, Wilfried Weinke, and Julia Winckler.
Arts --- Expatriate artists --- History
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Expatriate artists --- Artists, Expatriate --- Exiled artists --- Artists --- Exiles --- Conferences - Meetings
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"The political and social turmoil of the twentieth century took Magda Nachman from a privileged childhood in St. Petersburg at the close of the nineteenth century, artistic studies with Léon Bakst and Kuzma Petrov-Vodkin at the Zvantseva Art Academy, and participation in the dynamic symbolist/modernist artistic ferment in pre-Revolutionary Russia to a refugee existence in the Russian countryside during the Russian Civil War followed by marriage to a prominent Indian nationalist, then with her husband to the hardships of émigré Berlin in the 1920s and 1930s, and finally to Bombay, where she established herself as an important artist and a mentor to a new generation of modern Indian artists"--
Artists --- Artists. --- Expatriate artists --- Expatriate artists. --- Nachman, Magda, --- India. --- Russia.
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Artists --- Arts, Turkish --- Expatriate artists
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Expatriate authors --- Authors --- Authors, Exiled
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