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226.2 --- Evangelie volgens Matteüs --- Bible. --- Criticism, interpretation, etc.

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In this important and innovative study Jon Klancher shows how the Romantic age produced a new discourse of the 'Arts and Sciences' by reconfiguring the Enlightenment's idea of knowledge and by creating new kinds of cultural institutions with unprecedented public impact. He investigates the work of poets, lecturers, moral philosophers, scientists and literary critics - including Coleridge, Godwin, Bentham, Davy, Wordsworth, Robinson, Shelley and Hunt - and traces their response to book collectors and bibliographers, art-and-science administrators, painters, engravers, natural philosophers, radical journalists, editors and reviewers. Taking a historical and cross-disciplinary approach, he opens up Romantic literary and critical writing to transformations in the history of science, history of the book, art history, and the little-known history of arts-and-sciences administration that linked early-modern projects to nineteenth- and twentieth-century modes of organizing 'knowledges'. His conclusions transform the ways we think about knowledge, both in the Romantic period and in our own.

Knowledge, Theory of --- Romanticism --- Science and the humanities --- Associations, institutions, etc. --- Books and reading --- Appraisal of books --- Books --- Choice of books --- Evaluation of literature --- Literature --- Reading, Choice of --- Reading and books --- Reading habits --- Reading public --- Reading --- Reading interests --- Reading promotion --- Institutions, associations, etc. --- Networks (Associations, institutions, etc.) --- Organizations --- Voluntary associations --- Voluntary organizations --- Social groups --- Voluntarism --- Humanities and science --- Humanities --- Epistemology --- Theory of knowledge --- Philosophy --- Psychology --- History --- History. --- Appraisal --- Evaluation --- London (England) --- Intellectual life --- Arts and Humanities

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Maps a coherent subfield of Romantic periodical studies through studying the trailblazing Blackwood's Edinburgh Magazine An introduction by two established scholars that articulates a case for the more sustained, systematic study of Romantic periodicals and justifies the volume's focus by retracing Blackwood'semergence as the era's most innovative, influential and controversial literary magazine. Features eleven essays modelling how the wide-ranging commentary, reviews and original fiction and verse published in Blackwood's during its first two decades (1817-37) might meaningfully inform many of the most vibrant contemporary discussions surrounding British Romanticism. Contributes to field-wide bicentenary celebrations and reappraisals both of Blackwood's and the authors and works - including Shelley's Frankenstein, Byron's Don Juanand Keats's Poems- whose reputations the magazine helped shape. This book pioneers a subfield of Romantic periodical studies, distinct from its neighbours in adjacent historical periods. Eleven chapters by leading scholars in the field model the range of methodological, conceptual and literary-historical insights to be drawn from careful engagements with one of the age's landmark literary periodicals, Blackwood's Edinburgh Magazine. Engaging with the research potential unlocked by new digital resources for studying Romantic periodicals, they argue that the wide-ranging commentary, reviews and original fiction and verse published in Blackwood'sduring its first two decades (1817-37) should inform many of the most vibrant contemporary discussions surrounding British Romanticism.

Economics --- Art