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Book
"Dat is architectuur" : sleutelteksten uit de twintigste eeuw
Authors: --- ---
Year: 2001 Publisher: Rotterdam 010

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Sacred Geometry
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ISBN: 0802713823 Year: 2001 Publisher: New York Walker

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Book
De oorsprong van de moderne architectuur : Een geschiedenis in documenten
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Year: 1990 Publisher: Nijmegen SUN

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Book
Livre d'architecture ... contenant les plans & dessaings de ciquante bastimens tous differens, pour instruire ceux qui desirent bastir, soyent de petit, moyen ou grand estat
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Year: 1559 Publisher: Paris par Benoist Prevost

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Book
Des fortifications et artifices architecture et perspective de Jaques Perret gentilhomme savoysien
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Year: 1590 Publisher: Thomas de Leu

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Book
Architectura: die hooghe ende vermaerde conste bestaende in vijf manieren van edifitien, als thuscana, dorica, ionica, corinthia ende composita, dese zijn alhier ghestelt met de fondamentale aenwijsende reghelen...Item alhier noch by ghevoecht veel schoone heerlicke anticque edifitien als mede eenighe moderen ghebouwen...
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Publisher: Henric. Hondius

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Digital
De architectura libri decem
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Year: 1649 Publisher: Amstelodami apud Ludovicum Elzevirium

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Book
The machine : designing a new industrial revolution : [exhibition] : Hasselt, C-mine, June 2 to October 7 2012
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ISBN: 9789074605564 Year: 2012 Publisher: Hasselt Provincie Limburg

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Book
The theory of architecture: concepts, themes & practices
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ISBN: 0471285331 Year: 1994 Publisher: New York John Wiley and Sons

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Book
Crossroads: History of Science, History of Art : Essays by David Speiser, vol. II
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ISBN: 9783034801393 Year: 2011 Publisher: Basel Springer Basel

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This collection of essays on relationships between science, history of science, history of art and philosophy is a multi-faceted sequel to the first volume, Discovering the Principles of Mechanics 1600-1800, published in 2008. During his career, David Speiser was first and foremost a theoretical physicist with first-hand knowledge of how fundamental research is carried out, but he was also a historian of science and editor of historical writings as well as a keen observer of works of art and architecture. In these essays he compares and contrasts artistic creations with scientific discoveries, the work of the artist and that of the scientist, and process of analysis of the art historian to that of the historian of science. What is revealed is how the limits of individual disciplines can be pushed and sometimes completely overcome as the result of input from and interactions with other fields, and how progress may even be impossible without such interactions. The reflections elucidated here refute the idea, so engrained in our thinking today, of the ˜two cultures', and underline the unity rather than the diversity inherent in creative thought both scientific and artistic. Contained here are ten papers, all newly edited with updated references, four of which have been translated into English for the first time, and completed with an index of names. Intended for the specialist and non-specialist alike, these essays set before us a feast of ideas.

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