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Theory of knowledge --- Literature --- Content analysis (Communication) --- Psychology --- -Content analysis (Communication) --- Analysis of content (Communication) --- Communication --- Subject analysis --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Content analysis --- Methodology --- Aesthetics --- Psychology and literature --- Literature - Psychology
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Suspense au cinéma --- Suspense en littérature --- Suspense in de literatuur --- Suspense in film --- Suspense in literature --- Suspense in motion pictures --- Suspense in motion pictures, television, etc. --- Suspense in literature. --- Comparative literature --- Thematology --- Film --- Suspense in motion pictures, television, etc --- 791.41 --- CDL --- Motion pictures --- Television programs --- Video recordings --- Suspense in motion pictures.
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Television broadcasting of films. --- Television --- Psychological aspects.
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Mass communications --- Computer. Automation --- Sociology of culture --- #SBIB:309H17 --- #SBIB:309H402 --- Computer- en videogames --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, ... --- Video games --- Psychological aspects. --- Psychological aspects --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, .. --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, . --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media,
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#SBIB:004.AANKOOP --- #SBIB:309H526 --- #SBIB:309H1022 --- Mass media --- -Mass communication --- Media, Mass --- Media, The --- Communication --- Psychologie van de audiovisuele boodschap --- Mediaboodschappen met een amusementsfunctie en/of esthetische functie --- Psychological aspects --- Psychological aspects. --- -Psychologie van de audiovisuele boodschap
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This chapter offers some historical and conceptual orientation to readers of the Oxford Handbook of Entertainment Theory. Departing from a brief review of ancient roots and 20th century pioneer works, we elaborate on the state and challenges of contemporary entertainment theory and research. This includes the need to develop a more explicit understanding of interrelationships among similar terms and concepts (e.g., presence and transportation), the need to reflect more explicitly on epistemological foundations of entertaiment theories (e.g., neo-behaviorism), and the need to reach back to past, even historical reasoning in communication that may be just as informative as the consideration of recent theoretical innovations from neigboring fields such as social psychology. Finally, we offer some reflections on programmatic perspectives for future entertainment theory, which should try to harmonize views from the social sciences and critical thinking, span cultural differences in entertainment processes, and keep track of the rapid technological progress of entertainment media.
Social psychology --- Sociology of leisure --- Mass communications --- Mass media --- Amusements --- Philosophy. --- Children --- Entertainments --- Pastimes --- Recreations --- Entertaining --- Games --- Play --- Recreation --- Philosophy
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Télévision --- Activite socio-culturelle --- Communication -- media --- Loisir --- Psychologie des loisirs
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