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Politics --- Sociology of the family. Sociology of sexuality --- Literature --- Feminist literary criticism. --- Feminism and literature. --- History and criticism --- Theory, etc. --- Feminist literary criticism --- Feminism and literature --- -Sex role in literature --- Women and literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Literary criticism, Feminist --- Feminist criticism --- -Theory, etc --- Women authors --- Sex role in literature. --- Women and literature. --- Sex role in literature --- History and criticism&delete& --- Theory, etc --- Irigaray, Luce --- Lacan, Jacques --- Kristeva, Julia --- Literature History and criticism --- Literature - History and criticism - Theory, etc. --- Literature and feminism --- Philosophy --- Literary criticism --- Book

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Critique littéraire féministe --- Feminist literary criticism --- Feministische literatuurkritiek --- 82:396 --- Literatuur en feminisme --- 82:396 Literatuur en feminisme --- Feminism and literature --- Literature --- Women and literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Literary criticism, Feminist --- Feminist criticism --- History and criticism&delete& --- Theory, etc --- Women authors --- History and criticism --- Literature History and criticism --- Theory, etc. --- Literature and feminism

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Henrik Ibsen (1828-1906) is the founder of modern theater, and his plays are performed all over the world. Yet in spite of his unquestioned status as a classic of the stage, Ibsen is often dismissed as a boring old realist, whose plays are of interest only because they remain the gateway to modern theater. In Henrik Ibsen and the Birth of Modernism, Toril Moi makes a powerful case not just for Ibsen's modernity, but also for his modernism. Henrik Ibsen and the Birth of Modernism situates Ibsen in his cultural context, emphasizes his position as a Norwegian in European culture, and shows how important painting and other visual arts were for his aesthetic education. The book rewrites literary history, reminding modern readers that idealism was the dominant aesthetic paradigm of the nineteenth century. Modernism was born in the ruins of idealism, Moi argues, thus challenging traditional theories of the opposition between realism and modernism. By reading Ibsen's modernist plays as investigations of the fate of love in an age of skepticism, Moi shows why Ibsen still matters to us. In this book, Ibsen's plays are showed to be profoundly concerned by theater and theatricality, both on stage and in everyday life. Ibsen's unsettling explorations of women, men and marriage here emerge as chronicles of the tension between skepticism and the everyday, and between critique and utopia in modernity. This radical new account places Ibsen in his rightful place alongside Baudelaire, Flaubert and Manet as a founder of European modernism.

Modernism (Literature) --- Ibsen, Henrik, --- Criticism and interpretation. --- Modernism (Literature). --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- イプセン, ヘンリック

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Fonds Suzan Daniel (FSD)

Feminism --- -#SBIB:316.346H10 --- #SBIB:1H30 --- Emancipation of women --- Feminist movement --- Women --- Women's lib --- Women's liberation --- Women's liberation movement --- Women's movement --- Social movements --- Anti-feminism --- Vrouwenproblematiek, feminisme: algemeen --- Filosofie van de mens, wijsgerige antropologie --- Emancipation --- #SBIB:316.346H10 --- 82:396 --- 82:396 Literatuur en feminisme --- Literatuur en feminisme

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What is a woman? And what does it mean to be a feminist today? In her first full-scale engagement with feminist theory since her internationally renowned Sexual/Textual Politics (1985), Toril Moi challenges the dominant trends in contemporary feminist and cultural thought, arguing for a feminism of freedom inspired by Simone de Beauvoir's The Second Sex. Written in a clear and engaging style What is a Woman? brings together two brand new book-length theoretical interventions, Moi's work on Freud and Bourdieu, and her studies of desire and knowledge in literature. In the controversial title-essay, Toril Moi radically rethinks current debates about sex, gender, and the body - challenging the commonly held belief that the sex/gender distinction is fundamental to all feminist theory. Moi rejects every attempt to define masculinity and femininity, including efforts to define femininity as that which 'cannot be defined'. In the second new book-length essay, 'I Am a Woman', Toril Moi reworks the relationship between the personal and the philosophical, pursuing ways to write theory that do not neglect the claims of the personal. Setting up an encounter between contemporary theory and Simone de Beauvoir, Moi radically rethinks the need, and difficulty, of finding one's own philosophical voice by placing it in new theoretical contexts. A sustained refusal to lay down theoretical or political requirements for femininity, and a powerful argument for a feminism of freedom, What is a Woman? is a deeply original contribution to feminist theory.

82:396 --- 396 --- 82:396 Literatuur en feminisme --- Literatuur en feminisme --- Feminisme. Vrouwenbeweging. Vrouw en maatschappij --- Feminist theory --- Women and literature --- Feminism and literature --- Political philosophy. Social philosophy --- Philosophical anthropology --- Depth psychology --- Sociology of the family. Sociology of sexuality --- Human physiology --- Sociology of literature --- Bourdieu, Pierre --- Girard, René --- Freud, Sigmund