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Zum ersten Mal erörtert ein Buch das enigmatische Motiv des Doppelgängers, welches hier nicht nur in der deutschen Literatur untersucht wird, getrennt in Drama, Dichtung und Epik und unternimmt in einem breit angelegten Versuch den Brückenschlag zum (Stumm)film. Was in der bisher vorliegenden Sekundärliteratur nur angedeutet wurde, thematisiert dieses interdisziplinäre Werk, das auch auf Spaltungsphantasien in Malerei und Fotografie eingeht. Im Mittelpunkt stehen Facettenreichtum, Vieldeutigkeit und Langlebigkeit des fantastischen Doppelgänger-Motivs, welches sogar im literarischen Realismus oder durch die Erkenntnisse der Psychoanalyse kaum an Attraktivität verliert und sich im Zeitalter der technischen Reproduzierbarkeit psychischer Phänomene auf der Leinwand eindrucksvoll zurückmeldet. Für Literatur- und Filmwissenschaftler ist diese Thematik genauso interessant, wie für philosophisch und psychoanalytisch geschulte Leser.

Doubles in literature --- Doubles in motion pictures --- German literature --- Doppelgänger in motion pictures --- Doppelgängers in motion pictures --- Motion pictures --- Doppelgänger in literature --- Doppelgängers in literature --- Split self in literature

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History of civilization --- Doppelgängers --- Doubles in art --- Doubles in motion pictures --- Doubles in literature --- Héautoscopie --- Doubles dans l'art --- Doubles au cinéma --- Doubles dans la littérature --- Religious aspects --- Aspects religieux --- Doppelgangers --- Doppelgängers --- Héautoscopie --- Doubles au cinéma --- Doubles dans la littérature --- Doppelgänger in motion pictures --- Doppelgängers in motion pictures --- Motion pictures --- Doppelgänger in literature --- Doppelgängers in literature --- Split self in literature --- Doppelgänger in art --- Doppelgängers in art --- Autoscopic phenomena --- Autoscopy --- Doppelgaengers --- Doppelgänger --- Doppelgänger experiences --- Doublegangers --- Doubles (Doppelgängers) --- Psychology, Applied --- art history

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German literature --- Thematology --- anno 1800-1999 --- Doubles in literature --- Split self in literature --- History and criticism --- -German literature --- -Doubles in literature --- Doppelgänger in literature --- Doppelgängers in literature --- Doubles in literature. --- Split self in literature. --- History and criticism. --- -History and criticism --- -Doppelgänger in literature --- Young Germany --- German literature - 19th century - History and criticism --- German literature - 20th century - History and criticism

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The author of Tristram Shandy made frequent use of literary fragments from other writers, as part of his own style. Laurence Sterne's quotations, plagiarisms and allusions were often employed in the service of the pleonasm, or 'performed pun'. Jonathan Lamb describes Sterne's operation of the pleonasm as his 'double principle'. He sees this style not as the key to some clever puzzle whose clues we go on solving in the hope of total disclosure of meaning (as some critics have claimed); rather the opposite, that it is a consoling reminder that neither we nor the text can ever be complete. Lamb severs Sterne from the Locke tradition and frees him from the 'influence' oriented studies which have aimed to authenticate him through his borrowings. This allows us to read him as a writer eagerly exploring the turns and paradoxes of associationist thought and adapting the rhetoric of the sublime to the stutterings of ordinary speech.

Sterne, Laurence --- Arts and Humanities --- Literature --- Experimental fiction, English --- Civilization, Modern --- Doubles in literature. --- History and criticism. --- Sterne, Laurence, --- Criticism and interpretation. --- Doppelgänger in literature --- Doppelgängers in literature --- Split self in literature --- Eighteenth century --- Stʻērn, Lawrēns, --- Yorick, --- Stern, Lourens, --- Stern, Lorens, --- Стерн, Лоренс, --- Στερν, Λωρενς, --- Iorik, --- Sterne, --- Sŭtʻŏn, Lorensŭ,

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Copying --- Twins --- Impersonation --- Copying processes --- Authenticity (Philosophy) --- Doppelgangers --- Psychological aspects --- Psychology --- Mythology --- History --- Doppelgängers --- Impostor phenomenon --- Authenticité (Philosophie) --- Reproduction de documents --- Reprographie --- Héautoscopie --- Syndrome de l'imposteur --- Doppelgängers. --- Impersonation. --- Impostor phenomenon. --- Doppelgängers --- Authenticité (Philosophie) --- Héautoscopie --- #SBIB:309H1024 --- #SBIB:309H520 --- #SBIB:AANKOOP --- Philosophy --- Twins (in religion, folk-lore, etc.) --- Imposter phenomenon --- IP (Psychology) --- Phenomenon, Impostor --- Self-perception --- Fear of failure --- Fear of success --- Acting --- Comedy --- Imitation --- Autoscopic phenomena --- Autoscopy --- Doppelgaengers --- Doppelgänger --- Doppelgänger experiences --- Doublegangers --- Doubles (Doppelgängers) --- Psychology, Applied --- Autographic processes --- Commercial correspondence --- Duplicating processes --- Manifolding --- Reproduction processes --- Reprography --- Typewriting --- Writing --- Copying services --- Documentation --- Letter services --- Mediaboodschappen met een ideologische en spiegelfunctie (beeld vrouw, migranten …) --- Audiovisuele communicatie: algemene werken --- Personality --- Authenticity (Philosophy). --- History. --- Psychological aspects. --- Mythology. --- Psychology. --- Jumeaux --- Histoire --- Copying - Psychological aspects --- Twins - Psychology --- Twins - Mythology --- Copying - History --- Copying processes - History