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Diego Rivera Museum. --- etnische kunst. --- Rivera, Diego. --- Mexico.
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Espace Diego Rivera (Lyon). --- muurschilderkunst. --- Rivera, Diego. --- Lyon.
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Art museums --- Indian art --- Art indien d'Amérique --- Museo Diego Rivera (Mexico) --- Mexico --- Mexique --- Antiquities --- Antiquités
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Catalogue officiel de l’exposition "Frida Kahlo et Diego Rivera, L'art en fusion" au musée de l’Orangerie du 9 octobre au 13 janvier 2014. Si Frida Kahlo (1907-1954) est aujourd’hui l’une des artistes les plus connues et les plus populaires de l’art mexicain du XXe siècle, c’est bien sûr grâce à sa personnalité et à l’originalité d’une œuvre qui échappe à toute tentative de classification. L’œuvre est ici avant tout l’expression du récit d’une vie. Vie tragique et tumultueuse, échappant à son tour à toute convention, connue dans le moindre détail et récemment portée à l’écran, faisant d’elle une véritable icône. La seule évocation de son nom soulève enthousiasme et admiration, pourtant son œuvre est peu montrée. Sa production artistique, quelque 200 œuvres, n’a fait l’objet que de quelques rares expositions en Europe. Exposée pour la première fois en France, dans l’un de ses musées les plus prestigieux, la sélection proposée par le musée Olmedo, d'environ 38 œuvres, inclut des œuvres qui ont contribué à la renommée internationale de l’artiste, comme les autoportraits, parmi lesquels le très célèbre Autoportrait à la colonne brisée. La vie et l’œuvre de Frida Kahlo sont indissociables de celles de son compagnon Diego Rivera (1886-1957). Ils sont entrés ensemble dans la légende et figurent tous deux au panthéon des artistes mexicains du XXe siècle. Célèbre pour ses grandes peintures murales, les peintures de chevalet, dessins, lithographies, qui constituent une part importante de sa production, sont moins connues du grand public en Europe. Le propos de l’exposition est de retracer son cheminement artistique, depuis les premières œuvres cubistes, témoignages de ses liens avec le milieu artistique parisien, jusqu’à celles qui firent de lui le fondateur de l’école mexicaine du XXe siècle. L’exposition est une invitation à découvrir les multiples facettes de l’art de Rivera dont les voyages à travers l’Europe, ont nourri sa vision et son répertoire sans l’éloigner de ses racines. Il s’inscrira ainsi dans l’histoire comme le fondateur de l’école nationaliste. L'originalité de l'exposition consacrée au couple mythique incarné par Diego Rivera et Frida Kahlo consiste à présenter leurs œuvres ensemble, comme pour confirmer leur divorce impossible, effectif dans les faits mais aussitôt remis en question après une seule année de séparation. Elle permettra aussi de mieux entrevoir leurs univers artistiques, si différents, mais également si complémentaires, par cet attachement commun et viscéral à leur terre mexicaine : cycle de la vie et de la mort, révolution et religion, réalisme et mysticisme, ouvriers et paysans.
Museo Dolores Olmedo (Mexico City) --- surrealisme --- propaganda --- communisme --- Kahlo, Frida --- Rivera, Diego --- Olmedo, Dolores --- Histoire de la peinture --- Mexique --- Frida Kahlo (1907-1954) --- Diego Rivera (1886-1957) --- Museo Dolores Olmedo (Mexico City). --- surrealisme. --- propaganda. --- communisme. --- Kahlo, Frida. --- Rivera, Diego. --- Olmedo, Dolores. --- kunstfilosofie.
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20e eeuw --- 75.071 --- Diego Rivera --- moderne kunst --- muurschilderkunst --- schilderkunst --- schilders --- 7.071 RIVERA, DIEGO --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--RIVERA, DIEGO --- Rivera, Diego, --- Rivera Barrientos, Diego María, --- Barrientos, Diego María Rivera, --- ריװערא, דיעגא, --- Exhibitions. --- Exhibitions --- Rivera, Diego --- Art --- paintings [visual works] --- mural paintings [visual works] --- drawings [visual works] --- sculpture [visual works] --- frescoes [paintings] --- oil paint [paint] --- tempera --- landscapes [representations] --- portraits --- Aztec [culture or style]
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Industries in art --- Mural painting and decoration, Mexican --- 75.07 --- Diego Rivera 1886-1957 (° Guanajuato, Mexico) --- Muralisten ; Mexicaanse --- Muurschilderkunst ; 1933 ; Detroit Institute of Arts ; D. Rivera --- Schilderkunst ; Mexico ; 20ste eeuw --- Thema's in de schilderkunst ; industrie --- Mexican mural painting and decoration --- Industry in art --- Themes, motives --- Schilderkunst ; schilders --- Kahlo, Frida. --- Rivera, Diego, --- Rivera Barrientos, Diego María, --- Barrientos, Diego María Rivera, --- ריװערא, דיעגא, --- Kahlo de Rivera, Frida --- Rivera, Frida Kahlo de --- De Rivera, Frida Kahlo --- Khalo, Frida --- Kahlo y Calderón, Magdalena Carmen Frida --- Calderón, Magdalena Carmen Frida Kahlo y --- Calderón, Frida Kahlo --- Kahlo, Frieda --- Кало, Фрида --- קאלו, פרידה --- Criticism and interpretation. --- Rivera, Diego --- Kahlo, Frida
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"In this book, Kennedy challenges how environmental sociologists and others determine who cares about the environment. Shifting the attention away from an individual's values or impact, she instead focuses on the relationship between people and the environment. She examines Americans' affinity for the environment in their own lives, how they understand the severity of environmental decline, and their sense of moral responsibility and efficacy to reduce their ecological impact. Drawing on this data, she describes five archetypal eco-social relationships that capture the variation in how people experience ecological decline: the Eco-Elite, who emulate the cultural ideal; the Self-Effacing, who wish they could; the Fatalists, who believe shopping for change is not a powerful enough tool to protect the planet; the Optimists, who are angry that their relationship to the environment is misunderstood and devalued; and the Peripheral, who observe these dynamics from the side lines and whose own experiences of ecological decline are overshadowed by the omnipresence of the eco-conscious consumer. In both the public imaginary and the scholarly literature, there is a powerful narrative that some people are pro-ecological, and care about the environment, and others are anti-ecological, and uncaring. Kennedy argues that misunderstanding who cares about the environment exacerbates social divisions and compromises the power of civil society to be a force for equitable environmental reform"--
Environmental responsibility. --- Environmental responsibility --- Activism. --- Adult. --- Air pollution. --- Auction. --- Benefit corporation. --- Carbon footprint. --- Career. --- Christie's. --- Civic engagement. --- Civil society. --- Climate change. --- College town. --- Compost. --- Conservatism. --- Consumerism. --- Cultural capital. --- Cultural hegemony. --- Cycling. --- Dichotomy. --- Diego Rivera. --- Ecofeminism. --- Ecological crisis. --- Ecological resilience. --- Ecology. --- Ecosystem. --- Electric car. --- Employment. --- Environmental Values. --- Environmental economics. --- Environmental issue. --- Environmental justice. --- Environmental law. --- Environmental movement. --- Environmental organization. --- Environmental politics. --- Environmental protection. --- Environmental sociology. --- Environmentalism. --- Environmentalist. --- Environmentally friendly. --- Ethical Consumer. --- Ethical consumerism. --- Extended producer responsibility. --- Externality. --- Family farm. --- Fatalism. --- Food waste. --- Forestry. --- Fossil fuel. --- Gardening. --- Great Pacific garbage patch. --- Greenwashing. --- HVAC. --- Household. --- Income. --- Ingredient. --- Innovation. --- Keeping up with the Joneses. --- Left-wing politics. --- Liberal elite. --- Liberalism. --- Local community. --- Loyalty. --- Millennium Ecosystem Assessment. --- Moral authority. --- Moral responsibility. --- Multivariate analysis. --- New Narrative. --- Nonprofit organization. --- Omnivore. --- Optimism. --- Organic food. --- Payment. --- Pesticide. --- Plastic pollution. --- Power structure. --- Public Culture. --- Public company. --- Recycling. --- Renewable energy law. --- Requirement. --- Respondent. --- Result. --- Rural area. --- Save the Planet. --- Scholarship. --- Self-efficacy. --- Sierra Club. --- Social environment. --- Social science. --- Sustainable business. --- Sustainable consumption. --- Take-out. --- Tate. --- The Righteous Mind. --- Tote bag. --- Tupperware. --- Volunteering. --- Western world. --- Yogurt.
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