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Europeans in African art --- Art, African --- Photography --- Photography, Artistic
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Art, African. --- Europeans in African art. --- Spirit possession --- History
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Art, African. --- Europeans in African art. --- Spirit possession --- Art africain --- Européens dans l'art africain --- Possession par les esprits --- History. --- Histoire --- #SBIB:39A5 --- #SBIB:39A10 --- -Europeans in African art --- Art, African --- African art --- Art, Sub-Saharan African --- Sub-Saharan African art --- Possession, Spirit --- Experience (Religion) --- Kunst, habitat, materiële cultuur en ontspanning --- Antropologie: religie, riten, magie, hekserij --- History --- Européens dans l'art africain --- Europeans in African art
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Europeans in African art. --- Figure sculpture, African --- Sculpture, African --- Themes, motives. --- Ethnology. Cultural anthropology --- Art --- History of Africa --- modern East African --- Yoruba fine arts styles --- Tsonga [Eastern Zambian] --- Merina --- Southern Africa
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"Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor and violence reveals deep insights into the psychology of power and resistance that continues to operate in the region today. Her argument is built on a set of works of art and demonstrates the important role that patronage and political and social history played in their creation. Strother conveys Central African ideas about how the therapeutic power of humor can initiate social change and upset power relations between oppressors and oppressed. This analysis plunges seemingly benign figures into a maelstrom of violence and crime -- rape, murder, torture, and forced labor on a massive scale. By restoring the dialectic of humor, this study reveals the complicated psychological codependency of Africans and Europeans over a long period of history and maintains that art plays a mediating function in the mechanics and ethics of power."--Front cover flap.
C3 --- Congo [historische term land Congo -CG] --- kolonialisme --- slavernij --- kunstenaars --- KADOC - Documentatie- en Onderzoekscentrum voor Religie, Cultuur en Samenleving (1977-) --- Kunst en cultuur --- Art --- ethnic art --- Europe: persons --- West Africa --- Europeans in African art. --- Wit and humor in art. --- Violence in art. --- Art, Congolese (Democratic Republic) --- Art, African --- Themes, motives. --- #SBIB:39A5 --- #SBIB:39A73 --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Afrika --- imago
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Le parti pris de cet ouvrage va à l'encontre des études anthropologiques classiques qui ont toujours privilégié le regard occidental. Cette fois, c'est le regard de " l'Autre ", qu'il soit Africain, Océanien, ou Américain, qui nous est présenté, et c'est l'homme blanc qui est l'individu curieux, objet de tous les fantasmes. À travers une histoire de la colonisation, grâce à une importante documentation et une iconographie exceptionnelle, cet ouvrage donne à voir les objets d'art qui représentent l'homme blanc dans les civilisations non occidentales. Une iconographie riche et variée présente ces œuvres qui se trouvent dans les musées du monde entier (les colons : statuettes représentant les occidentaux, les totems des Indiens d'Amérique).
Art, African --- Art, Asian --- Art, Pacific Island --- Europeans in African art. --- Indian art --- Art africain --- Art asiatique --- Art océanien --- Européens dans l'art africain --- Art indien d'Amérique --- Themes, motives --- Thèmes, motifs --- Whites in art --- White people in primitive arts. --- Art océanien --- Européens dans l'art africain --- Art indien d'Amérique --- Thèmes, motifs --- Themes, motives. --- kunst --- iconografie --- wit --- kunstgeschiedenis --- portretkunst --- beeldhouwkunst --- schilderkunst --- kolonialisme --- 7.041
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