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Architecture --- Architecture, Renaissance --- Architektur. --- Renaissance. --- History. --- History. --- Geschichte 1400-1600. --- Geschichte 1420-1600. --- Italien.

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Italian poetry --- Poésie italienne --- History and criticism --- Periodicals --- Histoire et critique --- Périodiques --- Renaissance. --- Lyrik. --- Zeitschrift. --- Geschichte 1420-1600 --- Italienisch. --- Geschichte --- 1420-1600 --- Arts and Humanities --- Literature

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La revue Italique est consacrée à l’étude de la poésie italienne de la Renaissance dans la période qui va de Pétrarque à l’âge baroque. Un véritable âge d’or, si l’on songe à l’archétype des Rerum vulgarium Fragmenta et aux canzonieri du XVIe siècle, mais aussi une époque pleine de contradictions, quand on pense au conflit du vulgaire avec l’humanisme latin au cours du « siècle sans poésie », de la mort de Pétrarque à Laurent le Magnifique. Le Tasse, Chiabrera et le Cavalier Marin, à la fin du XVIe siècle, ébranlent la toute-puissance des modèles classiques en procédant à la liquidation de l’idéal pétrarquiste. Cette poésie italienne, en latin et en langue vulgaire, a représenté des siècles durant la poésie par excellence et a constitué pour tous un modèle. Son intense maniérisme, la cadence harmonieuse de son style, qui faisaient autrefois son prix, la tiennent à l’écart du goût contemporain, si friand d’originalité.

Italian poetry --- Poésie italienne --- Renaissance. --- Lyrik. --- Zeitschrift. --- History and criticism --- Histoire et critique --- Geschichte 1420-1600 --- Italienisch. --- Geschichte --- 1420-1600 --- Poésie italienne --- Italian literature --- Italian poetry. --- To 1599 --- Geschichte 1400-1600. --- Geschichte 1420-1600. --- Periodikum --- Zeitschriften --- Presse --- Fortlaufendes Sammelwerk --- Humanismus --- Gedicht --- Poem --- Dichtung --- Poesie --- Lyrisches Werk --- Lyrikwerk --- Gedichtwerk --- Literatur --- <> Lyrische --- Italienische Sprache --- Italoromanisch --- Dalmatisch --- Poesia italiana --- Història i crítica --- Literatura italiana --- Italienisch --- Lyrik --- Renaissance --- Zeitschrift

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Bewegungskultur. --- Cultuur. --- Human body --- Human body --- Körper. --- Leib. --- Leib. --- Mensch. --- Menselijk lichaam. --- Naturbeherrschung. --- Natuur. --- Physical education and training --- Physical education and training. --- Renaissance. --- Renaissance. --- Renaissance. --- Renaissance. --- Sozialgeschichte. --- Tanz. --- Tanz. --- Social aspects --- History --- Social aspects. --- History --- Geistesgeschichte 1400-1600. --- Geschichte 1420-1600. --- Sozialgeschichte 1400-1600. --- Europe.

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Two leading contemporary art historians present a stunning reconsideration of the problem of time in the Renaissance. With intellectual brilliance, Alexander Nagel and Christopher S. Wood reexamine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. [...] The buildings, paintings, drawings, prints, sculptures, and medals addressed in this book were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be early Christian antiquities, the acheiropoeton or image made without hands, the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. The authors show how the complex and layered temporalities of images offered a counterpoint to the linear chronologies that increasingly structured commerce, politics, travel, and everyday life in the fourteenth and fifteenth centuries. While a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. The authors conclude with an analysis of Roman episodes and projects of the decades around 1500, culminating in Raphael's Stanza della Segnatura.

Art --- anno 500-1499 --- anno 1500-1599 --- Art, Renaissance. --- Architecture, Renaissance. --- Building materials --- Time and art. --- Recycling. --- Architecture, Renaissance --- Art, Renaissance --- Time and art --- Art and time --- Architectural materials --- Architecture --- Building --- Building supplies --- Buildings --- Construction materials --- Structural materials --- Materials --- Renaissance art --- Renaissance architecture --- Renaissance revival (Architecture) --- Recycling --- Renaissance --- Analyse de l'art --- kunst --- kunsttheorie --- 7.01 --- 7.034 --- renaissance --- tijdelijkheid --- tijd --- Geschichte 1420-1550. --- Geschichte 1420-1600. --- 1400-1500. --- 1500-1600. --- Art de la Renaissance --- Architecture de la Renaissance --- Construction --- Temps et art --- Matériaux --- Recyclage