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Intellectual property issues in the film industry are often highly complex and in today's world are evolving rapidly. In this second edition of Film Copyright in the European Union, Pascal Kamina unravels the complexities of film protection in twenty-eight member states of the European Union, including thirteen new member states who have joined since the first edition. As well as addressing key aspects of film copyright, Pascal Kamina also deals with the protection of film works within the European Union in the context of European harmonisation of copyright laws. Including a new chapter on copyright enforcement, this second edition details the substantial developments in EU law during the last decade, including major cases for the European Court of Justice, new treaties and new directives. This book will interest practitioners, academics and students. The developments on contracts and moral rights will be of particular interest to lawyers outside continental Europe -- Film Copyright in the European Union Intellectual property issues in the film industry are often highly complex and in today's world are evolving rapidly. In this second edition of Film Copyright in the European Union, Pascal Kamina unravels the complexities of film protection in twenty-eight member states of the European Union, including thirteen new member states who have joined since the first edition --
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Intellectual property issues in the film industry are often highly complex and in today's world are evolving rapidly. In the first book on this subject, Pascal Kamina unravels the complexities of film protection in the fifteen member states of the European Union, giving special emphasis to the United Kingdom and France. As well as addressing key aspects of film copyright, Kamina also deals with the protection of film works within the European Union in the context of European harmonisation of copyright laws. He details the main features of the domestic legislations of EU member states, and identifies the difficulties awaiting a further harmonization of copyright and neighbouring rights in this field. This book will interest practitioners, academics and students. The developments on contracts and moral rights will be of particular interest to lawyers outside continental Europe.
Copyright --- Motion pictures --- Copyright. --- Copyright - Motion pictures - France. --- Law - Non-U.S. --- Law - Europe, except U.K. --- Law, Politics & Government --- Law --- General and Others --- Literary property --- Property, Literary --- Law and legislation --- Intangible property --- Intellectual property --- Anti-copyright movement --- Authors and publishers --- Book registration, National --- Patent laws and legislation --- Copyright - Motion pictures - European Union countries --- Copyright - Motion pictures - Great Britain --- Copyright - Motion pictures - France
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Par un ouvrage consacré aux enjeux du GATT dans le domaine de l'audiovisuel, le centre de droit de l'information et de la communication entend susciter la réflexion et la discussion sur les multiples difficultés liées à l'inclusion du secteur audiovisuel dans l'accord GATT. La Communauté européenne est-elle exclusivement compétente pour conclure un tel accord qui, par la spécificité des services audiovisuels et du droit d'auteur, a des incidences économiques mais également culturelles ? S'agit-il, au contraire, d'une compétence partagée entre la Communauté européenne et les Etats membres ? La Communauté française est-elle compétente en matière de relations extérieures ? Les entités fédérées, et plus particulièrement la Communauté française, sont-elles compétentes pour ratifier le volet audiovisuel de l'accord ? Quelles sont les incidences des concentrations sur le territoire européen des principales compagnies américaines sur la production et la distribution de films, en Europe ? Le marché américain est-il un marché ouvert aux films européens ? Le "cultural hook" prôné par Leon Brittan, commissaire européen, est-il préférable à la thèse de "l'exception culturelle" ? Quelles seront les conséquences de l'inclusion des droits d'auteur et des droits voisins dans un tel accord pour la protection des auteurs, des artistes et des producteurs ? Les pays de la Communauté européenne devront-ils introduire d'importantes modifications dans leur ordre juridique interne ? Les initiatives de la Communauté européenne sont-elles suffisantes pour développer les réseaux de distribution et favoriser la production en Europe ?
Economic law --- European law --- Mass communications --- European Union --- Mass media --- Copyright --- Médias --- Droit d'auteur --- Law and legislation --- Droit --- 351.751 --- 351.82 GATT --- #A9510A --- AA / International- internationaal --- EEC / European Union - EU -Europese Unie - Union Européenne - UE --- 384.0 --- 334.81 --- Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732}) --- Economisch recht. Economische wetgeving. Economische reglementering. Subsidies voor het bedrijfsleven--GATT --- Telecommunicatie: algemeenheden. --- Wereldhandelsorganisatie (WHO). Algemene overeenkomst voor handel en tarieven (GATT). --- 351.82 GATT Economisch recht. Economische wetgeving. Economische reglementering. Subsidies voor het bedrijfsleven--GATT --- 351.751 Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732}) --- Médias --- Intellectual property --- Audio-visual materials --- Motion pictures --- Broadcasting rights --- General Agreement on Tariffs and Trade (Organization) --- Telecommunicatie: algemeenheden --- Wereldhandelsorganisatie (WHO). Algemene overeenkomst voor handel en tarieven (GATT) --- Intellectual property - European Economic Community countries - Congresses --- Audio-visual materials - Law and legislation - European Economic Community countries - Congresses --- Copyright - Motion pictures - European Union countries. --- Copyright - Broadcasting rights - European Union countries --- UNION EUROPEENNE --- POLITIQUE DE L'AUDIOVISUEL
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