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Film --- Griffith, David Wark --- Motion picture acting --- Movement (Acting) --- Silent films --- 82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- Movement on the stage --- Acting --- Film acting --- Moving-picture acting --- History and criticism --- Griffith, D. W. --- Griffit, Dėvid Uork, --- Griffith, David Wark, --- Warwick, Grenville, --- Criticism and interpretation. --- Biograph Company. --- AB --- American Mutoscope and Biograph Company --- Protective Amusement Company --- Klaw & Erlanger --- Motion picture acting. --- Movement (Acting). --- History and criticism.
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Motion pictures --- Television --- Film criticism --- Cinéma --- Télévision --- Critique cinématographique --- Dictionaries --- Dictionnaires --- Dictionnaires anglais --- #SBIB:309H1300 --- #SBIB:309H01 --- #SBIB:023.AANKOOP --- Motion picture criticism --- Moving-picture criticism --- Criticism --- Radio vision --- TV --- Artificial satellites in telecommunication --- Electronic systems --- Optoelectronic devices --- Telecommunication --- Astronautics --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Filmwezen: algemene werken --- Communicatiewetenschap: encyclopedieën, woordenboeken, naslagwerken, bibliografieën --- Evaluation --- Optical communication systems --- History and criticism --- Cinéma --- Télévision --- Critique cinématographique --- Dictionaries.
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The works of Shakespeare and Dante or the figures of George Washington and Moses do not often enter into popular conceptions of the silent cinema, yet, between 1907 and 1910, the Vitagraph Company frequently used such material in producing "quality" films that promulgated "respectable" culture. William Uricchio and Roberta Pearson situate these films in an era of immigration, labor unrest, and mainstream American xenophobia, in order to explore the cultural views promoted by the films and the ways the audiences--the middle classes as well as workers and immigrants--related to what they saw. The authors associate the production of quality films with a top-down forging of cultural consensus on issues such as patriotism and morality, and reveal the surprising bottom-up negotiations of these films' "meanings.".Devoting chapters to the literary, historical, and biblical subjects used by Vitagraph, this book draws upon plays, pageants, school textbooks, and even product advertisements to illuminate the conditions of cinematic production and reception. It provides a detailed look at one aspect of the film industry's transformation from "despised cheap amusement" to the nation's dominant mass medium, while showing how cultural elites engaged in a struggle similar to that of today's American academy over the literary canon and national value systems.Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Film --- United States --- 791.44 --- 791.43-1 --- #SBIB:309H1326 --- Filmproductie. Filmindustrie --- Filmkunst. Films. Cinema--?-1 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Culture in motion pictures. --- Motion pictures --- Social aspects --- Culture in motion pictures --- Music, Dance, Drama & Film --- 791.43-1 Filmkunst. Films. Cinema--?-1 --- 791.44 Filmproductie. Filmindustrie --- Vitagraph Company of America. --- Vitagraph Co. of America --- Vitagraph Company --- Vitagraph (Firm) --- Warner Bros. Pictures (1923-1967) --- American Vitagraph Company --- United States of America --- CINEMA --- COMPAGNIES DE PRODUCTION ET STUDIOS --- SOCIETE ET LE CINEMA --- VITAGRAPH --- ETATS-UNIS
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Drawing --- Literature --- beeldverhalen --- Epical, mythological and fictitious figures --- Batman [Fictieve figuur] --- United States of America
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Mass communications --- TV (televisie) --- communicatiesociologie --- communicatieonderzoek --- film --- communicatiepsychologie --- communicatietheorieën
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Western films --- Western television programs. --- Westerns --- Emissions western télévisées --- History and criticism. --- Histoire et critique
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The Critical Dictionary of Film and Television Theory clearly and accessibly explains the major theoretical approaches now deployed in the study of the moving image, as well as defining key theoretical terms.This dictionary provides readers with the conceptual apparatus to understand the often daunting language and terminology of screen studies. Entries include: *audience * Homi K. Bhabha * black cinema * the body * children and media * commodification * cop shows * deep focus * Umberto Eco * the gaze * Donna Haraway * bell hooks * infotainment * master narrative * medical dramas
Motion pictures --- Television --- Film criticism
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