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Le but de ce modèle d’analyse est d’intégrer pleinement le vêtement dans une science humaine. Le phénomène vestimentaire est en effet ou trop adulé dans les discours sur la mode et la couture, ou trop négligé comme un art appliqué, secondaire et futile. Pour les utilisateurs que nous sommes, il s’agit ici de développer ce que peuvent être les véritables techniques de manipulation du vêtement, leurs efficacités sociales, leurs effets, leurs styles et même leurs pathologies, les plaisirs qu’on en a, les valeurs qu’on y met : tout ce qui nourrit cette théorie du vêtement.
Clothing and dress --- Vêtements --- Social aspects --- Aspect social --- Clothing and dress - Social aspects
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Clothing and dress --- Vêtements --- Costume --- Social aspects --- History. --- History --- Aspect social --- Histoire --- Germany --- Allemagne --- Antiquities, Roman --- Antiquités romaines --- Vêtements --- Antiquités romaines --- Antiquities --- Clothing and dress - Social aspects - Germany - History --- Germany - Antiquities
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Recherche de l'élégance, conformité au goût du jour, gaspillage ostentatoire, manifestation d'une transgression Depuis le XIXe siècle, la manière de se vêtir est soumise à la mode. Ce phénomène social, dont la naissance coïncide avec l'émergence d'une société des individus, a intéressé la littérature comme les sciences humaines et en particulier la sociologie. De la figure du dandy jusqu'à l'explosion du prêt-à-porter et la multiplication des collections, cet ouvrage présente les approches sociales de la mode. Il montre comment, loin de s'exclure, la volonté de distinction et la recherche d'un conformisme social sont intimement liées dans nos choix vestimentaires. Il révèle combien la mode imprègne notre imaginaire collectif
Fashion --- Clothing and dress --- Mode --- Vêtements --- Social aspects --- Aspect social --- BPB0605 --- 316.62 --- Désherbage --- 316.62 Sociaal gedrag. Leefstijl --- Sociaal gedrag. Leefstijl --- Deselectie --- Vêtements --- Fashion - Social aspects --- Clothing and dress - Social aspects
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Comment penser la mode ? Comment analyser un look ? Le parti-pris d'Anthony Mathé est d'étudier la mode comme une pratique quotidienne, non un idéal. Né d'observations, de discussions et d'un travail d'enquête, « Le corps à sa façon » est un essai de sémiotique et de communication qui analyse la profondeur des pratiques d'habillement. Chaque jour, chaque matin, la mode vestimentaire offre la possibilité d'une épiphanie : en s'habillant, on incorpore un rôle, on se métamorphose pour se révéler
Clothing and dress --- Fashion --- Social aspects --- Symbolic aspects --- Corps --- Corps (philosophie) --- Sociologie du corps. --- Dans la mode. --- Clothing and dress - Social aspects --- Clothing and dress - Symbolic aspects --- Fashion - Social aspects
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"This book traces the toga's history from its origins in the Etruscan garment known as the tebenna, through its use as an everyday garment in the Republican period to its increasingly exclusive role as a symbol of privilege in the Principate and its decline in use in late antiquity. It aims to shift the scholarly view of the toga from one dominated by its role as a feature of Roman art to one in which it is seen as an everyday object and a highly charged symbol that in its various forms was central to the definition and negotiation of important gender, age and status boundaries, as well as political stances and ideologies. It discusses the toga's significance not just in Rome itself, but also in the provinces, where it reveals ideas about cultural identity, status and the role of the Roman state. The Toga and Roman Identity shows that, by looking in detail at the history of Rome's national garment, we can gain a better understanding of the complexities of Roman identity for different groups in society, as well as what it meant, at any given time, to be 'Roman'"--
Togas --- Social aspects --- Political aspects --- History. --- Clothing and dress --- History --- Symbolic aspects --- Togas - Social aspects - Rome --- Clothing and dress - Rome - History --- Clothing and dress - Social aspects - Rome --- Clothing and dress - Symbolic aspects - Rome
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This volume presents a collection of the most recent knowledge on the relationship between gender and fashion in historical and contemporary contexts. Through fourteen essays divided into three segments - how dress creates, disrupts and transcends gender - the chapters investigate gender issues through the lens of fashion. Crossing Gender Boundaries first examines how clothing has been, and continues to be, used to create and maintain the binary gender division that has come to permeate Western and westernized cultures. Next, it explores how dress can be used to contest and subvert binary gender expectations, before a final section that considers the meaning of gender and how dress can transcend it, focusing on unisex and genderless clothing. The essays consider how fashion can both constrict and free gender expression, explore the ways dress and gender are products of one other and illuminate the construction of gender through social norms. Readers will find that through analysis of the relationship between gender and fashion, they gain a better understanding of the world around them.
Fashion. --- Style in dress --- Clothing and dress --- Gender identity --- Fashion - Social aspects --- Clothing and dress - Social aspects --- Clothing and dress - Psychological aspects --- Business & Economics --- Industries --- Fashion & Textile Industry --- Social Science --- Gender Studies --- Fashion
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Body Style reveals the subcultural body as a site for understanding subcultural identity, resistance, agency, and fashion. Analyzed, theorized, politicized, and sensationalized, the subcultural body functions as a framework where individuals build a sense of self and subcultural identity. Drawing on specific subcultural examples and interviews with members, Body Style explores the subcultural body and its style within global culture. Body Style is the result of over twelve years of research examining these intersections within specific urban subcultures, including Urban Tribals, Modern Primiti
Clothing and dress -- Social aspects. --- Fashion -- Social aspects. --- Human body -- Social aspects. --- Human body -- Symbolic aspects. --- Subculture. --- Decorative arts --- Costume, clothing & fashion --- Sociology --- Human body --- Clothing and dress --- Fashion --- Social aspects. --- Symbolic aspects.
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Manufacturing technologies --- History of civilization --- Applied arts. Arts and crafts --- Popular culture --- Fashion --- Clothing and dress --- Culture populaire --- Mode --- Vêtements --- Social aspects --- Aspect social --- Costume --- Street life --- Vêtements --- Popular culture. --- Clothing and dress - Social aspects - Pictorial works --- Fashion - Social aspects - Pictorial works --- Costume - Social aspects - Pictorial works --- Street life - Pictorial works
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Self-perception --- Clothing and dress --- Expression --- Perception de soi --- Vêtements --- Social aspects --- Aspect social --- 800.95 --- #SBIB:309H53 --- Communication non verbale Non-verbale communicatie --- Image (relations publiques) Beeld (public relations) --- Relations humaines Menselijke relaties --- Langage Taalgebruik --- Conflits (gestion) Conflicthantering --- Non-verbale communicatie --- Niet-verbale communicatie --- 800.95 Non-verbale communicatie --- Vêtements --- Beauty, Personal --- Body language --- Self-presentation --- Success --- Clothing and dress - Social aspects
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Clothing and dress --- Vêtements --- Costume --- Social aspects --- Symbolic aspects --- Aspect social --- Aspect symbolique --- Vêtements --- Apparel --- Clothes --- Clothing --- Clothing and dress, Primitive --- Dress --- Dressing (Clothing) --- Garments --- Beauty, Personal --- Manners and customs --- Fashion --- Undressing --- Clothing and dress - Social aspects - Rome --- Clothing and dress - Rome --- Clothing and dress - Symbolic aspects - Rome
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