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attribution --- self-portraits --- Pasture, de le, Roger --- Campin, Robert
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Smet, de, Gustaaf --- De Smet, Gustaaf --- Peinture --- Schilderkunst --- #A9209A --- Piet Boyens --- schilderkunst --- België --- Latemse school --- expressionisme --- De Smet Gust. --- De Smet Gustave --- kubisme --- 75.071 DE SMET --- Smet, Gustave de, --- De Smet Gust --- de Smet, Gustave --- Smet, Gustave de --- De Smet, Gustave --- Smet, Gustaaf de --- Smet, Gust. de
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Painting --- Vermeer, Johannes --- Criticism and interpretation --- Painters --- Netherlands --- Biography --- Delft (Nederland) --- In art
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sculpture techniques --- fine arts --- materialen (kunst) --- materials [matter] --- 7.02 --- Kunsttechniek. Methoden en technieken in de kunst --- 7.02 Kunsttechniek. Methoden en technieken in de kunst --- 7 --- Art --- Drawing --- Sculpture --- techniques [processes] --- drawing [image-making] --- beeldende kunst --- Materials sciences --- technieken --- fine arts [discipline] --- materials [substances] --- Kunstgeschiedenis
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Bruegel, Pieter [Elder] --- Painting --- Bruegel, Pieter --- Brueghel, Pieter --- Breugel, Pieter --- Breughel, Pieter --- Bolugaier --- Breĭgelʹ, Piter --- Brʹogel, Piter --- Broigel, Peṭer --- Breughel de Oude, Pieter --- Bruegel, Pierre --- Bruegel, --- Bryūgeru, Pītā --- Po-lu-kai-erh --- ברויגל, פיטר
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Over the course of his life, Arnout Balis (d. 2021) did a lot of thinking about and around Rubens. A principal beneficiary of this was the Corpus Rubenianum, that multi-volume catalogue of the work of the artist to which he devoted so much of his scholarly endeavour – as author, and, still more, as the most generous of editors. But he also produced wide-ranging, as well as more closely detailed, studies on the artist that were written for a variety of contexts. Arnout Balis was an artist before he was an art historian, and the question of how Rubens channelled his ideas into visual form constantly attracted and intrigued him. He was fascinated, too, by the practicalities of the artist’s method of production, given the enormous output of Rubens’s studio. Not only did he rigorously assemble and analyse every scrap of information about pupils or associates of the master, but he made himself an expert in the work of each of Rubens’s artistic contemporaries. In all his investigations, whether involving the attribution of a painting, an iconographic puzzle or the solution to a historical problem, he took nothing for granted, treating any received idea or initial intuition with due scepticism until it could be shown to stand the test of the evidence, documentary and visual. The present volume shows the Balis method in action. It includes several studies already acclaimed as exemplary, and others which deserve to be more widely known. Five of them are made available here for the first time in English translation.
Art --- kunstliteratuur --- Vlaamse school --- Rubens, Peter Paul --- Baroque & Rococo painting --- Painters --- Rubens, Peter Paul, --- Balis, Arnout. --- Rubens, Petrus Paulus, 1577-1640 --- Kritiek en interpretatie --- Rubens, Peter Paul. --- Panneels, Willem. --- 16de eeuw. --- 17de eeuw. --- Vlaanderen.
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