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Francesco Vezzoli
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ISBN: 0847839826 9780847839827 Year: 2020 Publisher: New York Rizzoli

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The definitive monograph on the celebrated Italian artist. Francesco Vezzoli has become famous for a body of work that belies both a fascination for and a revulsion toward celebrity culture. His wide-ranging works create a thriving nexus of art, celebrity, fashion, and cinema that is reflected in his splashy live performances. This book is organized as a seductive anthology of projects, each introduced by a distinguished art critic, curator, or chronicler of modern culture. These enduring collaborations reveal the many touchstones that make up the artist's universe: modernity and retro, Hollywood Babylon and personal obsessions, icons of camp and high culture, haute couture and kitsch. Produced in close collaboration with the artist, the book design features a die-cut case and embroidered pages.


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Las Vegas the big room
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ISBN: 2226026924 9782226026927 Year: 1986 Publisher: Paris Albin Michel

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Book
Generation X
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ISBN: 9782930777108 2930777109 Year: 2015 Publisher: Bruxelles Triangle Books

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Célébrités à l'affiche
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ISBN: 2880012546 9782880012540 Year: 1989 Publisher: [Lieu de publication inconnu]: Conti,


Book
Movie comics
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ISBN: 0813572274 9780813572277 9780813572284 0813572282 9780813572260 0813572266 9780813572253 0813572258 0813563860 Year: 2017 Publisher: New Brunswick, New Jersey

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As Christopher Nolan’s Batman films and releases from the Marvel Cinematic Universe have regularly topped the box office charts, fans and critics alike might assume that the “comic book movie” is a distinctly twenty-first-century form. Yet adaptations of comics have been an integral part of American cinema from its very inception, with comics characters regularly leaping from the page to the screen and cinematic icons spawning comics of their own. Movie Comics is the first book to study the long history of both comics-to-film and film-to-comics adaptations, covering everything from silent films starring Happy Hooligan to sound films and serials featuring Dick Tracy and Superman to comic books starring John Wayne, Gene Autry, Bob Hope, Abbott & Costello, Alan Ladd, and Dean Martin and Jerry Lewis. With a special focus on the Classical Hollywood era, Blair Davis investigates the factors that spurred this media convergence, as the film and comics industries joined forces to expand the reach of their various brands. While analyzing this production history, he also tracks the artistic coevolution of films and comics, considering the many formal elements that each medium adopted and adapted from the other. As it explores our abiding desire to experience the same characters and stories in multiple forms, Movie Comics gives readers a new appreciation for the unique qualities of the illustrated page and the cinematic moving image.

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