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Meester van het Retabel van Rouen : documentatiemap
Publisher: Antwerpen

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Van Eyck : L'agneau mystique
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Year: 1967 Publisher: Gand: [chez l'auteur],

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Van Eyck : L'agneau mystique
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Year: 1972 Publisher: Gand: [chez l'auteur],

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Der Meister des Bartholomäusaltares.
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Year: 1941 Publisher: Bonn : Röhrscheid,

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Meester van het Bartholomeus-altaar : documentatiemap
Publisher: Antwerpen

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Une Maria in sole inédite par le Maître du retable de saint Barthélémy
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Year: 1989 Publisher: Köln DuMont

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A victim of anonymity : the Master of the Saint Bartholomew Altarpiece
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ISBN: 0500550263 9780500550267 Year: 1993 Volume: 25 Publisher: London Thames & Hudson

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Are there miscarriages of justice in art history ? Neil MacGregor believes there are. However great an artist, if his name is lost he will not receive a fair verdict from posterity. No exhibitions will be devoted to his work ; no books will be written about him ; he will not even figure in indexes. Among these neglected geniuses is the 15th century painter known only as the Master of the Saint Bartholomew Alterpiece. He may have been Netherlandish or German ; he may or may not have been a monk. On stylistic grounds an oeuvre of half a dozen paintings, three of them large altarpieces, are attributed to him, and from them a vivid, if hypothetical, personality can be built up : emotional, compassionate, observant, original, humorous. All that is certain is that he was a great painter whose name, if known, would rank with Botticelli or Holbein. In "A victim of anonymity", the director of the National Galley, London, corrects the judgement of history by demonstrating the power of this unacknowleged master. MacGregor makes us look closely at works that are all too easily passed over, showing us a peerless artist whose paintings derive their frame from nothing but their own superlative merits.


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The fourteenth century
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Year: 1986 Publisher: Florence : Giunti,

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Gemalte Skulpturenretabel
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ISBN: 3110430231 3110438879 3110430339 Year: 2017 Publisher: De Gruyter

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Zahlreiche mitteleuropäische Tafelgemälde des 15. Jahrhunderts nehmen Bezug auf ästhetische Phänomene an ihrem ursprünglichen Aufstellungort. Diese Rekurse werden in Gemälden des Heisterbacher Altars, des Kirchenväter-Altars von Michael Pacher, des Nürnberger Augustiner-Altars und des Bartholomäus-Altars näher bestimmt; ausführlich werden ihre Funktionen wie die Vermittlungsleistung, die verschiedenen Ausprägungen ästhetischer Reflexion sowie ein inhärenter Ikonoklasmus erörtert. Im Fokus stehen dabei die damals weit verbreiteten gemalten Skulpturenretabel mit nebeneinander gereihten Heiligen.


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Les volets peints du retable de la Vie de la Vierge conservé à Rouen
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Year: 1996 Publisher: Antwerpen Koninklijk Museum voor Schone Kunsten

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