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Book
Defining medievalism(s)
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ISBN: 9781843842101 9781846157646 9781843841845 1843841843 1843842106 9781846157639 9786612988004 1846157633 128298800X 9786612988134 1846157641 1282988131 Year: 2009 Publisher: Cambridge Rochester, N.Y. : D.S. Brewer,

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Abstract

This latest volume of 'Studies in Medievalism' further explores definitions of the field, complementing its landmark predecessor. In its first section, essays by seven leading medievalists seeks to determine precisely how to characterize the subjects of study, their relationship to new and related fields, such as neomedievalism, and their relevance to the middle ages, whose definition is itself a matter of debate. Their observations and conclusions are then tested in the articles second part of the book. Their topics include the notion of progress over the last eighty or ninety years in our perception of the middle ages; medievalism in Gustave Doré's mid-nineteenth-century engravings of the 'Divine Comedy'; the role of music in Peter Jackson's 'Lord of the Rings' films; cinematic representations of the Holy Grail; the medieval courtly love tradition in Jeanette Winterson's 'The Passion' and 'The.Powerbook'; Eleanor of Aquitaine in twentieth-century histories; modern updates of the Seven Deadly Sins; and Victorian spins on Jacques de Voragine's 'Golden Legend'. CONTRIBUTORS: Carla A. Arnell, Aida Audeh, Jane Chance, Pamela Clements, Alain Corbellari, Roberta Davidson, Michael Evans, Nickolas Haydock, Carol Jamison, Stephen Meyer, E. L. Risden, Carol L. Robinson, Clare A. Simmons, Richard Utz, Veronica Ortenberg West-Harling


Book
Corporate medievalism
Author:
ISBN: 9781843843221 1843843226 9781843843559 1843843552 9781846159763 9781782041160 9786613834874 1846159768 128352242X 1782041168 Year: 2013 Publisher: Cambridge : D.S. Brewer,

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Abstract

In the wake of the many passionate responses to its predecessor, Studies in Medievalism 22 also addresses the role of corporations in medievalism. Amid the three opening essays, Amy S. Kaufman examines how three modern novelists have refracted contemporary corporate culture through an imagined and highly dystopic Middle Ages. On either side of that paper, Elizabeth Emery and Richard Utz explore how the Woolworth Company and Google have variously promoted, distorted, appropriated, resisted, and repudiated post-medieval interpretations of the Middle Ages. And Clare Simmons expands on that approach in a full-length article on the Lord Mayor's Show in London. Readers are then invited to find other permutations of corporate influence in six articles on the gendering of Percy's 'Reliques', the Romantic Pre-Reformation in Charles Reade's 'The Cloister and the Hearth', renovation and resurrection in M.R. James's "Episode of Cathedral History", salvation in the 'Commedia' references of Rodin's 'Gates of Hell', film theory and the relationship of the Sister Arts to the cinematic 'Beowulf', and American containment culture in medievalist comic-books. While offering close, thorough studies of traditional media and materials, the volume directly engages timely concerns about the motives and methods behind this field and many others in academia. Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland. Contributors: Aida Audeh, Elizabeth Emery, Katie Garner, Nickolas Haydock, Amy S. Kaufman, Peter W. Lee, Patrick J. Murphy, Fred Porcheddu, Clare A. Simmons, Mark B. Spencer, Richard Utz.


Multi
Ecomedievalism
Author:
ISBN: 9781843844655 1843844656 9781782049562 1782049568 Year: 2017 Publisher: Cambridge D.S. Brewer

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Abstract

Ecoconcerns and ecocriticism are a rising trend in medievalism studies, and form a major focus of this collection. Topics under discussion in the first part of the volume include figurations in nineteenth- and twentieth-century medievalism; environmental medievalism in Sidney Lanier's Southern chivalry; nostalgia and loss in T.H. White's "forest sauvage"; and green medievalism in J.R.R. Tolkien's elven realms.
The eleven subsequent articles continue to take in such themes more tangentially, testing and buillding on the methods and conclusions of the first part. Their subjects include John Aubrey's Middle Ages; medieval charter-horns in early modern England; nineteenth-century reimaginings of Chaucer's Griselda; Dante's influence on Harlan Ellison's "I Have No Mouth and I Must Scream";multi-layered medievalisms in George R.R. Martin's A Song of Ice and Fire; (coopted) feminism via medievalism in Disney's Maleficent; (neo)medievalism in Babylon 5 and Crusade; cosmopolitan anxieties and national identity in Netflix's Marco Polo; mapping Everealm in The Quest; undergraduate perceptions of the "medieval" and the "Middle Ages"; and medievalism in the prosopopeia and corpsepaint of Mayhem's De Mysteriis Dom Sathanas.

Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland.

Contributors: Dustin M. Frazier Wood, Daniel Helbert, Ann F. Howey, Carol Jamison, Ann M. Martinez, Kara L. McShane, Lisa Myers, Elan Justice Pavlinich, Katie Peebles, Scott Riley, Paul B. Sturtevant, Dean Swinford, Renée Ward, Angela Jane Weisl, Jeremy Withers.


Book
Authenticity, medievalism, music
Author:
ISBN: 1787442187 1843845032 Year: 2018 Publisher: Suffolk : Boydell & Brewer,

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Given the impossibility of completely recovering the past, the issue of authenticity is clearly central to scholarship on postmedieval responses to the Middle Ages. The essays in the first part of this volume address authenticity directly, discussing the 2017 Middle Ages in the Modern World conference; Early Gothic themes in nineteenth-century British literature; medievalism in the rituals of St Agnes; emotions in Game of Thrones; racism in Disney's Middle Ages; and religious medievalism. The essayists' conclusions regarding authenticity then inform, even as they are tested by, the subsequent papers, which consider such matters as medievalism in contemporary French populism; nationalism in re-enactments of medieval battles; postmedieval versions of the Kingis Quair; Van Gogh's invocations of Dante; Surrealist medievalism; chant in video games; music in cinematic representations of the Black Death; and sound in Aleksei German's film Hard to Be a God.


Book
Medievalism and modernity
Author:
ISBN: 1782047093 1843844370 Year: 2016 Publisher: Cambridge : D. S. Brewer,

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The question of how modernity has influenced medievalism and how medievalism has influenced modernity is the theme of this volume. The opening essays examine the 2001 film Just Visiting's comments on modern anxieties via medievalism; conflations of modernity with both medievalism and the Middle Ages in rewriting sources; the emergence of modernity amid the post-World War I movement The MostNoble Order of Crusaders; António Sardinha's promotion of medievalism as an antidote to modernity; and Mercedes Rubio's medievalism in her feminist commentary on modernity. The eight subsequent articles build on this foundation while discussing remnants of medieval London amid its modern descendant; Michel Houellebecq's critique of medievalism through his 2011 novel La Carte et le territoire; historical authenticity in Michael Morrow's approach to performing medieval music; contemporary concerns in Ford Madox Brown and David Gentleman's murals; medieval Chester in Catherine A.M. Clarkeand Nayan Kulkarni's Hryre (2012); medieval influences on the formation of and debate about modern moral panics; medievalist considerations in modern repurposings of medieval anchorholds; andmedieval sources for Paddy Molloy's Here Be Dragons (2013). The articles thus test the essays' methods and conclusions, even as the essays offer fresh perspectives on the articles.

Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland.

Contributors: Edward Breen, Katherine A. Brown, Catherine A.M. Clarke, Louise D'Arcens, Joshua Davies, John Lance Griffith, Mike Horswell, Pedro Martins, Paddy Molloy, Lisa Nalbone, Sarah Salih, Michelle M. Sauer, James L. Smith


Book
Ethics and Medievalism
Author:
ISBN: 1782043047 1843843765 Year: 2014 Publisher: Suffolk : Boydell & Brewer,

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Abstract

Ethics in post-medieval responses to the Middle Ages form the main focus of this volume. The six opening essays tackle such issues as the legitimacy of reinventing medieval customs and ideas, at what point the production and enjoyment of caricaturizing the Middle Ages become inappropriate, how medievalists treat disadvantaged communities, and the tension between political action and ethics in medievalism. The eight subsequent articles then build on this foundation as they concentrate on capitalist motives for melding superficially incompatible narratives in medievalist video games, Dan Brown's use of Dante's Inferno to promote a positivist, transhumanist agenda, disjunctures from medieval literature to medievalist film in portrayals of human sacrifice, the influence of Beowulf on horror films and vice versa, portrayals of war in Beowulf films, socialism in William Morris's translation of Beowulf, bias in Charles Alfred Stothard's Monumental Effigies of Great Britain, and a medieval source for death in the Harry Potter novels. The volume as a whole invites and informs a much larger discussion on such vital issues as the ethical choices medievalists make, the implications of those choices for their makers, and the impact of those choices on the world around us. Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland. Contributors: Mary R. Bowman, Harry Brown, Louise D'Arcens, Alison Gulley, Nickolas Haydock, Lisa Hicks, Lesley E. Jacobs, Michael R. Kightley, Phillip Lindley, Pascal J. Massie, Lauryn S. Mayer, Brent Moberley, Kevin Moberley, Daniel-Raymond Nadon, Jason Pitruzello, Nancy M. Resh, Carol L. Robinson, Christopher Roman, M.J. Toswell.


Book
Studies in Medievalism XXIX.
Author:
ISBN: 1787448959 1843845563 Year: 2020 Publisher: Cambridge : D.S. Brewer,

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Abstract

Essays on the post-modern reception and interpretation of the Middle Ages


Book
Studies in Medievalism XXX.
Author:
ISBN: 1800100868 1800101015 1843845881 Year: 2021 Publisher: Cambridge : D.S. Brewer,

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Essays on the post-modern reception and interpretation of the Middle Ages.


Book
Medievalism and discrimination
Author:
ISBN: 1787444716 1843845172 Year: 2019 Publisher: Cambridge : D.S. Brewer,

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Discrimination has long played a part in medievalism studies, but it has rarely been weaponized as thoroughly and publicly as in recent exchanges. The essays in the first part of this volume respond to that development by examining some of the many forms discrimination has taken in medievalism (studies) relative to race, gender, sexual orientation, religion, and ethnicity. These papers thus inform many of the subsequent chapters, which address a wide variety of aspects of medievalism, showing how many cultural areas it touches upon. Subjects include Evelyn Underhill's literary interest in the Arts and Crafts Movement; the Anchoresses of the filmmaker Chris Newby and novelist Robyn Cadwallader; cinematic battle orations; contemporary representations of Viking helmet horns; modern board-game culture; and Vincent Van Gogh's Studio of the South. The volume also includes a transcription and contextualization of the celebrated scholar Helen Waddell's notes on medieval texts.


Book
Defining neomedievalism(s) II
Author:
ISBN: 1281017140 9786613772442 1846159520 184384267X Year: 2011 Publisher: Cambridge [UK] : D.S. Brewer,

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Following on from previous issues, this volume continues to explore definitions of neomedievalism and its relationship to traditional medievalism. In four essays that open the volume, Harry Brown, KellyAnn Fitzpatrick, David W. Marshall, and Nils Holger Petersen underscore the elusive nature of distinctions between the two fields, particularly when assessing contemporary film, music, and electronic media. Seven articles then test the need for these distinctions, on subject matter ranging from Sir Walter Scott as a historian; M. E. Braddon's gendered medievalism; friendship models in Mary Elizabeth Haweis's Chaucer for Children; Jorge Luis Borges's Northern interests; medieval practices in Ellis Peters's Cadfael novels; innovative exhibits at the Museum of Wolframs-Eschenbach; and Celtic patterns in modern tattoos. Theory and practice are thus juxtaposed once again in a volume that is certain to fuel a central debate in not one but two of the fastest growing areas of academia.

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