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Essays on the internationalization of Irish drama
English drama --- Theatrical companies --- Acting companies --- Acting troupes --- Companies, Theatrical --- Dramatic companies --- Theater companies --- Troupes, Acting --- Associations, institutions, etc. --- English literature --- Irish authors --- Appreciation --- History and criticism
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"Acting Companies and their Plays in Shakespeare's London explores the intimate and dynamic relationship between acting companies and playwrights in this seminal era in English theatre history. Siobhan Keenan's analysis includes chapters on the traditions and workings of contemporary acting companies, playwriting practices, stages and staging, audiences and patrons, each illustrated with detailed case studies of individual acting companies and their plays, including troupes such as Lady Elizabeth's players, 'Beeston's Boys' and the King's Men and works by Shakespeare, Jonson, Middleton, Brome and Heywood. We are accustomed to focusing on individual playwrights: Acting Companies and their Plays in Shakespeare's London makes the case that we also need to think about the companies for which dramatists wrote and with whose members they collaborated, if we wish to better understand the dramas of the English Renaissance stage."--Bloomsbury Publishing.
Theatrical companies --- Theater --- Acting companies --- Acting troupes --- Companies, Theatrical --- Dramatic companies --- Theater companies --- Troupes, Acting --- Associations, institutions, etc. --- History --- Literature and society --- Repertory theater
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Actors --- Theater --- Theatrical companies --- Production and direction --- Acting companies --- Acting troupes --- Companies, Theatrical --- Dramatic companies --- Theater companies --- Troupes, Acting --- Associations, institutions, etc. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting
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Met de cabaret-musical Land te koop nemen Thea Doelwijt en Henk Tjon het Surinaamse en Nederlandse publiek in 1973 mee op ontdekkingsreis door Suriname. Na het succes van deze voorstellingenreeks richt het duo een vast gezelschap op: het Doe-theater. In de tien jaar die volgen groeit dit theatergezelschap uit tot een begrip in Suriname. Het Doe-theater streeft een professionele en eigen theatervorm na waarin alle Surinaamse culturen zichzelf kunnen herkennen en waarmee de bevolking bewust wordt gemaakt van misstanden in de samenleving. Door deze combinatie van professioneel, multicultureel en maatschappijkritisch theater heeft het Doe-theater een unieke plek in de culturele geschiedenis van Suriname. Lachen, huilen, bevrijden beschrijft het reilen en zeilen van het Doe-theater tegen de achtergrond van een veelbewogen Surinaamse geschiedenis. Het portret dat zo ontstaat, is gebaseerd op het privéarchief van Thea Doelwijt, interviews met voormalige Doe-theaterleden en andere betrokkenen en Surinaamse en Nederlandse krantenartikelen. Foto’s, liederen, theaterteksten en de bijgevoegde documentaire Libi Span van Jan Venema geven een levendig beeld van het Suriname van toen.
Theatrical companies --- Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Acting companies --- Acting troupes --- Companies, Theatrical --- Dramatic companies --- Theater companies --- Troupes, Acting --- Associations, institutions, etc. --- Doe-theater. --- History. --- Doelwijt, Thea,
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A close scrutiny of how theatre companies operate is an often neglected aspect of theatre life in Africa, yet, as companies profiled here grapple with the issues of 'creativity and collaboration' much is revealed about the way theatre companies across the continent face the challenges of financial constraints, the political complications of sponsorship and funding, the need for creative or intellectual freedoms, the intricacies of contracts and the crucial decisions about venues and audiences. Volume Editor: JAMES GIBBS, University of the West of England. The contributors include: DEXTER LYNDERSAY, FOLUKE OUGUNLEYE, SIRI LANGE, ALLY MKUMBILA, BRACCO CHITOSA, MANFRED LOIMEIR, LUCY RICHARDSON, CHRISTINE MATZKE, VICTOR S. DUGGA, PATRICK-JUDE OTEH, BASIL JONES, MICHAEL WALLING, BRITISH COUNCIL, JOS REPERTORY THEATRE.
Theater --- Theatrical companies --- Acting companies --- Acting troupes --- Companies, Theatrical --- Dramatic companies --- Theater companies --- Troupes, Acting --- Associations, institutions, etc. --- Audience. --- Creative Collaboration. --- Financial Constraints. --- Intellectual Freedoms. --- Political Complications. --- Theatre Companies. --- Venue.
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Offers an in-depth reinterpretation of Philip Henslowe's records of new plays, develops a novel account of how theatre companies copied and adapted plays in one another's repertories, and reconstructs an early modern cluster of Hieronimo plays that also allows us to reimagine Ben Jonson's career as an actor.
English drama --- Theatrical companies --- History and criticism. --- History --- Henslowe, Philip, --- Kyd, Thomas, --- Acting companies --- Acting troupes --- Companies, Theatrical --- Dramatic companies --- Theater companies --- Troupes, Acting --- Associations, institutions, etc. --- Theatrical science --- Drama --- English literature --- drama [discipline] --- anno 1600-1699
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Theater --- Theatrical companies --- Women and literature --- Acting companies --- Acting troupes --- Companies, Theatrical --- Dramatic companies --- Theater companies --- Troupes, Acting --- Associations, institutions, etc. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History --- Glaspell, Susan, --- Cook, George Cram, --- Cook, Susan, --- Glaspel, Susan, --- Stage history. --- Provincetown players. --- Glaspell, Susan
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"Drawing on underexplored and only recently available archives, author Chrystyna Dail examines the influence of Stage for Action--a significant yet previously unstudied agitprop theatre group founded in 1943--on social activist theatre in the 1940s, early 1950s, and beyond"--
HISTORY / United States / 20th Century. --- PERFORMING ARTS / Theater / General. --- PERFORMING ARTS / Theater / History & Criticism. --- Theater --- Theater and society --- Theatrical companies --- Actors --- Society and theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Acting companies --- Acting troupes --- Companies, Theatrical --- Dramatic companies --- Theater companies --- Troupes, Acting --- Associations, institutions, etc. --- Political aspects --- History --- Social status --- Social aspects --- Stage for Action (Theater company) --- History.
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Eva Griffith's book fills a major gap concerning the world of Shakespearean drama. It tells the previously untold story of the Servants of Queen Anna of Denmark, a group of players parallel to Shakespeare's King's Men, and their London playhouse, The Red Bull. Built in vibrant Clerkenwell, The Red Bull lay within the northern suburbs of Jacobean London, with prostitution to the west and the Revels Office to the east. Griffith sets the playhouse in the historical context of the Seckford and Bedingfeld families and their connections to the site. Utilising a wealth of primary evidence including maps, plans and archival texts, she analyses the court patronage of figures such as Sir Robert Sidney, Queen Anna's chamberlain, alongside the company's members, function and repertoire. Plays performed included those by Webster, Dekker and Heywood - entertainments characterised by spectacle, battle sequence and courtroom drama, alongside London humour and song.
Public buildings --- Theatrical science --- anno 1600-1699 --- London --- Theaters --- Theatrical companies --- Acting companies --- Acting troupes --- Companies, Theatrical --- Dramatic companies --- Theater companies --- Troupes, Acting --- Associations, institutions, etc. --- Opera-houses --- Playhouses (Theaters) --- Theatres --- Arts facilities --- Auditoriums --- Centers for the performing arts --- Music-halls --- History --- Red Bull Theatre (London, England) --- Queen's servants (Theater company) --- History.
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Theater --- French drama --- Theatrical companies --- Théâtre français --- Calendars. --- History --- Sources. --- History and criticism. --- Histoire et critique --- -Theater --- -Theatrical companies --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- French literature --- Acting companies --- Acting troupes --- Companies, Theatrical --- Dramatic companies --- Theater companies --- Troupes, Acting --- Associations, institutions, etc. --- History and criticism --- Calendars --- -History --- -French drama --- -History and criticism --- Sources --- Théâtre français --- -Acting companies --- Dramatics --- History&delete& --- Theater - Sweden - Stockholm - Calendars. --- Theater - Sweden - Stockholm - History - 18th century - Sources. --- French drama - 18th century - History and criticism. --- Theatrical companies - France - History - 18th century.
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